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How I filled out an awards ballot

Flickchart: The Blog is right in the middle of the 2nd Annual Flickcharters’ Choice Awards. I took part last year for the inaugural installment and wrote a post about my experience as a nominator. This year, things were done a bit differently: the nomination voting was open to the public and not just to the contributors to the Flickchart blog.

The nominees were announced last night, and with that, the voting for the eventual winners has begun (go here to cast your votes). I won’t say too much about the nominations; a lot of it is for things I haven’t seen yet, so while I am disappointed that so many of my nomination votes didn’t go through, I can’t rightfully say with certainty that they deserve to be in over stuff that did make it.

Instead of talking about what did get nominated, I thought I’d share my ballot for the nomination phase. Voting was done with a point distribution system that allowed you to give extra push to certain nominees, but I’m keeping it simple here and just sharing my five picks for each category in alphabetical order.

Entries in blue are ones that ended up making the cut for nominations.

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5 Broken Cameras

Best Documentary Film
5 Broken Cameras
How to Survive a Plague
Indie Game: The Movie
The Invisible War
The Queen of Versailles

I didn’t see a whole lot of 2012 documentaries, to be perfectly honest. The only ones I saw and didn’t nominate were Mansome and Jiro Dreams of Sushi. That said, these five films are all interesting in their own rights. Three of them are Oscar nominees, one should have been, and the last is one of those narrow interest pieces that just happens to be within my field of interests.

Kon-Tiki

Kon-Tiki

Best Foreign Language Film
5 Broken Cameras
Eat Sleep Die
Kon-Tiki
Oslo, August 31st
A Royal Affair

Four of these films are from Scandinavia, so maybe I’m biased here. I knew that Eat Sleep Die would have a hard time gaining traction with anyone else, considering how very Sweden-centric it is and its limited international distribution, but it’s a great film that deserved a spot here on my ballot. This isn’t the last category it shows up in.

Best Animated Film
This is the one category I had to abstain in. I’ve seen zero animated films from last year, and I don’t have much desire to either apart from Wreck-It Ralph and Frankenweenie.

Mansome

Mansome

Biggest Disappointment of 2012
John Dies at the End
Mansome
Moonrise Kingdom
Silent Hill: Revelation 3D
Take This Waltz

A hard category for me to fill out. I even had to put Moonrise Kingdom in here, a film that I for all intents and purposes liked. Most of what I’ve seen from 2012 has lived up to most of the expectations I had for it.

21 Jump Street

21 Jump Street

Biggest Surprise Film of 2012
21 Jump Street
Chronicle
Dark Shadows
Goon
The Grey

The counterpoint to  the previous category, these were all films that ended up being better than I expected. Granted, a few here were ones that the hidden good word had gotten around about by the time I saw them, like 21 Jump Street and Chronicle. Even so, judging by the expectations I initially had, they still fit in nicely here.

The Queen of Versailles

The Queen of Versailles

Best Underranked Film
Eat Sleep Die
The Invisible War
Killer Joe
Oslo, August 31st
The Queen of Versailles

This is a Flickchart specific category that ties into the site’s core mechanic of comparing and ranking films. You can think of it as Best Film Not Seen By Many. So here we have a motley crew of documentaries, foreign language films, and one “totally twisted deep-fried Texas redneck trailer park murder story”. If you’re looking for some hidden gems of last year, you’d do well to check out these five.

Before Midnight

Before Midnight

Most Anticipated Film of 2013
Before Midnight
Oldboy
Only God Forgives
The Place Beyond the Pines
Sin City: A Dame to Kill For

Make no mistake: this category is all about Before Midnight for me. The rest is filler.

Rock of Ages

Rock of Ages

Most Underrated Film
The Grey
Kon-Tiki
On the Road
The Queen of Versailles
Rock of Ages

The words “underrated” and “overrated” are ones I rarely use. Just who is it that’s rating it higher or lower than me? Here, I latched onto the further guideline supplied by awards supervisor Ross Bonaime: “film you thought didn’t get the audience it deserved”. Loosely interpreted, this can go for all five of these films.

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Moonrise Kingdom

Most Overrated Film
American Reunion
The Hobbit: An Unexpected Journey
Lockout
Moonrise Kingdom
Take This Waltz

Or “film you thought received more attention than it deserved”. Like Biggest Disappointment, I had to nominate a number of films here that I actually liked: American Reunion, The Hobbit, and Moonrise Kingdom. These all got more attention than what I felt their quality warranted. Then we have the terrible Lockout, which, bafflingly, some people thought was okay, and Take This Waltz, which of the five is probably the closest to the usual interpretation of “overrated.”

Silent Hill: Revelation 3D

Silent Hill: Revelation 3D

Worst Film of 2012
Bad Ass
Get the Gringo
Killing Them Softly
Lockout
Silent Hill: Revelation 3D

I didn’t like any of these films, but the first three mentions on the list are at least not terrible. I suppose I should be quite happy with the movie year of 2012 based on that.

Life of Pi

Life of Pi

Best Scene in a 2012 Film
The chicken scene – Killer Joe
“I Dreamed a Dream” – Les Misérables
“Valjean’s Soliloquy” – Les Misérables
Pi wanting to show God to the tiger – Life of Pi
“Wanted Dead or Alive” – Rock of Ages

This is a new category for this year, and a fun one it is. There was a lot of scenes I regretfully had to leave off, and some that I just forgot outright – the surgery scene in Prometheus should probably have gotten a mention from me, for instance. Still, this is a cool list. I could have put more Les Mis on it, perhaps.

Looper

Looper

Best Writing in a 2012 Film
Rian Johnson – Looper
Amy Jump and Ben Wheatley – Kill List
Tracy Letts – Killer Joe
David Magee – Life of Pi
Gabriela Pichler – Eat Sleep Die

Ever since watching the great screenwriting documentary Tales from the Script, I’ve been reluctant to praise or complain about screenwriters, because you never know if that great line of dialogue was theirs or an ad-lib, or whether that weird story turn was something they wanted or if it was due to executive meddling. I also don’t really know anything about screenplays, so what this category really reflect for me is well-crafted dialogue and/or interesting stories. Looper, Kill List and Killer Joe are ones I admire for their sheer ambition and out-there-ness. Life of Pi is a unique tale that must have been a real challenge to adapt. Eat Sleep Die is a marvel in Swedish film in that it actually reflects how people talk in real life, rather than the “theater on film” way of speech so common in movies in this country.

Oslo, August 31st

Oslo, August 31st

Best Directing in a 2012 Film
Joe Carnahan – The Grey
Tom Hooper – Les Misérables
Ang Lee – Life of Pi
Ridley Scott – Prometheus
Joachim Trier – Oslo, August 31st

Like writing, directing is hard to judge, and easy to confuse with cinematography, editing and so much more. What these five films have in common is that they’re presented with a clear vision of what they want accomplished. A unified view, if you will. They’re all films I admire, too.

Kristen Stewart - On the Road

Kristen Stewart – On the Road

Best Supporting Actress in a 2012 Film
Samantha Barks – Les Misérables
Emily Blunt – Looper
Anne Hathaway – Les Misérables
Alison Pill – Goon
Kristen Stewart – On the Road

A relatively weak slate of nominees from me, admittedly. The performances are all good, but apart from the amazing Hathaway and the novelty factor of Barks – who inside word says was very close to getting nominated – none of these are likely to be ones I remember five years from now. I should probably have put Gina Gershon and/or Juno Temple from Killer Joe in here in retrospect. Sometimes I forget things.

Matthew McConaughey - Killer Joe

Matthew McConaughey – Killer Joe

Best Supporting Actor in a 2012 Film
Tom Cruise – Rock of Ages
Michael Fassbender – Prometheus
Garrett Hedlund – On the Road
Matthew McConaughey – Killer Joe
Andy Serkis – The Hobbit: An Unexpected Journey

I wasn’t sure whether McConaughey should be here or in Best Actor for the title part of Killer Joe, but ultimately, I figured that a case could be made for either, and it was easier to slot him in here. I’m a bit surprised that my fellow Flickcharters didn’t spring for Fassbender here, but hey, I guess Django Unchained needed its three spots.

Noomi Rapace - Prometheus

Noomi Rapace – Prometheus

Best Actress in a 2012 Film
Kara Hayward – Moonrise Kingdom
Nermina Lukac – Eat Sleep Die
Noomi Rapace – Prometheus
Alicia Vikander – A Royal Affair
Michelle Williams – Take This Waltz

I did not notice this until I submitted my ballot, but there are three Swedes represented here: Lukac, Rapace, and Vikander. Cool stuff. Still, this category is proof that I really need to see more female-centric stuff from 2012. I very reluctantly put Williams here: it’s a fine enough performance, but I had serious trouble buying into the character – something I ultimately attribute more to the writing.

Hugh Jackman - Les Misérables

Hugh Jackman – Les Misérables

Best Actor in a 2012 Film
Anders Danielsen Lie – Oslo, August 31st
Hugh Jackman – Les Misérables
Liam Neeson – The Grey
Seann William Scott – Goon
Suraj Sharma – Life of Pi

If you had told me just a year ago that I would put Stiffler on a ballot for Best Actor, I might have laughed at you. Still, he knocked it out of the park in Goon, so good for him.

A Royal Affair

A Royal Affair

Best Overall Cast in a 2012 Film
Jeff, Who Lives at Home
Killer Joe
Les Misérables
On the Road
A Royal Affair

A Royal Affair earned Vikander a mention in Best Actress, but I had her two co-stars Mads Mikkelsen and Mikkel Følsgaard in Actor and Supporting Actor in my initial draft of the ballot. Les Mis got in in spite of Russell Crowe. If there’s one shining example here though, it’s Killer Joe. Everyone in that film was at the top of their game.

Gabriela Pichler

Gabriela Pichler

2012 Outstanding Achievement in Film
Joe Carnahan
Joseph Gordon-Levitt
Matthew McConaughey
Gabriela Pichler
Channing Tatum

This is a very loosely defined category. Generally, nominees tend to be actors who have been in multiple films, or writer/directors. I had three of the former, two of the latter. I did make one big omission here: Anne Hathaway. She did strong work in The Dark Knight Rises and breaks my heart over and over in Les Mis. She should definitely have been here instead of one of the male actors. Oh well.

The Grey

The Grey

Best Picture of 2012
The Dark Knight Rises
The Grey
Les Misérables
Life of Pi
The Queen of Versailles

Here’s another thing I didn’t realize until just now: this is the only category I nominated The Dark Knight Rises for. It sounds weird, but I’m fine with that. That film just worked as a whole, and was a fitting end to the trilogy. It, and the rest of the films here, represent the best of what I’ve seen from 2012 so far.

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Posted by on 6 February, 2013 in Lists, Misc.

 

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My first ever cast screening (Eat Sleep Die)

During the movie:

“Oh, hey, I recognize that man. I saw him as we entered the theater. And there’s the guy we talked to on the train here.”

At the party after the movie:

“I recognize all these people! They were all in the film!”

I could get used to going to movie premieres/sneak previews/cast showings. Hypothetically, that is. I don’t expect to get many more opportunities of this kind. Yesterday, I attended my first one, and I had a great time.

The film is called Eat Sleep Die (original Swedish title Äta Sova Dö). A couple of friends of mine had landed bit parts in it, and one of them invited me along to this cast showing, which was something like the second ever screening of the film to anyone.

I wasn’t the only one who was new to this kind of thing. Eat Sleep Die is the feature film debut of director Gabriela Pichler, who won a Guldbagge – Sweden’s equivalent to the Oscars – for her short film Scratches (Skrapsår) two years ago. Furthermore, none of the actors had any real acting experience. This was something new, in one way or another, to everyone.

While the film was playing, you could still tell that there was a certain something in the air. You’d hear a chuckle sometime even when nothing funny was happening, presumably from someone who just saw him/herself on the big screen for the first time ever. A whispered word here and there, somehow very different from the usual chatter you might hear in cinema. I know I certainly smiled broadly when one of my friends appeared in a scene, or when a familiar local landmark became the focus of a shot.

When the credits had finished rolling, Pichler invited every cast member down to the stage. This turned out to be a bit over half of the people present by my estimation, but there were still plenty enough of us left seated to applaud them all heartily.

After the film, we were all treated to finger food and champagne. I’m not the best in the world at the whole mingling thing, but it was a lot of fun to hear people talk about their experience with working on and seeing the movie. Some felt that they had stumbled terribly over their lines, an opinion that was always met with “Really? I didn’t notice that at all from you” from the other guests. A lot mentioned that many of their scenes had gotten left on the cutting room floor – a reaction Pichler had warned before the film that many would have, as they had shot a lot and had to get the movie down to a reasonable running length. What most everyone seemed to agree on was that this was a great one-of-a-kind experience.

In addition to exchanging a few words with some of the actors – who all seemed like great people – I also got to chat briefly with Pichler herself. She turned out to be a very kind person who was very thrilled about the whole thing – the film, the process, the positive reception from everyone, and also everything that still lies ahead for her and the movie. She was worried that the sound hadn’t been quite right on this showing, something I and others had noticed as well, with the dialogue at times drowning in other parts of the audio. It might have been due to this one particular theater we had been in, but it was something they were going to look into regardless. This lead to a discussion of how different various cinemas can be, and how Avatar‘s 3D had worked much better in that place than in that other one, and then on to Prometheus and so forth. Talking to her was a lot of fun.

All in all, I had a great time. As I said earlier, I have never attended anything of this kind before. No film festivals, no launch parties, no nothing. Getting to be one of the very first to see a film, and to then hang out with the people involved in making it, was very cool. I hope I get more opportunities like this in the future. If not, that’s fine too. Either way, I’ll always have this one to look back on fondly.

Big thanks go out to the people involved for a superb event! I’m very grateful to have been allowed to attend.

Oh, and as for Eat Sleep Die? You know, the actual movie? It was good. Very good, in fact. I might write a review of it at some point, so keep your eyes open.

Eat Sleep Die (Äta Sova Dö) is about life in Skåne, Sweden’s southernmost province. It follows 20-year-old Rasa (Nermina Lukac) as she deals with being suddenly unemployed. The film will open in theaters in Sweden sometime in late summer or fall of 2012. Before that, it might also play at Venice International Film Festival.

From left to right: Emil (Movie-Talking Swede), Gabriela Pichler (director), Daniel Nymberg (actor), Milan Dragisic (actor).

 
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Posted by on 7 June, 2012 in Misc.

 

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