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The Films I Watched In 2013 Awards

It’s that time of the year again, folks! Time for me to take a look at the movies I watched this past year and determine which ones were the very best in a variety of silly categories. Other bloggers do Best of 2013 lists and accolades. Me, I’m as always way behind on my viewing of 2013’s movies, so I focus instead on what I actually saw this year, regardless of when it was released.

Not counting rewatches, I saw a total of 145 films during these past 12 months. A sharp drop-off from last year’s 209, but an expected one. Work and budding interests in other hobbies took some time away from the movies, something that has also contributed to a lower update rate on this here blog. To quote Vonnegut: So it goes.

But 145 movies are still quite a bit, and most of what I saw was good. It has been a fine movie year indeed. One well worth commemorating with these highly prestigeous awards of mine.

If you want to go back and see the awards for 2011 and 2012, the links are right here and here.

On that note: on with the show!

2011_jiro_dreams_of_sushi_003Most Explicit Food Porn Award
Winner: Jiro Dreams of Sushi

I’m not much of a fish eater, and I’ve never had sushi in my life. This movie could easily change that, because it makes the food looks absolutely mouth-wateringly delicious. And it’s all shot in intense tantalizing close-ups, too! Mmm…

Skärmavbild 2014-01-08 kl. 13.48.51Most Surprising Director Award
Winner: Compliance

A seriously creepy based-on-a-true-story thriller featuring dark manipulation and sexual abuse, directed by… Craig Zobel, co-creator of kid-friendly web series Homestar Runner?

CA.1205.top.shots.Alpha Award for Best Opening
Winner: We Need to Talk About Kevin
Runner-up: Les Misérables

Certain opening shots in movies just have a way of hooking you right from the start. They make you wonder what it is you’re seeing, then why it’s there, and finally what you’re about to see next. Tilda Swinton floating around in a sea of people all drenched in tomato sauce certainly manages to do all that.

Skärmavbild 2014-01-08 kl. 13.51.12Omega Award for Best Ending
Winner: Seeking a Friend for the End of the World
Runner-up: Martha Marcy May Marlene

You might think that a romcom set during the last days before the end of the world can only end in one conceivable way, and perhaps you’d be right. What I didn’t expect from this film, however, was the emotional reaction I had to its conclusion. When I sat down to watch the movie, I was looking for something easy to go along with my hangover. What I got was something far more impressive. Martha Marcy May Marlene earns the silver medal by initially making me go “What!? This is where you end it? Just like that?”, but then making me question what the film was really trying to tell me, and subsequently sticking with me for days afterward.

Skärmavbild 2014-01-08 kl. 13.51.54Best Worst WTF-est Use Of Fried Chicken Award
Winner: Killer Joe

Scenes that leave you dumbfoundedly staring at the screen wondering just what the hell you’re seeing are rare. Even rarer is when they do this in a good way. William Friedkin‘s Killer Joe certainly manages this with its most infamous scene, featuring Matthew McConaughey, Gina Gershon, and some fried chicken.

scarlett_johansson_1179511561Award for Excellence In Sexiness
Winner: Scarlett Johansson – Match Point

While not as overt or smoldering as previous winners in this category (the entire cast of Nine, and Clooney + J-Lo in Out of Sight), Scarlett Johansson’s turn in Woody Allen‘s infidelity thriller Match Point still has a ton of fire to it. Her pulling Jonathan Rhys Meyers into an affair with her certainly seems believable.

Skärmavbild 2014-01-08 kl. 13.53.51“What’s The Big Deal?” Award for A Beloved Film That Left Me Underwhelmed
Winner: Animal House
Runner-up: A Nightmare on Elm Street

Animal House is hailed as a comedy classic in most American writing I find online. I rarely if ever hear much reverence for it from Swedish writers. Maybe it’s a cultural thing. I didn’t find much to like about the movie, other than a few John Belushi moments. But if I want Belushi, I’ll just stick to The Blues Brothers, thank you very much.

Skärmavbild 2014-01-08 kl. 13.58.28Masticating The Environs Award for Most Acting
Winner: Keira Knightley – A Dangerous Method

Nobody tried harder on a screen I found myself in front of in 2013 than Keira Knightley in David Cronenberg‘s psychosexual drama slash biopic. Whether her chin-jutting and high-strung performance fully works is most definitely up for debate, but she certainly gave it her all.

11168823_800High Concept Award for Best Premise
Winner: Timer
Runner-up: Grabbers

Irish horror comedy Grabbers features invading monsters averse to alcohol, necessitating that the protagonist townsfolk stay drunk all the time. This is such a brilliant and obvious idea for the genre that I’m surprised I haven’t come across it before. But the best idea I saw this year was in Timer, a sci-fi romance set in the future where someone has invented a timer that counts down the seconds until you first meet your soul mate – but it only starts counting once they too get a timer. It might sound gimmicky, but to its further credit, the movie plays the premise for all its worth, exploring different angles of it right up to its logical yet surprising conclusion.

MORNING GLORYGrumpiest Old Man Award
Winner: Harrison Ford – Morning Glory

Veteran TV journalist Mike Pomeroy used to cover wars, politics and other high prestige stories. In Morning Glory, he finds himself having to host a breezy morning news show. This does not exactly sit well with him. Harrison Ford plays him almost like a parody of Clint Eastwood‘s Gran Torino character, where every word is delivered like a raspy grunt. “Are you drunk?” Rachel McAdams‘ distraught character asks him before a broadcast. “Insufficiently”, he replies.

the-50-greatest-movie-fights-ever--46-420-75Brains Over Brawns Award for Smartest Fighter
Winner: Paul Newman – Butch Cassidy and the Sundance Kid

Sometimes, all you need to win a knife fight is some swift thinking and an even swifter kick to the groin.

catacombsShannyn Sossamon Award for Best Shannyn Sossamon Performance
Winner: Shannyn Sossamon – Catacombs

Shannyn Sossamon continues to dominate this category, taking home the award for the third year straight. Her work in humdrum horror flick Catacombs is hardly career-best stuff from her, obviously, but she does make for a fairly effective state of distress protagonist. It’s just a shame that the movie is still terrible.

pi_a_jeho_zivot_foto_01Best 3D Eye Candy Award
Winner: Life of Pi
Runner-up: Gravity

In 2013, Life of Pi became the first movie I ever paid to see more than once in theater. Part of the return trip was to watch the story unfold while knowing where it’s ultimately going, but the chief reason was simple: a film as gorgeous as this deserved to be seen on the big screen more than once.

ddb7e022b292016cf2b46f33ce5d609cBest Underwear Award
Winner: Sightseers

Because hasn’t everyone always wanted to type the phrase “knitted crotchless panties” at some point in their life?

sleepwalk-with-me-e1361469729824Most Forgettable Award
Winner: Sleepwalk With Me
Runner-up: Employee of the Month

The only thing I remember about Employee of the Month is that it had a bunch of twists near the end. This is more than what I recall about Sleepwalk With Me, which was one of those movies that showed up on Netflix and a lot of bloggers ended up watching for some reason. My scorecard tells me I gave it a decent score after watching it almost a year ago, but I remember nothing about it today.

les_miserable-people-singA Swede Loves This Movie Award
Winner: Les Misérables

As you may recall, I crushed pretty hard on this movie when it arrived in theaters here back in the early parts of 2013. My love for it hasn’t diminished since then, and I still rewatch it on Blu-ray every other month or so. It’s not the best movie I saw last year, but there is no movie that spawned such an obsession in me in a way that honestly no other movie has ever done. For that, it deserves a special award.

gravity-movie-review-sandra-bullock-shiopBest 2013 Film So Far Award
Winner: Gravity
Runner-up: Before Midnight

For sheer visceral power and physicality, no 2013 film seen by me could top Gravity this year. It has left nearby theaters by now, and I’m kicking myself for not rewatching it while I had the chance. It’s that kind of movie. I’m not ruling out the possibility that runner-up Before Midnight could surpass it when revisited on home media, though.

texte-fff13-03-04Worst 2013 Film So Far Award
Winner: Upstream Color
Runner-up: The Purge

The Purge squandered an intriguing idea by employing it in a repetitive and tired home invasion horror flick. It wasn’t very good. That said, Upstream Color takes the prize here for being a film that I just couldn’t wait for to be over. I know there are plenty who like the film, but it just wasn’t for me.

U2190P28T3D3314520F329DT20110522234015Best Swedish Film Seen By Me In 2013 Award
Winner: The Girl
Runner-up: Winter Light

With Winter Light, Ingmar Bergman came close to repeating the victory in this category that Persona brought him last year, but ultimately, I was more moved by Fredrik Edfeldt‘s story of a girl trying live by herself for a summer. The Girl is a touching and thoughtful movie, and one deserving to be seen by more people outside my country.

limousineWorst Film Seen By Me In 2013 Award
Winner: Cosmopolis
Runner-up: Valhalla Rising

I’ve described Winding Refn’s Valhalla Rising as a Bergman film without any of the things that make Bergman films interesting, but it does at least have some striking cinematography going for it. What does Cosmopolis have? Nothing.

shame-2011-movie

Best Film Seen By Me In 2013 Award
Winner: Shame
Runner-up: The Perks of Being a Wallflower

I think I died a couple of times while watching Shame, and I didn’t even care. A spellbinding movie with amazing acting, fully deserving of all the praise it got upon its release. Could Steve McQueen take home this award again next year through 12 Years a Slave? Time will tell.

What’s the best film you saw in 2013? And what did you think of my picks here?

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Posted by on 8 January, 2014 in Year End Awards

 

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Flickcharting #2 – Rocking my Top 100

Time for more Flickcharting! For those still unfamiliar with the website Flickchart, here’s the gist of it: You’re presented with two random movies. Pick the one you like the most. Repeat until the end of time.

Last time I did this, I had Flickchart pick movies out of all the films I’ve seen. This time, I’m restricting the selections to the films currently in my top 100 on Flickchart – based on all my previous rankings. This should lead to harder decisions, as these 10 match-ups will all be between movies that I love.

Take it away, Flickchart!

Skärmavbild 2013-10-04 kl. 11.18.21

Black Swan vs Bridge to Terabithia

Bridge to Terabithia always deserves more love than it currently has. Always. It may be my favorite movie about childhood, and watching it is a wonderful experience. It’s so much better than what the misleading marketing made it seem. So it’s with heavy heart that I can’t give it the win here. Black Swan is such an intense film, and a terrific production in all regards, from the cinematography to the acting. The final scene always leaves me breathless.
Winner: Black Swan

Skärmavbild 2013-10-04 kl. 11.21.36

Best Worst Movie vs Take Shelter

There are plenty of things that I like about Best Worst Movie, the documentary on the notoriously bad Troll 2 and its cult following, but one part that really stood out to me was when they visited Margo Prey, who played the mother in Troll 2. At first, I just laughed at how out there she was, but gradually, that gave way to thoughts of “Wow, she’s really in a bad state.” It’s quite the shift from the generally humorous tone of the rest of the documentary. And then you have the scene at the convention, where both the Troll 2 people and the viewers come out of the bubble and are reminded that cult following is not the same thing as wide-spread fame. Two great documentary moments. Now, Take Shelter is a nuanced and engaging movie with a powerhouse performance by Michael Shannon, but I had fonder reactions to BWM.
Winner: Best Worst Movie

Skärmavbild 2013-10-04 kl. 11.31.48

The Wrestler vs Little Miss Sunshine

I’ve gone back and forth a bit on Darren Aronofsky‘s The Wrestler since its release. I loved it when I first saw it, but on a subsequent rewatch, I felt the story was a wee bit too familiar, and I docked it a point in my review of it. Since then, my appreciation for it has risen again, largely due to how cleverly it uses its pro wrestling subject matter to create a different vibe from most sports dramas. “Sports”-wise, it’s not about a guy proving that he’s better than others; it’s about a guy willingly putting his health at risk because it’s all he knows how to do. It’s a unique beast, that film. That said, there is nothing in the movie quite as great as the rollercoaster of emotions that is Little Miss Sunshine’s climax, and while Mickey Rourke‘s performance in The Wrestler is worthy of all the praise it has gotten, there is a lot of fun to be had in the many ways the members of Little Miss Sunshine’s ensemble cast interact with each other. Plus, I’m a sucker for comedies.
Winner: Little Miss Sunshine

Skärmavbild 2013-10-04 kl. 11.45.31

Hero vs Stranger Than Fiction

This is a case of where I appreciate the two films for very different things: Hero for its jaw dropping visuals and twisty Rashomon-esque storytelling, Stranger Than Fiction for its performances and quirky plot. Hero wins though, because it’s pretty much the most gorgeous-looking movie ever.
Winner: Hero

Skärmavbild 2013-10-04 kl. 11.48.06

Life of Pi vs Groundhog Day

Life of Pi was the first movie I ever paid to see more than once in theaters. Like Hero above, it’s a stunning achievement in visual splendor, and the story it tells is one I adore for many reasons. It is, however, sadly lacking in Bill Murray at his best and snarkiest. Groundhog Day also has quite the nostalgia factor for me, which proves to be too much for Life of Pi to overcome.
Winner: Groundhog Day

Skärmavbild 2013-10-04 kl. 11.49.59

The Rules of Attraction vs Requiem for a Dream

Flickchart is in an Aronofsky kind of mood today, it seems. Three films in six match-ups so far. Funny, that. Roger Avary’s The Rules of Attraction is a film I enjoy championing, because it rarely gets the credit it deserves – especially next to that other Bret Easton Ellis adaptation American Psycho. It’s great, wickedly funny, kind of alcoholic, and has some real teeth to it. If you haven’t seen it, you’d do well to check it out. Not that it’s better than Requiem for a Dream or anything, however. I saw Requiem early in my cinematic awakening, and it was a real eye-opener to me in terms of what was possible to achieve with directing and editing, not to ention the story that had me totally reeling. As an aside, it’s fun to note that the Victor segment of The Rules of Attraction owes a lot to Requiem’s hip hop montage editing style.
Winner: Requiem for a Dream

Skärmavbild 2013-10-04 kl. 11.52.16

The 40-Year-Old Virgin vs Lost in Translation

One of my Flickchart philosophies is that there should be no “automatic” wins. Just because I call Lost in Translation my favorite movie doesn’t mean that the match-up shouldn’t warrant full consideration (in fact, I never would have realized that it was my favorite movie if not for this philosophy, as described here.) So let’s look at the opposition here. The 40-Year-Old Virgin is pretty much the cream of the crop of the Judd Apatow brand of comedy. It’s hilarious, the cast is hitting on all cylinders, and there’s real affection for the main character and his plight. I’d call it one of the finest laugh-out-loud comedies of the 2000s. There. Case made. Lost in Translation is still better. Its meditative nature and profound tale still strikes all the right chords for me, and it keeps growing all the more relevant to me for every year as I traverse the age gap between Charlotte and Bob.
Winner: Lost in Translation

Skärmavbild 2013-10-04 kl. 12.50.48

High Fidelity vs The Ice Storm

Two movies about relationships here. Well, kind of. High Fidelity very much is, whereas The Ice Storm focuses more on a specific time and place (70s American suburbia) and the way people and families operated during this era. The Ice Storm is arguably the deeper of the two, and its approach to its themes is impressive considering that it’s directed by non-American Ang Lee. Even so, High Fidelity is a movie I find more relatable, and its blend of outright comedy and introspection is handled wonderfully. Having read Nick Hornby‘s source novel, I’m also in awe of what a skillful adaptation it is. Oh, and it has Jack Black‘s best performance ever.
Winner: High Fidelity

Skärmavbild 2013-10-04 kl. 12.55.36

Man on the Moon vs Forrest Gump

Oh, this is a tough one. My gut reaction is to go with Forrest Gump due to its emotional and touching story, but the more I think about it, the more I lean towards the Andy Kaufman biopic. It’s the one movie where I can actually forget that I’m watching Jim Carrey, as he does a great job of inhabiting the Kaufman character. Compare this to Forrest Gump, which is more a case of “Tom Hanks is sure acting the hell out of this movie.”
Winner: Man on the Moon

Skärmavbild 2013-10-04 kl. 12.57.59

The Woodsman vs American Beauty

Remember how I said that Lost in Translation is the movie I tend to call my favorite? Well, that used to be American Beauty, which to this day holds a special place in my heart. The Woodsman, on the other hand, is the film that made me a certified Kevin Bacon fan through his stunning performance as Walter. Both movies deal with the touchy subject matter of adult men lusting after younger girls, with The Woodsman fully focused on this whereas American Beauty has this as just one aspect of main character Lester’s mid-life crisis – and said crisis is still just one part of everything 1999’s Best Picture winner deals with. This thematic multitasking is part of what I like so much about it. The Woodsman is a more harrowing film, and certainly the more fearless one, but superior to American Beauty it is not.
Winner: American Beauty

Agree? Disagree? Let me know in the comments!

 
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Posted by on 4 October, 2013 in Flickcharting, Misc.

 

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How I filled out an awards ballot

Flickchart: The Blog is right in the middle of the 2nd Annual Flickcharters’ Choice Awards. I took part last year for the inaugural installment and wrote a post about my experience as a nominator. This year, things were done a bit differently: the nomination voting was open to the public and not just to the contributors to the Flickchart blog.

The nominees were announced last night, and with that, the voting for the eventual winners has begun (go here to cast your votes). I won’t say too much about the nominations; a lot of it is for things I haven’t seen yet, so while I am disappointed that so many of my nomination votes didn’t go through, I can’t rightfully say with certainty that they deserve to be in over stuff that did make it.

Instead of talking about what did get nominated, I thought I’d share my ballot for the nomination phase. Voting was done with a point distribution system that allowed you to give extra push to certain nominees, but I’m keeping it simple here and just sharing my five picks for each category in alphabetical order.

Entries in blue are ones that ended up making the cut for nominations.

rwqg7

5 Broken Cameras

Best Documentary Film
5 Broken Cameras
How to Survive a Plague
Indie Game: The Movie
The Invisible War
The Queen of Versailles

I didn’t see a whole lot of 2012 documentaries, to be perfectly honest. The only ones I saw and didn’t nominate were Mansome and Jiro Dreams of Sushi. That said, these five films are all interesting in their own rights. Three of them are Oscar nominees, one should have been, and the last is one of those narrow interest pieces that just happens to be within my field of interests.

Kon-Tiki

Kon-Tiki

Best Foreign Language Film
5 Broken Cameras
Eat Sleep Die
Kon-Tiki
Oslo, August 31st
A Royal Affair

Four of these films are from Scandinavia, so maybe I’m biased here. I knew that Eat Sleep Die would have a hard time gaining traction with anyone else, considering how very Sweden-centric it is and its limited international distribution, but it’s a great film that deserved a spot here on my ballot. This isn’t the last category it shows up in.

Best Animated Film
This is the one category I had to abstain in. I’ve seen zero animated films from last year, and I don’t have much desire to either apart from Wreck-It Ralph and Frankenweenie.

Mansome

Mansome

Biggest Disappointment of 2012
John Dies at the End
Mansome
Moonrise Kingdom
Silent Hill: Revelation 3D
Take This Waltz

A hard category for me to fill out. I even had to put Moonrise Kingdom in here, a film that I for all intents and purposes liked. Most of what I’ve seen from 2012 has lived up to most of the expectations I had for it.

21 Jump Street

21 Jump Street

Biggest Surprise Film of 2012
21 Jump Street
Chronicle
Dark Shadows
Goon
The Grey

The counterpoint to  the previous category, these were all films that ended up being better than I expected. Granted, a few here were ones that the hidden good word had gotten around about by the time I saw them, like 21 Jump Street and Chronicle. Even so, judging by the expectations I initially had, they still fit in nicely here.

The Queen of Versailles

The Queen of Versailles

Best Underranked Film
Eat Sleep Die
The Invisible War
Killer Joe
Oslo, August 31st
The Queen of Versailles

This is a Flickchart specific category that ties into the site’s core mechanic of comparing and ranking films. You can think of it as Best Film Not Seen By Many. So here we have a motley crew of documentaries, foreign language films, and one “totally twisted deep-fried Texas redneck trailer park murder story”. If you’re looking for some hidden gems of last year, you’d do well to check out these five.

Before Midnight

Before Midnight

Most Anticipated Film of 2013
Before Midnight
Oldboy
Only God Forgives
The Place Beyond the Pines
Sin City: A Dame to Kill For

Make no mistake: this category is all about Before Midnight for me. The rest is filler.

Rock of Ages

Rock of Ages

Most Underrated Film
The Grey
Kon-Tiki
On the Road
The Queen of Versailles
Rock of Ages

The words “underrated” and “overrated” are ones I rarely use. Just who is it that’s rating it higher or lower than me? Here, I latched onto the further guideline supplied by awards supervisor Ross Bonaime: “film you thought didn’t get the audience it deserved”. Loosely interpreted, this can go for all five of these films.

hr_moonrise_kingdom_19

Moonrise Kingdom

Most Overrated Film
American Reunion
The Hobbit: An Unexpected Journey
Lockout
Moonrise Kingdom
Take This Waltz

Or “film you thought received more attention than it deserved”. Like Biggest Disappointment, I had to nominate a number of films here that I actually liked: American Reunion, The Hobbit, and Moonrise Kingdom. These all got more attention than what I felt their quality warranted. Then we have the terrible Lockout, which, bafflingly, some people thought was okay, and Take This Waltz, which of the five is probably the closest to the usual interpretation of “overrated.”

Silent Hill: Revelation 3D

Silent Hill: Revelation 3D

Worst Film of 2012
Bad Ass
Get the Gringo
Killing Them Softly
Lockout
Silent Hill: Revelation 3D

I didn’t like any of these films, but the first three mentions on the list are at least not terrible. I suppose I should be quite happy with the movie year of 2012 based on that.

Life of Pi

Life of Pi

Best Scene in a 2012 Film
The chicken scene – Killer Joe
“I Dreamed a Dream” – Les Misérables
“Valjean’s Soliloquy” – Les Misérables
Pi wanting to show God to the tiger – Life of Pi
“Wanted Dead or Alive” – Rock of Ages

This is a new category for this year, and a fun one it is. There was a lot of scenes I regretfully had to leave off, and some that I just forgot outright – the surgery scene in Prometheus should probably have gotten a mention from me, for instance. Still, this is a cool list. I could have put more Les Mis on it, perhaps.

Looper

Looper

Best Writing in a 2012 Film
Rian Johnson – Looper
Amy Jump and Ben Wheatley – Kill List
Tracy Letts – Killer Joe
David Magee – Life of Pi
Gabriela Pichler – Eat Sleep Die

Ever since watching the great screenwriting documentary Tales from the Script, I’ve been reluctant to praise or complain about screenwriters, because you never know if that great line of dialogue was theirs or an ad-lib, or whether that weird story turn was something they wanted or if it was due to executive meddling. I also don’t really know anything about screenplays, so what this category really reflect for me is well-crafted dialogue and/or interesting stories. Looper, Kill List and Killer Joe are ones I admire for their sheer ambition and out-there-ness. Life of Pi is a unique tale that must have been a real challenge to adapt. Eat Sleep Die is a marvel in Swedish film in that it actually reflects how people talk in real life, rather than the “theater on film” way of speech so common in movies in this country.

Oslo, August 31st

Oslo, August 31st

Best Directing in a 2012 Film
Joe Carnahan – The Grey
Tom Hooper – Les Misérables
Ang Lee – Life of Pi
Ridley Scott – Prometheus
Joachim Trier – Oslo, August 31st

Like writing, directing is hard to judge, and easy to confuse with cinematography, editing and so much more. What these five films have in common is that they’re presented with a clear vision of what they want accomplished. A unified view, if you will. They’re all films I admire, too.

Kristen Stewart - On the Road

Kristen Stewart – On the Road

Best Supporting Actress in a 2012 Film
Samantha Barks – Les Misérables
Emily Blunt – Looper
Anne Hathaway – Les Misérables
Alison Pill – Goon
Kristen Stewart – On the Road

A relatively weak slate of nominees from me, admittedly. The performances are all good, but apart from the amazing Hathaway and the novelty factor of Barks – who inside word says was very close to getting nominated – none of these are likely to be ones I remember five years from now. I should probably have put Gina Gershon and/or Juno Temple from Killer Joe in here in retrospect. Sometimes I forget things.

Matthew McConaughey - Killer Joe

Matthew McConaughey – Killer Joe

Best Supporting Actor in a 2012 Film
Tom Cruise – Rock of Ages
Michael Fassbender – Prometheus
Garrett Hedlund – On the Road
Matthew McConaughey – Killer Joe
Andy Serkis – The Hobbit: An Unexpected Journey

I wasn’t sure whether McConaughey should be here or in Best Actor for the title part of Killer Joe, but ultimately, I figured that a case could be made for either, and it was easier to slot him in here. I’m a bit surprised that my fellow Flickcharters didn’t spring for Fassbender here, but hey, I guess Django Unchained needed its three spots.

Noomi Rapace - Prometheus

Noomi Rapace – Prometheus

Best Actress in a 2012 Film
Kara Hayward – Moonrise Kingdom
Nermina Lukac – Eat Sleep Die
Noomi Rapace – Prometheus
Alicia Vikander – A Royal Affair
Michelle Williams – Take This Waltz

I did not notice this until I submitted my ballot, but there are three Swedes represented here: Lukac, Rapace, and Vikander. Cool stuff. Still, this category is proof that I really need to see more female-centric stuff from 2012. I very reluctantly put Williams here: it’s a fine enough performance, but I had serious trouble buying into the character – something I ultimately attribute more to the writing.

Hugh Jackman - Les Misérables

Hugh Jackman – Les Misérables

Best Actor in a 2012 Film
Anders Danielsen Lie – Oslo, August 31st
Hugh Jackman – Les Misérables
Liam Neeson – The Grey
Seann William Scott – Goon
Suraj Sharma – Life of Pi

If you had told me just a year ago that I would put Stiffler on a ballot for Best Actor, I might have laughed at you. Still, he knocked it out of the park in Goon, so good for him.

A Royal Affair

A Royal Affair

Best Overall Cast in a 2012 Film
Jeff, Who Lives at Home
Killer Joe
Les Misérables
On the Road
A Royal Affair

A Royal Affair earned Vikander a mention in Best Actress, but I had her two co-stars Mads Mikkelsen and Mikkel Følsgaard in Actor and Supporting Actor in my initial draft of the ballot. Les Mis got in in spite of Russell Crowe. If there’s one shining example here though, it’s Killer Joe. Everyone in that film was at the top of their game.

Gabriela Pichler

Gabriela Pichler

2012 Outstanding Achievement in Film
Joe Carnahan
Joseph Gordon-Levitt
Matthew McConaughey
Gabriela Pichler
Channing Tatum

This is a very loosely defined category. Generally, nominees tend to be actors who have been in multiple films, or writer/directors. I had three of the former, two of the latter. I did make one big omission here: Anne Hathaway. She did strong work in The Dark Knight Rises and breaks my heart over and over in Les Mis. She should definitely have been here instead of one of the male actors. Oh well.

The Grey

The Grey

Best Picture of 2012
The Dark Knight Rises
The Grey
Les Misérables
Life of Pi
The Queen of Versailles

Here’s another thing I didn’t realize until just now: this is the only category I nominated The Dark Knight Rises for. It sounds weird, but I’m fine with that. That film just worked as a whole, and was a fitting end to the trilogy. It, and the rest of the films here, represent the best of what I’ve seen from 2012 so far.

 
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Posted by on 6 February, 2013 in Lists, Misc.

 

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Monthly Report: January 2013

I have no idea how this happened. I thought December was very movie-intense at 30 new films seen. Well, in January, I saw 42. Plenty of good stuff was at hand, including two terrific Best Picture Oscar nominees that stuck in my head for days and required multiple trips to the cinema. I did quite a bit of last minute catching up on documentaries and foreign language films of 2012 for award nominating purposes, too. Gotta love Netflix. February will have more work on its plate for me, so I expect there to be less time for movies. Then again, you never know…

13 Assassins (Takashi Miike, 2010)
Fitting choice to open 2013 with, don’t you think? This is a more accessible and to me far more enjoyable film than what Miike tends to put forth. The first half is decent enough talky set-up; it’s nothing mind-blowing, but it does what it’s supposed to. The second half is the real gem here though, featuring some of the most badass samurai action I’ve ever seen. Just tremendous stuff, and a great way to kick off movie year 2013.
4/5

All Good Things (Andrew Jarecki, 2010)
I’m not sure why this film has to exist, or why anyone should have to see it. It’s not bad or anything; in fact, there are scenes that are quite impressive, especially the ones focusing on the central characters’ relationships towards each other, which are more complex than what one first suspects. The actors all put in solid efforts, too. It’s just that the story as a whole, despite being based on true events, doesn’t really feel like it’s anything special. There is some awkwardness to the way it jumps around in its timeline. It’s a watchable movie, but by no means a must-see.
3/5

ADVENTURES OF TINTIN, THE SECRET OF THE UNICORNThe Adventures of Tintin (Steven Spielberg, 2011)
Oh, this was a joy to watch. I grew up with the Tintin comics, so this had a lot of nostalgia value for me. It’s way more than just that, though. It’s a hilarious movie, with Captain Haddock providing the lion’s share of laughs, but pretty much all the humor is right on the mark. The animation is teriffic and offers such beauty that it made me wish I had seen it in theater. The action is cool and imaginative, with the astounding “long take” chase scene being just the crown jewel of a big old pile of gold. What I found most impressive was how well Spielberg utilizes the animation format, smartly employing angles, shots and effects in cool ways that would have been tricky to pull off in live action. All in all, this is a teriffic film. The 2015 sequel can’t get here soon enough.
5/5

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Posted by on 31 January, 2013 in Monthly Report

 

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Crazy about Les Mis

Crazy about Les Mis

I’m obsessed with Les Misérables. I had no experience with the story in any form until this past Friday, when I saw the new movie by Tom Hooper. Since then, I’ve seen the film again, Youtubed live performances, listened to various cast recordings on Spotify, and read about various differences between novel, stage musical and film.

I would not have gotten into the whole Les Mis thing if not for the movie. That doesn’t mean that the movie is amazing or anything, nor that it should be fully credited for my new-found fascination.

The Les Mis story is like the most beautiful thing ever. It’s about redemption, self-sacrifice, love, romance, morality, the harshness of life and the hope for tomorrow, garnished with comic relief and action. The more I think about the story, the more I love it.

The other major strong point is the songs, obviously. The melodies are catchy and powerful, and the lyrics have hidden complexities beneath the simple surface of their words. There are heart-breakers like “I Dream a Dream” and “A Little Fall of Rain”, powerful songs of soul-searching like “Valjean’s Soliloquy”, the funny “Master of the House”, the dramatic “Confrontation”, the morale-raising “Do You Hear the People Sing”, the awesome “One Day More”, and tons more. I won’t say it’s all great stuff, but it’s not too far off, and it all gels together perfectly.

Neither the story nor the songs were created by the people who made the movie. The songs I have now experienced in other – generally superior – versions. The story itself I’ve still only taken in through Hooper’s vision.

Do I love the movie? I don’t know. I reckon I’ll always be thankful to it for introducing me to the whole Les Mis thing, but there are certainly things I don’t like about it very much. Russell Crowe has the physical presence required, but he does not have the singing voice to pull off the antagonist Javert character, with both his big solo numbers in the film coming off really flat and unmemorable. Comic relief duo Sacha Baron Cohen and Helena Bonham Carter bring the funny for sure, but both have a tendency to mumble and Carter seems to mostly be reprising her Mrs. Lovett character from Sweeney Todd: The Demon Barber of Fleet Street. The new song “Suddenly” which was written specifically for the film version is the dullest of the whole movie and despite being brief still grinds the movie to a halt.

Overall, however, the film is a major success. Hooper’s decision to have the singing done live on set is not as revolutionary as has been suggested – Across the Universe did the same thing back in 2007, for instance – but it does work wonders here in allowing more free form performances. “Valjean’s Soliloquy” is a great example, with Hugh Jackman pacing back and forth, into and out of light, battling with doubt with it the struggle clearly present in his face and his voice. It seems unlikely that lip-syncing to prerecorded singing would have the same effect. The other much debated style decision by Hooper is to use close-ups for many of the song numbers. Some call this suffocating; I call this intimate and effective. It’s not like it’s everywhere, as some suggest. Mostly, it’s kept to the more personal songs. There is a tune or two where a wider scope would have been preferrable, but as a whole, Hooper did a fine job here. He had a clear vision, and he followed through with it. Les Misérables is a stronger film overall than The King’s Speech, and certainly directing-wise.

Apart from the actors already I’ve already criticized, the cast ranges from good to great. The two clear standouts are Jackman and Anne Hathaway. The former pulls off a career-best transformative performance as Valjean, having me fully invested in the character’s journey while never making me think “Oh, it’s Wolverine singing.” Hathaway, of course, has the best scene of the film – and most likely of all of 2012 – with her performance of “I Dreamed a Dream”. The first time I saw the film, I was stunned and had goosebumps alll the way through her song. It’s such a heart-wrencher. She sings very well indeed, but even more impressive is the sheer power-acting involved. Her Fantine is truly a woman broken by all that life has thrown at her, and it’s expressed devastatingly here. It’s a major tear jerker. On my rewatch, I kind of steeled myself against it a bit, thinking I knew what I was in for. Then that penultimate verse hits, where Fantine first sings how she hopes her love will come back to her, but then she goes “But there are dreams that can not be”, and Hathaway throws her head back a bit and there’s a tear racing down her cheek, and fuck! Raw, powerful, amazing, and heart-breaking.

reg_1024.10lesmis.ls.12212

But this wasn’t meant to be a review of the film. The point I want to make is that while the movie is very good, my love for it is smaller than my love for Les Mis as a whole. Or so I assume. What is it that I like better, really? I haven’t seen any full stage performance in person – though I now desperately want to – and what clips I’ve seen on Youtube are just singled out songs. The albums I’ve listened to are great, but is an album better than a film? It’s apples and oranges, no?

I can’t seem to find enough of an outlet for this new-found obsession. The film isn’t the kind of thing I can call all my friends and tell them that they just have to go see it. It’s not a film that can be discussed that much on an analytical level. I could read the novel, but past experiences have told me that me and old books don’t mix well. There are no live performances of the musical anywhere near here. I can – and will – listen to the songs again and again, but this is not enough, I fear. I feel like I’ve tweeted about Les Mis more than I should have already, and yet it’s all I can think of. My head is full of Valjeans and Fantines and Eponines and Thénardiers, all swimming around in an intermixing ocean of songs. I’m overwhelmed by it all.

Les Misérables is not the best movie of 2012. It’s no The Grey. It’s no Life of Pi. I’m not sure it’s even a The Dark Knight Rises or The Avengers. And yet it has done something that no other film from last year has been able to.

For better or for worse.

 
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Posted by on 23 January, 2013 in Misc.

 

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Wishful thinking and surprise predictions for the Oscar noms

I haven’t done any real blogging on this current awards season we’re in, but that doesn’t mean I haven’t been keeping an eye on the race. This year’s is more interesting than most, since a lot of the major categories lack a clear front-runner. Sure, everyone knows Anne Hathaway is taking Best Supporitng Actress for Les Misérables, and Best Actor is Lincoln‘s Daniel Day-Lewis‘ to lose, but everything else is still refreshingly open. There are at least four films I could see win Best Picture at this point that wouldn’t cause me to bat an eyelid.

As I’ve said before, awards season to me is an event for the brain and not for the heart. By that I mean that it’s fun to think about and predict the Oscars, but to invest hopes and emotions in the process is a fool’s game. The Oscars are determined by a large number of voters, who all fill out their ballots according to their own opinions – at least in theory. They are as entitled to like what they like as I am, so you won’t hear any cries of “so-and-so should have been/didn’t deserve to be nominated!” when the nominations are announced this Thursday.

That said, if I had a ballot, there are some things I would put on there that the Academy members may or may not be likely to spring for. Here are a few of them.

Wishful thinking

Skärmavbild 2013-01-07 kl. 13.52.34Best Supporting Actor: Tom Cruise – Rock of Ages & Garrett Hedlund – On the Road
Tom Cruise for showing that an old dog can still learn new “sex drugs & rock n roll”-fuelled tricks. Garrett Hedlund for announcing the emphatic arrival of a new young powerhouse actor. Both for giving some of the year’s best performances.

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Posted by on 7 January, 2013 in Oscars

 

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My backlog for 2012

It’s getting to that time of the year where people start constructing their Top 10 lists of the best films from the past twelve months. I will of course not be doing this. Hell, I still haven’t gotten around to doing my 2011 list yet. You might remember a list I made back in January where I named all the 2011 films I wanted to see before I finalized my Top 10. Well, I still have eight movies or so left on that one.

Still, that’s no reason to not look to the future, or present, or what have you. I’m fantastically behind in my 2012 watching as well, as you can imagine, due to a combination of delayed Swedish release dates, laziness, and an ongoing desire to catch up with not just the newest stuff, but also 100+ years of cinema. I don’t imagine I’ll ever be ahead of the pack, but I’ll continue doing what I can to keep up.

Without further ado, here are the films I want to see before I put out my Top 10 Favorite Movies of 2012 list. Maybe they won’t be great, and maybe there are others I’ll see that will be, but this is my current personal check list. It could change in the future, I should point out. In alphabetical order:

Amour – because I ought to watch more Michael Haneke anyway.

Argo – because there is no reason to abandon the Ben Affleck train yet, considering how great Gone Baby Gone and The Town were.

Bachelorette – because I like comedy.

Beasts of the Southern Wild - 6

Beasts of the Southern Wild – because of the image above.

The Campaign – because Will Ferrell is funny, and so is Zach Galifianakis.

Celeste and Jesse Forever – because it’s always interesting to see funny people branch out.

Cloud Atlas – because ambition should be rewarded.

Cockneys vs Zombies – because even if only a few people are talking about it, they all seem to love it.

Compliance – because the premise intrigues.

Cosmopolis – because a friend emphatically told me that it would be right up my alley.

Django Unchained – because it’s Quentin Tarantino. Duh.

end-of-watch-posterEnd of Watch – because it somehow seems unfair to watch Rampart without seeing this one too.

Flight – because it’s Robert Zemeckis doing live action.

For a Good Time Call – because, much to my perplexity, someone told me I might possibly love it.

Frankenweenie – because in the middle of working on this blog post, I took a break to listen to the Oscar Talk podcast, and they had a lot of compelling praise for this one.

Hitchcock – because The Remains of the Day recently reminded me of what an amazing actor Anthony Hopkins is.

Holy Motors – because I have no idea what to expect from it.

Hyde Park on Hudson – because no matter how mediocre critical and public response has been, it’s still Bill Murray.

Killer Joe – because everyone seems to dig it.

Les Misérables – because big musicals need to bounce back from some critical duds the last few years, and being a fan of the genre, I will gladly support this endeavor.

Life of Pi – because the religious aspects seem to be something everyone likes, which is quite frankly insane. When have people ever agreed on anything religion-related before?

Magic Mike – because it’s Steven Soderbergh. And because Kevin Nash is in it.

The Master – because I was only missing Hard Eight to complete Paul Thomas Anderson‘s filmography, and I won’t let this one ruin my percentage.

Nicole-Kidman-in-The-PaperboyThe Paperboy – because there has to be something to all these award nominations Nicole Kidman keeps scoring, no?

The Perks of Being a Wallflower – because I’ve been confusing it with On the Road for quite some time, and I’ve seen that one now.

Premium Rush – because someone made an off-hand comparison of it to Crank, which I fucking love.

Safety Not Guaranteed – because it’s time travel.

Savages – because it looks so vibrant and colorful.

Searching for Sugar Man – because it’s supposedly one of the best documentaries of the year, and I like good documentaries.

Seeking a Friend for the End of the World – because of the basic idea.

The Sessions – because the story sounds like something I’ve never seen before, and because it’s John Hawkes in a rare leading role.

Seven Psychopaths – because In Bruges was great, and the cast is promising indeed.

Silver Linings Playbook – because when awards bodies start paying attention to comedies, it’s usually a sign that I’ll love the movie in question.

Skyfall – because it’s Sam Mendes.

Take This Waltz – because 1) it’s Michelle Williams, and 2) see the note on Celeste and Jesse Forever.

This is 40 – because I’m not yet even remotely tired of Judd Apatow.

Wreck-It Ralph – because in addition to being a movie lover, I’m also a gamer.

wreck-it-ralph-banner

Is there anything else from 2012 that I really desperately absolutely ought to check out? What 2012 film do you still feel like you need to see?

 
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Posted by on 15 December, 2012 in Lists

 

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