Tag Archives: Paul Thomas Anderson

My backlog for 2012

It’s getting to that time of the year where people start constructing their Top 10 lists of the best films from the past twelve months. I will of course not be doing this. Hell, I still haven’t gotten around to doing my 2011 list yet. You might remember a list I made back in January where I named all the 2011 films I wanted to see before I finalized my Top 10. Well, I still have eight movies or so left on that one.

Still, that’s no reason to not look to the future, or present, or what have you. I’m fantastically behind in my 2012 watching as well, as you can imagine, due to a combination of delayed Swedish release dates, laziness, and an ongoing desire to catch up with not just the newest stuff, but also 100+ years of cinema. I don’t imagine I’ll ever be ahead of the pack, but I’ll continue doing what I can to keep up.

Without further ado, here are the films I want to see before I put out my Top 10 Favorite Movies of 2012 list. Maybe they won’t be great, and maybe there are others I’ll see that will be, but this is my current personal check list. It could change in the future, I should point out. In alphabetical order:

Amour – because I ought to watch more Michael Haneke anyway.

Argo – because there is no reason to abandon the Ben Affleck train yet, considering how great Gone Baby Gone and The Town were.

Bachelorette – because I like comedy.

Beasts of the Southern Wild - 6

Beasts of the Southern Wild – because of the image above.

The Campaign – because Will Ferrell is funny, and so is Zach Galifianakis.

Celeste and Jesse Forever – because it’s always interesting to see funny people branch out.

Cloud Atlas – because ambition should be rewarded.

Cockneys vs Zombies – because even if only a few people are talking about it, they all seem to love it.

Compliance – because the premise intrigues.

Cosmopolis – because a friend emphatically told me that it would be right up my alley.

Django Unchained – because it’s Quentin Tarantino. Duh.

end-of-watch-posterEnd of Watch – because it somehow seems unfair to watch Rampart without seeing this one too.

Flight – because it’s Robert Zemeckis doing live action.

For a Good Time Call – because, much to my perplexity, someone told me I might possibly love it.

Frankenweenie – because in the middle of working on this blog post, I took a break to listen to the Oscar Talk podcast, and they had a lot of compelling praise for this one.

Hitchcock – because The Remains of the Day recently reminded me of what an amazing actor Anthony Hopkins is.

Holy Motors – because I have no idea what to expect from it.

Hyde Park on Hudson – because no matter how mediocre critical and public response has been, it’s still Bill Murray.

Killer Joe – because everyone seems to dig it.

Les Misérables – because big musicals need to bounce back from some critical duds the last few years, and being a fan of the genre, I will gladly support this endeavor.

Life of Pi – because the religious aspects seem to be something everyone likes, which is quite frankly insane. When have people ever agreed on anything religion-related before?

Magic Mike – because it’s Steven Soderbergh. And because Kevin Nash is in it.

The Master – because I was only missing Hard Eight to complete Paul Thomas Anderson‘s filmography, and I won’t let this one ruin my percentage.

Nicole-Kidman-in-The-PaperboyThe Paperboy – because there has to be something to all these award nominations Nicole Kidman keeps scoring, no?

The Perks of Being a Wallflower – because I’ve been confusing it with On the Road for quite some time, and I’ve seen that one now.

Premium Rush – because someone made an off-hand comparison of it to Crank, which I fucking love.

Safety Not Guaranteed – because it’s time travel.

Savages – because it looks so vibrant and colorful.

Searching for Sugar Man – because it’s supposedly one of the best documentaries of the year, and I like good documentaries.

Seeking a Friend for the End of the World – because of the basic idea.

The Sessions – because the story sounds like something I’ve never seen before, and because it’s John Hawkes in a rare leading role.

Seven Psychopaths – because In Bruges was great, and the cast is promising indeed.

Silver Linings Playbook – because when awards bodies start paying attention to comedies, it’s usually a sign that I’ll love the movie in question.

Skyfall – because it’s Sam Mendes.

Take This Waltz – because 1) it’s Michelle Williams, and 2) see the note on Celeste and Jesse Forever.

This is 40 – because I’m not yet even remotely tired of Judd Apatow.

Wreck-It Ralph – because in addition to being a movie lover, I’m also a gamer.


Is there anything else from 2012 that I really desperately absolutely ought to check out? What 2012 film do you still feel like you need to see?


Posted by on 15 December, 2012 in Lists


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The actors I see but don’t know: A tribute to “That Guy”

In some corners of the web, people speak of That Guy actors. These are the thespians you never think about and perhaps don’t know by name, but every time they pop up, you recognize them and go “Hey, it’s that guy!” This doesn’t necessarily mean they’re actors you love or even like, but you definitely recognize their faces. Odds are they tend to stick to supporting parts rather than being allowed to take center stage.

(Do note that That Guy-ness is not gender-specific. Female actors can be That Guy too, which leads me to think a new nomenclature might be required at some point.)

This post is about these actors, but others too. The ones I may not know the name of, nor do I even recognize their faces when I see them on screen. And yet I have seen them plenty of times. The main tool I use to keep track of films I’ve seen is Swedish site Filmtipset. One of the features on there is the ability to get statistics on which actors I’ve seen in the most films. As I look through this list, I spot names I don’t recognize despite having seen them in ten different films or so. For some of them, even looking up a picture of them fails to ring a bell. They’re technically not That Guy, but the principle remains: actors I keep seeing but never think about.

So since I keep watching these people yet never give them any attention, I’d like to take this post to celebrate the workhorse actors who rarely get enough attention. What follows is a list of these kinds of actors who I have seen a minimum of 9 movies with (number arbitrarily chosen). These are all males, but not by design. It just so happens that I’m more aware of who the actresses I’ve seen a lot of movies with are.

Elias Koteas – This one is actually somewhat of a borderline case. Having seen and reviewed Crash (1996) not too long ago, I definitely know and regognize the name. Koteas earns his spot here due to the high number of films (12) I’ve seen him in without ever having bothered to find out his name and file it away in the old memory bank. This Canadian actor was a staple in Atom Egoyan‘s earlier movies and now splits his time between film and television. Odds are I’ll always think of him as that creepy car crash fetishist in Crash. Or as that guy who looks like a cross between Stanley Tucci and David Paymer – the latter himself surely a That Guy to many film fans.
Films you might have seen him in: Zodiac, Shutter Island, The Curious Case of Benjamin Button

Christopher McDonald – Or Shooter McGavin to most people. Happy Gilmore might be the film he’s most closely associated with, but he has been working since the early 80s, appearing in a wide variety of movies, often as an antagonist. Like Koteas, I’ve seen this guy in 12 films without ever paying him much attention. Also one of the unfortunate individuals to have appeared in multiple post-Wedding American Pie films.
Films you might have seen him in: Happy Gilmore, Requiem for a Dream, Thelma & Louise

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Posted by on 6 February, 2012 in Lists


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My Top 10 Favorite Movies of 2002

After the somewhat weak year that was 2003, we come to 2002. What is there to say about this year? Not much. It was a good year, thus making for a solid top 10. So with little to pontificate about regarding 2002, I’d like to take this space to talk about the fleeting nature of these lists.

I am by no means done with any year film-wise. Not yet, and I don’t think I ever will be. There are always more movies to see, from critically hailed modern classics to gems that have gotten lost in the shuffle and are waiting to be discovered. So it’s no wonder that the lists can get slightly dated with time. Not just in terms of the ranked order (which can change from day to day), but also in which films are included. For example, I hadn’t seen A Single Man when I made my 2009 list, but if I had, it would definitely have made the cut. The same goes for the wonderful documentary Best Worst Movie. Rather than going back to updating the lists when necessary, I’m fine with just leaving them as they are. All lists are windows into brief moments in time. “This is how Emil felt on this day”, is what they proclaim. Even if I see some 2002 movie later this week that would make the cut for this list, it doesn’t change the fact that this here is a collection of 10 movies I really enjoyed. To offer a general view of what kind of films I like has always been the purpose of these lists, and this goal is still accomplished by leaving them as they are.

So now, on to the list for 2002. As always, this goes by the release dates listed on IMDB.

10 – CHANGING LANES (Roger Michell)

“I can live with myself because at the end of the day I think I do more good than harm. What other standard have I got to judge by?”

Two strangers collide in a traffic accident. One is a lawyer at the cusp of his big break, the other a recovering alcoholic trying to gain custody of his children. The meeting causes a delay for both of them, setting them off on a spiralling path through the day where both will try to exact revenge on each other and struggle with determining who is right and who is wrong. A cleverly written film where we can sympathize with both sides of a conflict. Ben Affleck puts in one of his best performances, while Samuel L. Jackson is as fun as always.

9 – ONE HOUR PHOTO (Mark Romanek)

“No one ever takes a photograph of something they want to forget.”

A thriller that really gets under your skin, through a protagonist who’s troubled both psychologically and socially. Loner Sy (played expertly by a subdued Robin Williams) lives through the photos he developes for his customers, experiencing their joys that he himself has none of in his own life. But when he discovers that injustice is done to people he care about, he gradually snaps. It’s a story of morality and a reminder of how little we know of others, of the things we keep from them ourselves, and of how the grass isn’t always greener on the other side.

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Posted by on 9 January, 2012 in Lists, Top 10 of a year


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