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Monthly Report: November 2012

Color me shocked that I almost tied last month’s movie tally this month. October felt very movie-heavy. November, by comparison, just kind of drifted by, but I apparently watched a lot of stuff regardless. Not that I’m complaining. I got some good watching done, knocking off a couple more from my 2011 Must-See list, as well as some classics that I should have watched a long time ago. Yeah, November was a good month indeed.

Neds (Peter Mullan, 2010)
Set in Glasgow in the 1970s, Neds follows a boy during his growing-up phase, from promising smart kid to trouble-making delinquent. The transition is presented in an engaging fashion and, for the most part, shows a believable trajectory. Some well-timed humor makes for a welcome addition in the early goings as well. The problem is that it all gets a repetitive, with the second half of the film treading water rather than breaking new ground. Some more time could have been spent fine-tuning it in the cutting room. It’s a slightly better film than Mullan’s previous effort The Magdalene Sisters, though.
3/5

Rampart (Oren Moverman, 2011)
Hard-hitting character study of one rotten L.A. cop, expertly portrayed by a rarely-better Woody Harrelson. He and Oren Moverman make for one hell of a team, judging by this and their previous collaboration The Messenger. Moverman does great work here, utilizing colors and camera angles in striking ways that really make the film come alive. And this is only his second film. I’m eagerly anticipating what he’ll come up with next.
4/5

TheronYoungAdult

Young Adult (Jason Reitman, 2011)
I’m a major fan of Jason Reitman. That Young Adult is probably his weakest film to date has more to do with the awesomeness of Thank You For Smoking, Juno, and Up in the Air, than with any supposed lack of quality in this latest effort. Because Young Adult is really good. It’s a brisk and fun look at an interesting woman – Charlize Theron‘s Mavis – who’s possibly be the best-written character Diablo Cody has provided cinema with. The film might not tell a story we haven’t heard before, and it could have done with a bit more narrative muscle, but, in the end, this is Jason Reitman. And Jason Reitman makes damn fine films.
4/5

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Posted by on 1 December, 2012 in Monthly Report

 

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Better late than never: My Top 10 Favorite Movies of 2010

Most critics and bloggers put together their Best Of The Year lists at the end of the year. That doesn’t work for me. Many films take a long time before they arrive here in Sweden, a problem hardly alleviated by American studios scheduling a lot of quality stuff for awards season at the tail-end of the year. So by the time the clock strikes midnight on New Year’s Eve, I’ve never seen all the films I feel I need to in order to make a list that has any chance of meaning anything.

But by now I feel like I’ve caught up on a lot of my personal must-sees of last year, so the time to make my own list is at hand. That’s not to say I’ve seen all there is to see. I’m particularly underwatched in non-English language films still, not to mention documentaries which people were saying had a banner year in 2010. But the great thing about lists is that they’re never set in stone. This list only reflects my feelings today, and might well look radically different one year from now.

There isn’t a ton of surprises on this list of mine, which I’m okay with. So far I’ve mostly focused on seeing the films people are talking a lot about. As time goes on, I will hear about and track down the smaller films, the forgotten gems, the new cult classics. The further removed you are from a year and the more you see, the more eclectic your list is bound to become. Time changes everything.

So here are my ten favorite movies of 2010 (note: listed as 2010 on IMDB), a particularly strong year of cinema in my opinion. Many films were hard to leave off, but that’s the way it is. No honorable mentions, no consolation prizes, no mercy. Just ten films that I love.

10 – GREENBERG (Noah Baumbach)

“There’s a confidence in you guys that’s horrifying. You’re all ADD and carpal tunnel. You wouldn’t know Agoraphobia if it bit you in the ass, and it makes you mean.”

Some people can’t stand the quirky characters Noah Baumbach comes up with. I can’t get enough of them. In Greenberg, we’re treated to two stand-out examples. One is the titular Robert Greenberg (Ben Stiller), a man angry at the world and obsessed with his own misery. It’s arguably Stiller’s most nuanced and impressive performance, in some ways his own Punch-Drunk Love. The other is Florence (Greta Gerwig), a woman whose life is in turmoil yet she still can’t help but bend over backwards to help people. Gerwig is even better than her co-star. A grimly funny film, true to life if not the one we live.

9 – THE SOCIAL NETWORK (David Fincher)

“Did I adequately answer your condescending question?”

David Fincher and screenwriter Aaron Sorkin play loose with the truth as they tell the tale of how Facebook came to be. Those wanting the real story ought to look elsewhere. The rest of us can enjoy the quick razor-sharp dialogue, the impressive performance by Jesse Eisenberg as Facebook founder Mark Zuckerberg, the Trent Reznor-penned score and a fascinating tale of how in the pursuit of connecting people, two friends can drift farther apart than ever.

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Posted by on 13 September, 2011 in Lists, Top 10 of a year

 

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