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Flickcharting

I’ve mentioned the website Flickchart a few times here on the blog, most notably in this post where I explained what it’s all about. In short, it’s a site that presents you with endless pairs of movies and has you pick which one of the two you like better. With over 26,000 such choices so far, it’s fair to say that I’m a big fan.

I figured it might be fun to do 10 random match-ups and talk about my selections here. Hopefully it will give some idea of what qualities I value in films.

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Summer of Sam vs Rosemary’s Baby

I’ve seen eight movies by Spike Lee. I’ve liked all of them to some degree, except for one: Summer of Sam (okay, maybe Crooklyn wasn’t too hot either.) While Summer of Sam is a finely styled period piece, it doesn’t have much new to say that Lee hadn’t already said, and the characters failed to grip me. Rosemary’s Baby, on the other hand, earns its reputation as a horror classic. I got fully invested in the fate of Mia Farrow‘s character when I sat down to watch it, and the sense of paranoia is potent throughout. Repulsion may be my favorite of Roman Polanski‘s Apartment Trilogy, but Rosemary’s Baby isn’t far behind.
Winner: Rosemary’s Baby

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Equilibrium vs Mrs. Doubtfire

One dystopian sci-fi action flick versus one crossdressing family comedy. It’s not an entirely easy choice, actually. Robin Williams in Mrs. Doubtfire delivers the kind of high-energy performance that he’s so good at, and the story is sweet and effective. Equilibrium’s story isn’t particularly original, borrowing heavily from both 1984 and Fahrenheit 451, but the action scenes are really damn cool – even if the whole gun kata thing doesn’t make much logical sense. It’s also a film that grew on me quite a bit on a rewatch, whereas Mrs. Doubtfire is more a case of what you see is what you get. Dystopia wins the day.
Winner: Equilibrium

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Les Misérables vs Borat

Sacha Baron Cohen showdown! These are two great movies, both 5/5 in my book. Borat is hilarious with a lot of thought behind it, and Les Mis… well, faithful readers know how that one floored me earlier this year. I can watch Tom Hooper‘s musical over and over and seemingly never get tired of it. If anything, it just keeps getting better. What a wonderful story it is. Even Cohen’s most iconic character can’t trump it.
Winner: Les Misérables

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Posted by on 13 August, 2013 in Misc.

 

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The Films I Watched In 2011 Awards

As the year is approaching its end, it’s customary for bloggers and critics alike to do a top ten list of the best movies of the year. I won’t be doing that, because I haven’t seen nearly enough films of 2011 yet. A list like that from me is still a good half year away from meaning anything. So rather than reflecting strictly on the films released this year, I’d like to reflect on all the films I saw this year.

Thus, I present A Swede Talks Movies’ The Films I Watched In 2011 Awards! Or ASTMTFIWI2K11A, if you’re into the whole brevity thing. A bunch of random categories will be conjured for whatever films I feel like singling out for one reason or another.

This year I watched 229 movies I hadn’t seen before, from 19 different countries with release dates spanning from 1925 to 2011. A lot of it is from recent years, but I did check out a couple of older “you haven’t seen that one!?” flicks too. I saw my first ever films from Belgium, Brazil, Greece and Russia (Ben X, City of God, Dogtooth and Night Watch, respectively). I saw my first ever Charlie Chaplin movie (The Gold Rush) and got my first glimpse of Audrey Hepburn in Wait Until Dark. I watched highly regarded classics like Casablanca, The French Connection and the Alfred Hitchcock films Vertigo and Rear Window, as well as newer stuff like the brunt of the Best Picture Oscar nominees from the last ceremony. I saw great films like Man on Wire and A Single Man, and I saw crap like Season of the Witch.

For these awards, I’m only counting films I saw for the first time in 2011. Rewatches need not apply.

And now, on with the show!

Most Eyebrow-Raising “And Introducing” Credit Award
Winner: Kate Winslet – Heavenly Creatures

It kind of feels like Kate Winslet has been around forever, always turning in great performances. And yet there she was in Peter Jackson‘s teen murder drama Heavenly Creatures, her arrival on the big screen loudly heralded in the opening credits. As for the performance itself? A bit rough around the edges perhaps, but full of energy and enthusiasm.

Best Use Of A Urinating Baby Award
Winner: Hard-Boiled

Hard-Boiled was pretty kick-ass all around and could have gotten a shout-out for plenty of different things. But that baby putting out a fire by wetting himself really stood out. Patently ridiculous, but so good.

“What’s The Big Deal?” Award for A Beloved Film That Left Me Underwhelmed
Winner: Carrie
Runner-up: Withnail & I

While I did like Withnail & I less than Carrie, that one seems to be more of a cult classic than anything. Carrie has more wide-spread acclaim, which made it all the more disappointing to me. I’ve had more fun discussing the film with people afterwards than I had watching it.

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Posted by on 27 December, 2011 in Year End Awards

 

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