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My backlog for 2012

It’s getting to that time of the year where people start constructing their Top 10 lists of the best films from the past twelve months. I will of course not be doing this. Hell, I still haven’t gotten around to doing my 2011 list yet. You might remember a list I made back in January where I named all the 2011 films I wanted to see before I finalized my Top 10. Well, I still have eight movies or so left on that one.

Still, that’s no reason to not look to the future, or present, or what have you. I’m fantastically behind in my 2012 watching as well, as you can imagine, due to a combination of delayed Swedish release dates, laziness, and an ongoing desire to catch up with not just the newest stuff, but also 100+ years of cinema. I don’t imagine I’ll ever be ahead of the pack, but I’ll continue doing what I can to keep up.

Without further ado, here are the films I want to see before I put out my Top 10 Favorite Movies of 2012 list. Maybe they won’t be great, and maybe there are others I’ll see that will be, but this is my current personal check list. It could change in the future, I should point out. In alphabetical order:

Amour – because I ought to watch more Michael Haneke anyway.

Argo – because there is no reason to abandon the Ben Affleck train yet, considering how great Gone Baby Gone and The Town were.

Bachelorette – because I like comedy.

Beasts of the Southern Wild - 6

Beasts of the Southern Wild – because of the image above.

The Campaign – because Will Ferrell is funny, and so is Zach Galifianakis.

Celeste and Jesse Forever – because it’s always interesting to see funny people branch out.

Cloud Atlas – because ambition should be rewarded.

Cockneys vs Zombies – because even if only a few people are talking about it, they all seem to love it.

Compliance – because the premise intrigues.

Cosmopolis – because a friend emphatically told me that it would be right up my alley.

Django Unchained – because it’s Quentin Tarantino. Duh.

end-of-watch-posterEnd of Watch – because it somehow seems unfair to watch Rampart without seeing this one too.

Flight – because it’s Robert Zemeckis doing live action.

For a Good Time Call – because, much to my perplexity, someone told me I might possibly love it.

Frankenweenie – because in the middle of working on this blog post, I took a break to listen to the Oscar Talk podcast, and they had a lot of compelling praise for this one.

Hitchcock – because The Remains of the Day recently reminded me of what an amazing actor Anthony Hopkins is.

Holy Motors – because I have no idea what to expect from it.

Hyde Park on Hudson – because no matter how mediocre critical and public response has been, it’s still Bill Murray.

Killer Joe – because everyone seems to dig it.

Les Misérables – because big musicals need to bounce back from some critical duds the last few years, and being a fan of the genre, I will gladly support this endeavor.

Life of Pi – because the religious aspects seem to be something everyone likes, which is quite frankly insane. When have people ever agreed on anything religion-related before?

Magic Mike – because it’s Steven Soderbergh. And because Kevin Nash is in it.

The Master – because I was only missing Hard Eight to complete Paul Thomas Anderson‘s filmography, and I won’t let this one ruin my percentage.

Nicole-Kidman-in-The-PaperboyThe Paperboy – because there has to be something to all these award nominations Nicole Kidman keeps scoring, no?

The Perks of Being a Wallflower – because I’ve been confusing it with On the Road for quite some time, and I’ve seen that one now.

Premium Rush – because someone made an off-hand comparison of it to Crank, which I fucking love.

Safety Not Guaranteed – because it’s time travel.

Savages – because it looks so vibrant and colorful.

Searching for Sugar Man – because it’s supposedly one of the best documentaries of the year, and I like good documentaries.

Seeking a Friend for the End of the World – because of the basic idea.

The Sessions – because the story sounds like something I’ve never seen before, and because it’s John Hawkes in a rare leading role.

Seven Psychopaths – because In Bruges was great, and the cast is promising indeed.

Silver Linings Playbook – because when awards bodies start paying attention to comedies, it’s usually a sign that I’ll love the movie in question.

Skyfall – because it’s Sam Mendes.

Take This Waltz – because 1) it’s Michelle Williams, and 2) see the note on Celeste and Jesse Forever.

This is 40 – because I’m not yet even remotely tired of Judd Apatow.

Wreck-It Ralph – because in addition to being a movie lover, I’m also a gamer.

wreck-it-ralph-banner

Is there anything else from 2012 that I really desperately absolutely ought to check out? What 2012 film do you still feel like you need to see?

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Posted by on 15 December, 2012 in Lists

 

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My Top 10 Favorite Movies of 1994

1994 tends to be one of those years people refer to as great film years. It’s hard to disagree too vehemently with such a statement, as it had plenty of quality movies to offer in a wide variety of genres. About half of these films are long-time favorites of mine, wheres the others are newer acquintances that I’ve seen for the first time within the last few years.

As always, this is going by listed release year on IMDB.

Honorable mentions: Ace Ventura – Pet Detective, Airheads, The Crow

10 – SWIMMING WITH SHARKS (George Huang)

“You are nothing! If you were in my toilet I wouldn’t bother flushing it! My bathmat means more to me than you!”

While Kevin Spacey recently played a horrible boss in the aptly named Horrible Bosses, this was hardly his first outing as that character type. In Swimming with Sharks, he plays a movie mogul who takes great delight in putting his new employee Guy (Frank Whaley) through all kinds of torment. Spacey is teriffic in the part, but praise should go not just to the delivery but to the material as well. A well-written black comedy with a brutal ending.

9 – HEAVENLY CREATURES (Peter Jackson)

“It’s all frightfully romantic.”

What’s really interesting about Heavenly Creatures in hindsight is how it encapsulates everything else Peter Jackson had done or would go on to do. There’s drama, there’s fantasy – in dream sequences -, and there’s bloody murder. Based on a true story, this harrowing tale of the obsessive friendship between two teenage girls is one that sticks with you. Also notable for being the film debut of Kate Winslet.

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Posted by on 27 August, 2012 in Lists, Top 10 of a year

 

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My Top 10 Favorite Movies of 2000

The 10 movies on this list might not average out as the best movie year of all time or anything, but it is extremely top-heavy. The top three films here are ones I really truly adore for different reasons, and would all have a good shot at making the grade were I to compilea Top 10 Favorite Movies of All Time list. They’re that good, and they’re all from the same year.

As this list series of mine now gets set to leave the aughts and head into the 90s, we’re entering years where more films I saw for the first time back in the day will show up more. As I talked about in my post on how I became a movie lover, the 2000s were largely a dead zone for me in terms of film-watching, and the majority had to be caught up with in the last few years. I watched more movies in the 90s, many of which still hold up to this day. This presents interesting dilemmas with determining how much of my appreciation for these films is due to nostalgia. In some cases, just remembering the films can be tricky. For instance, #8 on this list is a film I think I saw in theater at the time and later bought on VHS (remember those?), but I haven’t seen it in over 10 years. Can I be certain that #8 is the right spot for it on this list? Sure I can. My memories of the film places it above #9 and below #7 at this moment in time. Opinions and likings always change, sometime from day to day. But this list reflects what I feel today. And today, I look back on #8 very fondly indeed.

Note: This list goes by the release years listed on IMDB.

10 – BEST IN SHOW (Christopher Guest)

“Now tell me, which one of these dogs would you want to have as your wide receiver on your football team?”

All of Christopher Guest‘s mockumentaries are worth seeing, but Best in Show is the sharpest one in my book. This film revolves around a dog show, and we are introduced to a number of the off-beat characters who compete in it. It’s a laugh riot, and since most of it is improvised, the whole movie is imbued with a fairly naturalistic feel. Cast stand-out: Fred Willard as a spectacularly incompetent commentator.

9 – CAST AWAY (Robert Zemeckis)

“Hello! Anybody?”

The opening part does drag a bit, and while I personally love the ending, some have decried it as being overly melodramatic. What most everyone agree on is that the middle part, the real meat of the movie, is superb. It’s just Tom Hanks being forced to survive on a desert island by himself. It takes skillful hands both behind and in front of the camera to keep things interesting despite only having one character on screen, and Robert Zemeckis and Hanks pull it off masterfully. Cast Away also accomplishes the significant feat of making audiences care deeply about… a volleyball.

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Posted by on 8 February, 2012 in Lists, Top 10 of a year

 

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