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14 actors I really dig

There’s a bit of a meme going on in Swedish film blogging circles. The idea is simple: list your seven favorite male and female actors. I’m participating too, although loosely. I’m not saying these are my very favorites, as that tends to change from day to day and I might have forgotten someone. These are, however, seven men and seven women whose work I really enjoy, either because they constantly deliver great performances, or because they possess some hard-to-define quality that makes my brain happily go “ding!” whenever I spot their names on a cast list.

First, some honorable mentions…

Kevin Spacey: Had I written this post 10 years ago, he’d be a shoo-in for sure. Alas, he hasn’t had many truly great roles lately.
Kirsten Dunst: She has been underrated ever since she lit up the screen in Interview with the Vampire in 1994, and only recently has she started getting the critical acclaim she deserves.
Al Pacino: Another one whose heyday is behind him, Pacino has tons of maniacally energetic performances on his CV.
Rosario Dawson: Effortlessly charming, possibly the hottest woman on this planet, and probably with her best work still ahead of her.
Jason Statham: The bona fide action star of the millennium.
Ellen Page: At 25 years of age, she has already amassed a number of impressive lead and supporting roles. What does the future hold for her?

On to the list proper. This is in randomly generated order.

MV5BMTMzODkzOTU4OV5BMl5BanBnXkFtZTcwMzU0ODE5NA@@._V1._SX640_SY920_Catherine Keener

When I watch Keener play one of her evil characters, I can not imagine here ever being good. When I watch her play one of her good characters, I can not imagine her ever being evil. Her impressive range is perhaps her strongest quality and she has proven to only get better with age. When she got her first Oscar nomination for playing manipulative seductress Maxine in Being John Malkovich, she was already 40 years old. Since then – and before – she has kept putting in affecting performances no matter how small or large a part she plays.

3 great performances
Living in Oblivion – pulling off the difficult task of acting like you’re acting, both badly and well.
Being John Malkovich – toying with John Cusack with equal measures of bitchy and funny.
An American Crime – playing one of the most despicable abusive mothers in recent history.

Anthony_Hopkins_0001Anthony Hopkins

While there is a lot to be said for physical transformations and chameleon actors who are nigh-unrecognizable from one film to the next, perhaps even more impressive is someone like Hopkins. He always looks more or less the same, and yet he disappears into roles like few others. A master of mannerisms, body language, and voice, Hopkins portrays clearly defined characters utterly convincingly. Never one to turn down a paycheck, he appears in many films that might not make full use of his talents, but you will never see him slumming it or sleep-walking through a role. Hopkins always delivers.

3 great performances
The Silence of the Lambs – somehow making a mere 16 minutes of screen time into the one thing people associate the film with.
The Remains of the Day – redefining “emotionally restrained”.
The World’s Fastest Indian – completely inhabiting a man jovially dead-set on accomplishing his dream.

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Posted by on 18 January, 2013 in Misc.

 

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My Top 10 Favorite Movies of 2001

Time to set the time machine to 2001, a year that like many others had a great deal of great films to offer. There’s a nice mix to be had with this list, I think. Sure, it leans slightly towards comedy as my lists tend do – although there’s nothing here that i’d classify strictly as a laugh-out-loud type of movie – but there is some international variety. USA, France, Spain and Norway are all represented in one way or another.

I don’t normally do honorable mentions for these lists, but I do need to give a shout-out to The Lord of the Rings: The Fellowship of the Ring. The trilogy as a whole is a remarkably ambitious cinematic accomplishment which does such a great job of bringing the world of the novels to life. Both The Two Towers and The Return of the King barely missed out on spots on their respective year lists. The Fellowship of the Ring – my personal favorite of the three – was sitting at #9 on this list at first draft. Then along came a movie I hadn’t seen before (#7), and Fellowship got bumped down. And then I realized a teriffic film I thought belonged to 2000 was actually released in 2001 (#2), and just like that, Fellowship dropped off. So an honorable mention goes out to that film and, by extension, the entire Lord of the Rings trilogy.

On to the list proper. As always, this is 2001 as listed on IMDB to avoid confusion with international release dates.

10 – HUMAN NATURE (Michel Gondry)

“Remember: when in doubt, don’t ever do what you really want to do.”

The most overlooked of the films written by Charlie Kaufman, Human Nature is a movie of many questions about – of course – human nature. What’s fun is the strange ways in which it goes about asking them. The central characters are a scientist (Tim Robbins) trying to teach mice to have a formal dinner, a man (Rhys Ifans) who grew up in the wilderness thinking himself to be an ape, and a woman (Patricia Arquette) who voluntarily abandoned civilization as an adult due to feeling out of place because of her thick body hair. This story proves to be a good fit for Michel Gondry, here making his feature film debut and immediately establishing his unique style – how many directors would go with a sudden Disney-esque song number in a film like this? Human Nature is both funny and thought-provoking, and it deserves more attention than it tends to get.

9 – A KNIGHT’S TALE (Brian Helgeland)

“Now that I got their attention, you go and win their hearts.”

Wikipedia describes this as an action-adventure film. This is false. A Knight’s Tale is very much a sports movie, with all the familiar story elements and tropes associated with the genre. It just so happens to take place in medieval times, with the sport in question being jousting. What makes the film stand out even more is the anachronistic music. Here we have a dance scene in at the royal court set to David Bowie’s “Golden Years”, and joust audiences clapping along to Queen’s “We Will Rock You”. Heath Ledger makes for an effective protagonist, Shannyn Sossamon is as radiant as ever as his love interest, and Paul Bettany and Alan Tyduk as comedic sidekicks take turns to steal the movie. Often hilarious, always feel-good. A Knight’s Tale never fails to put a smile on my face.

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Posted by on 25 January, 2012 in Lists, Top 10 of a year

 

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15 great movies from the 2000’s you probably haven’t seen

If you’re anything like me, you’re always on the lookout for more films to add to your already-too-large list of movies to watch. However, if you’re anything like me, you’re also very active in your pursuit. You read forum threads, blogs, critics lists of great films and so on. You’re already aware of most of the big blockbusters, most of the year’s critical darlings and everything inbetween. Finding new stuff gets harder and harder. Everybody knows of The Dark Knight. All but the most casual moviewatchers know of Memento. And while the average Joe might not be the slightest bit aware of foreign films like Oldboy or American indies like Winter’s Bone, a movie nut like you already saw them a long time ago. Twice. They’re hardly obscure among film fanatics.

But then there are the films that nobody ever talks about. The casual movie watcher never heard of them. The movie nuts skimmed them over. The critics reviewed them and forgot about them a month later. They rarely if ever pop up in online discussions, or blog posts, or anywhere.

And yet they’re movies I found myself really enjoying for various reasons. So if you’re looking for more movies to add to your watch list, you could do a hell of a lot worse than these 15 films from the past decade.

CASHBACK (Sean Ellis, 2006)

After a bad break-up, art student Ben (Sean Biggerstaff) suffers from insomnia. Not knowing what to do with all his extra free-time, he takes a nightshift job at a supermarket where he discovers he can freeze time at will.

Cashback is a delightfully funny British comedy. Ben’s new co-workers is a colorful bunch that all get their shots at providing laughs, whether it’s his overbearing boss, the kung fu expert or the juvenile slackers. The time-stopping thing mentioned above is not a gimmick the movie uses to base all its jokes and plot around. Rather, it provides time for Ben to reflect on how he views the world, his situation and the women around him. There’s plenty of monologues and flashbacks to flesh out his character, which makes for a nice counterpoint to the movie’s more humorous side. Also featured is a fairly touching romance developing between him and co-worker Sharon (Emilia Fox), as well as plenty of gratuitous nudity. So there’s something for everyone!

THE RULES OF ATTRACTION (Roger Avary, 2002)

Here’s another comedy, but one very different from the humor Cashback provides. The Rules of Attraction follows a couple of college students as they embark on various short-lived romances. Bisexual Paul (Ian Somerhalder) is attracted to bad boy Sean (James Van Der Beek), who’s pursuing the virgin Lauren (Shannyn Sossamon), who’s saving herself for Victor (Kip Pardue), who’s on a crazy vacation to Europe, and so on. But while there’s plenty of sex and partying going on, this is not your typical college sex comedy. This is comedy of the black kind, where every joke is punctuated with the despair and lack of direction that’s plaguing its protagonists’ generation. The characters are not likeable, but then they were never meant to be. It’s the second part of that sentence that differs The Rules of Attraction from most post-American Pie films in its genre.

The film is based on a novel of the same name, penned by American Psycho author Bret Easton Ellis. The book (featuring a very rambling and at times incohorent tone and multiple narrators, none of them reliable)  is one that you’d never think could work as a movie when you read it. Director Roger Avary (co-writer of Pulp Fiction) magically pulls it off, though. Highlighting the comedy yet never losing sight of the darkness, he comes up with plenty of clever and unusual solutions on how to present the haphazardly compiled events of the plot. It’s a captivating and isolated world we get to visit, one that will probably make you laugh as much as it makes you feel filthy.

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Posted by on 7 August, 2011 in Lists

 

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