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50 MORE Things I Love About Films

Well over a year ago, I wrote a post called 100 Things I Love About Films on my old blog, which I later reposted here at A Swede Talks Movies. This is the sequel, adding 50 more things to the original 100. I’ve tried to avoid repeating movies and actors I mentioned in that first post, though a few have slipped through anyhow.

Credit for the original concept goes to Beau Kaelin. Thanks also to gentleman and scholar Travis McClain for bringing the idea to my attention. The original description:

Rather than posting your 100 favorite films (which has been done and overdone), you simply post your favorite things about movies.  I dig the concept, because instead of obsessing over whether the films you put on a list are “objectively good enough” to put on said list, you simply jot down 100 moments/lines/visuals that have made a lasting impression on you or sneak their way into running gags between you and your friends. Just read below and you’ll get the idea.

Why only 50 this time instead of 100? Because… quality over quantity? Yes. Let’s go with that.

1. Emily Watson in Breaking the Waves, the fear and agony on her face raw enough to make me gasp in sympathy.

2. The wonderfully trashy dialogue in Bitch Slap. I love the fact that someone actually put the words “Lube my boob, skank twat” to paper.

3. Natalie Portman‘s joy-stricken face when she phones her mother from the bathroom stall in Black Swan.

4. Michelle Williams‘ dorky dance in Blue Valentine.

5. When actors produce their own films, showing a real desire to have the movies made.

6. The brief cameo by Jason Statham reprising his role from The Transporter at the beginning of Collateral. Crossover stuff of that nature should happen more often.

7. The 20th Century Fox fanfare.

8. Robin Williams capping off his love declaration in The Fisher King with the words “But I still don’t drink coffee”.

9. The shot of the sugar lump in Three Colors: Blue.

10. Watching Casablanca for the first time and finally getting some context for all the well-quoted lines of dialogue. “Round up the usual suspects” put a big smile on my face.

11. Penelope Cruz performing A Call From the Vatican in Nine. I don’t mean to sound crass, but… hubba hubba.

12. The chase sequence through the construction site in the 2006 Casino Royale.

13. The Remains of the Day lunch box in Waiting for Guffman.

14. The whole sequence with the trunk in The Ice Harvest. Great mix of tension and humor.

15. Kat Dennings trying to pronounce Mjölnir in Thor. “What’s Myeh-myeh” indeed.

16. Danny DeVito trying to look scary to John Travolta in Get Shorty.

17. Sven Nykvist‘s gorgeous cinematography in Persona. I’ve never seen black & white look better.

18. Mark Ruffalo‘s “Why the fuck did I just say that?” grimace after stating that he loves lesbians in The Kids Are All Right.

19. Speaking of Ruffalo: The Hulk in The Avengers. Every awesome second of him.

20. When a movie just leaves me completely baffled about whether I like it or not, or whether it even matters. It’s annoying too in a way, but I love how it questions the very idea of why I watch films and what I take away from them. Funny Games would be a recent example of this kind of movie for me.

21. The ending of On Her Majesty’s Secret Service. Teriffic execution of a sequel hook.

22. Those performances that become so utterly convincing that my brain eventually has to break me out of the trance by going “Uh, Emil, you do know that this is an actor playing a character, right? It’s not a real person.” And then I go “Shut the fuck up, brain.” A recent example: Richard Farnsworth in The Straight Story.

23. Seeing an actor I’ve never heard of before in a film and immediately wanting to find out what else they have been in since they’re so good.

24. The climax of Sherlock Holmes: A Game of Shadows, a sequence that tops anything else in either of Guy Ritchie‘s Sherlock films.

25. Tippi Hedren waiting outside the schoolhouse in The Birds. Cue me gasping for breath and muttering “Oh shit…”

26. Kirsten Dunst looking stunning in the wedding dress in Melancholia.

27. Hugo reminding me that 3D can indeed be used to great effect. Thank you, Martin Scorsese.

28. Tom Cruise scaling the Burj Khalifa in Mission: Impossible – Ghost Protocol. Absolutely jaw-dropping.

29. The scene in 50/50 where Joseph Gordon-Levitt goes in for surgery and suddenly realizes that he might never wake up again.

30. Michelle Duncan‘s adorable Scottish accent in Driving Lessons.

31. This exchange in The Fugitive: “I didn’t kill my wife!” “I don’t care!”

32. The opening of Grave of the Fireflies. It’s good on the first watch, but it’s heart-breaking on a rewatch.

33. The lone penguin wandering off towards the mountains and certain death in Werner Herzog‘s Encounters at the End of the World.

34. The dream-like atmosphere of Robert Altman‘s Images. The kind of stuff that makes you realize how inaccurately the term “dream-like” tends to get thrown around.

35. Ellen Page in Juno. And Jennifer Garner. And Jason Bateman. And Allison Janney. And J.K. Simmons. And everyone else.

36. ))<>(( from Me and You and Everyone We Know.

“What business is it of yours where I’m from… friendo?”

 

37. The tense scene in No Country for Old Men where Javier Bardem makes the gas station attendant call a coin flip.

38. Seeing a scene that for some reason doesn’t work for me, only to much later have a revelation on what it meant. Guaranteed to make me love the part next time I watch the film.

39. Everything about Catherine Keener in Being John Malkovich, but particularly her dismissive reactions to everything John Cusack says and does in the early goings.

40. Uggie playing dead in The Artist.

41. The meet-cute between Ewan McGregor and Melanie Laurent at the costume party in Beginners.

42. This poster for 127 Hours.

43. The entire showdown between Uma Thurman and David Carradine in Kill Bill: Vol. 2. Had me at the edge of my seat when I first watched it.

44. The very recognizable video game scene in Swingers.

45. Brad Pitt‘s ridiculous accent when speaking Italian in Inglourious Basterds.

46. The suffocating atmosphere of Seven.

47. The big fight on the rope bridge in Indiana Jones and the Temple of Doom.

48. George Clooney‘s fine-tuned and low-key performance in The American.

49. Robert Downey Jr. sucking at math in Kiss Kiss Bang Bang.

50. Shea Whigham‘s brief part in Bad Lieutenant: Port of Call New Orleans, repeatedly uttering “Whoa!” in the funniest fashion.

 
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Posted by on 22 May, 2012 in Lists

 

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The Films I Watched In 2011 Awards

As the year is approaching its end, it’s customary for bloggers and critics alike to do a top ten list of the best movies of the year. I won’t be doing that, because I haven’t seen nearly enough films of 2011 yet. A list like that from me is still a good half year away from meaning anything. So rather than reflecting strictly on the films released this year, I’d like to reflect on all the films I saw this year.

Thus, I present A Swede Talks Movies’ The Films I Watched In 2011 Awards! Or ASTMTFIWI2K11A, if you’re into the whole brevity thing. A bunch of random categories will be conjured for whatever films I feel like singling out for one reason or another.

This year I watched 229 movies I hadn’t seen before, from 19 different countries with release dates spanning from 1925 to 2011. A lot of it is from recent years, but I did check out a couple of older “you haven’t seen that one!?” flicks too. I saw my first ever films from Belgium, Brazil, Greece and Russia (Ben X, City of God, Dogtooth and Night Watch, respectively). I saw my first ever Charlie Chaplin movie (The Gold Rush) and got my first glimpse of Audrey Hepburn in Wait Until Dark. I watched highly regarded classics like Casablanca, The French Connection and the Alfred Hitchcock films Vertigo and Rear Window, as well as newer stuff like the brunt of the Best Picture Oscar nominees from the last ceremony. I saw great films like Man on Wire and A Single Man, and I saw crap like Season of the Witch.

For these awards, I’m only counting films I saw for the first time in 2011. Rewatches need not apply.

And now, on with the show!

Most Eyebrow-Raising “And Introducing” Credit Award
Winner: Kate Winslet – Heavenly Creatures

It kind of feels like Kate Winslet has been around forever, always turning in great performances. And yet there she was in Peter Jackson‘s teen murder drama Heavenly Creatures, her arrival on the big screen loudly heralded in the opening credits. As for the performance itself? A bit rough around the edges perhaps, but full of energy and enthusiasm.

Best Use Of A Urinating Baby Award
Winner: Hard-Boiled

Hard-Boiled was pretty kick-ass all around and could have gotten a shout-out for plenty of different things. But that baby putting out a fire by wetting himself really stood out. Patently ridiculous, but so good.

“What’s The Big Deal?” Award for A Beloved Film That Left Me Underwhelmed
Winner: Carrie
Runner-up: Withnail & I

While I did like Withnail & I less than Carrie, that one seems to be more of a cult classic than anything. Carrie has more wide-spread acclaim, which made it all the more disappointing to me. I’ve had more fun discussing the film with people afterwards than I had watching it.

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Posted by on 27 December, 2011 in Year End Awards

 

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The remake conundrum: Open Your Eyes and Vanilla Sky

A few years ago, I watched Cameron Crowe‘s Vanilla Sky for the first time. It’s the favorite movie of a friend of mine, and he insisted I give it a go. So I did, and found it to be very much to my liking. It’s a very intriguing mystery of a film, dipping into various genres on its way to a surprising conclusion, all helped along by a number of great acting performances. Simply put, a really good watch.

At the time, I wasn’t aware that it was in fact a remake of the Spanish 1997 film Open Your Eyes (Abre los ojos), directed by Alejandro Amenábar. Nowadays I generally try to watch the original first before seeing a remake. It seems more fair that way. The people involved with creating a movie from scratch deserve to have it seen by someone who knows nothing about the story, who experiences it the way they envisioned it. It also means that I’m able to recognize little nods and homages to it once I get around to seeing the remake. But this wasn’t how it turned out that time. The remake was seen first, and while I was interested in checking out the original, it never was very urgent for me.

Cruz and Noriega, Open Your Eyes

Today I did finally see Open Your Eyes, and it was a really strange experience, not quite like anything I’ve been through before in my film-watching. The movie was good. Really good. Great, actually. It’s a very slick and engaging movie, bringing along many of the same qualities that Vanilla Sky did. I could find nothing to complain about.

But I had already seen it. Except then it was called Vanilla Sky.

I already knew all the twists and turns. I knew who the characters were, what they were like and what they were going to do. I knew what was going to happen in any given scene. Yes, the movie was great, but the sense of discovery wasn’t there. I couldn’t make heads or tails of which one was the better film. It was really baffling. A rewatch of Vanilla Sky seemed in order so I could make some sense of it all. So I saw the story unfold once more (and on a whim, I turned on the audio commentary with Crowe and Nancy Wilson, who composed the score for the film).

(Mild SPOILER ALERT: I’ll go into plot developments of both films to some degree in the next few paragraphs. If you haven’t seen at least one of the movies yet, proceed at your own risk.)

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Posted by on 9 November, 2011 in Misc.

 

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