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My Top 10 Favorite Movies of 1996

As usual, this goes by release year as listed on IMDB.

Honorable mentions: The Rock, Sling Blade

10 – FOXFIRE (Annette Haywood-Carter)

“Live dangerously. Walk me to class.”

A cool and thoughtful movie about the friendship that develops between a group of teenage girls, with drifter Legs (a pre-breakthrough Angelina Jolie) acting as the catalyst. Truth be told, I don’t remember much details about this film, but I do recall being quite taken by the earnest performances and the very 90s-y feel of the movie. Sadly, not many people seem to have seen this one. Do check it out if you have the chance.

9 – KINGPIN (Peter & Bobby Farrelly)

“It’s round, has three holes, and you put your fingers into it.”

I haven’t seen this one since the early 2000s, but this one got frequent play on my VCR back in the day. The humor is of the typical Farrelly brand; if that’s not your thing, this bowling comedy won’t change your mind. For those of us who like this stuff, Kingpin offers plenty of laughs. Having two great actors like Woody Harrelson and Bill Murray in the central parts certainly doesn’t hurt either, with Murray in particular stealing the show in the film’s climactic bowling game.

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Posted by on 9 May, 2012 in Lists, Top 10 of a year

 

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Monthly Report: March 2012

This is the start of what might turn out to be a recurring feature on this blog. Many of my fellow movie bloggers do something similar. The concept is simple: I talk briefly about all the films I saw for the first time this month. Mini-reviews, if you will.

The Abyss (James Cameron, 1989)
The Special Edition, for the record. Yet another impressive outing for Cameron, with the underwater setting providing most of the film’s memorable moments. The claustrophobic atmosphere is palpable, putting us right down there with the crew of oil-drillers on the ocean floor as they try to determine what caused a submarine to crash. It’s a great action film overall, though the ending feels a tad drawn-out and anticlimactic.
4/5

The Artist (Michel Hazanavicius, 2011)
Considering my extremely limited experience with old silent cinema, I’m probably not the intended demographic for this nostalgia-trip. I’m sure there’s a lot of allusions and homages in this one that I didn’t fully catch. Fortunately, this one can survive regardless based on its charm alone. The story isn’t anything special by itself – though intrensically linked with its style – but it’s a pleasant watch with what should in a fair world be two star-making performances from Jean Dujardin and Berenice Bejo.
3/5

Persona (Ingmar Bergman, 1966)
I was a bit wary of this film when I sat down to watch it. I had heard it could be a bit “difficult” and “strange”, and my previous experience with Bergman (Through a Glass Darkly) hadn’t quite knocked me over. Well, this one did, and with gusto. Wonderfully acted and thematically rich, but more than anything else, this may well be the most beautifully shot black & white film I’ve seen so far. I’m finally starting to see what Ebert is on about when he keeps praising B&W over color. Persona might well turn out to be the most significant movie-watching I do this entire year.
5/5

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Posted by on 2 April, 2012 in Monthly Report

 

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My Top 10 Favorite Movies of 1998

You know the drill by now. These are my 10 favorite movies of 1998, going by release year listed on IMDB.

Honorable mentions: Dark City, The Interview, Rushmore, Run Lola Run, There’s Something About Mary

10 – FOLLOWING (Christopher Nolan)

“You take it away to show them what they had.”

Before there were the multi-million dollar blockbusters like The Dark Knight and Inception, there was Following. Nolan’s first film was made on a budget of $6000, shot in black & white and with no bells and whistles. The story thus becomes the focal point, and it’s a good one indeed. Telling the non-chronological tale of a writer (Jeremy Theobald) who after following people on the streets eventually finds himself led into a world of crime, this neo-noir is filled with twists, turns and intrigue. Not quite a masterpiece or anything, but definitely well worth checking out to see where the seeds for Memento were planted.

9 – THE CELEBRATION (FESTEN, Thomas Vinterberg)

“Here’s to the man who killed my sister. To a murderer.”

The Celebration is perhaps most significant for being the first (and, alongside Lars Von Trier‘s The Idiots, arguably the most well-known) movie of the Dogme 95 movement, a philosophy that emphasises realism throughout the whole film production and was started in reaction to big costly Hollywood fare. However, it’s also a captivating film in its own right, showing the dark secrets hidden away beneath the facades of a wealthy family. It’s a fitting subject matter for the style, which all leads to some chillingly stark scenes and moments. A powerful film.

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Posted by on 29 March, 2012 in Lists, Top 10 of a year

 

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9 director/actor team-ups that need to happen

The title for this blog post should be fairly self-explanatory, but to clarify, I’m talking specifically about directors and actors that (to the best of my knowledge) haven’t worked with one another before on film. I’m also limiting myself to pairings that could happen today, i.e. no dead or retired persons.

Woody Allen + Rosario Dawson

Considering the sheer volume of Allen’s cinematic output, it’s no surprise that he has crossed paths with tons of actors over the years. But not Rosario Dawson, which is a shame. Allen’s trademark humor would be a good fit for the actress. Remember Clerks II, another talky comedy? She was so great and charming in that one! Allen could get something even better out of her, I’m sure.

David Fincher + Viola Davis

I believe it was In Contention‘s Kristopher Tapley who mentioned in a podcast that he would love to see Viola Davis as the star of an action franchise. I can only agree. Fincher may lean closer to the thriller-side of things in general, but he has a good track record with female characters, from Alien 3 to Panic Room and The Girl with the Dragon Tattoo (not that I love all those films, but at least the protagonists are strong). This needs to happen sooner rather than later, as Davis’ star is currently brighter than ever.

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Posted by on 26 March, 2012 in Lists

 

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I’m making a list, to check twenty-twice…

As you may know, I haven’t made a Top 10 of 2011 list yet, for two reasons. 1: There have been so many of them published in the blogging world lately that mine wouldn’t add anything new to the discussions. 2: I just haven’t seen enough films for the list to really mean much. Such a list made now would nigh-assuredly look vastly different to the same list made a year from now. While it’s true that all ranked opinionated lists are fleeting by nature, this would probably be a particularly big shift.

So when will I have seen enough to make my list? I didn’t make my 2010 list until just this past September. It was right after catching up with Scott Pilgrim vs the World, which I then haphazardly decided was the last 2010 film I had really high hopes for. In hindsight, I could have waited a bit longer. I have since seen some movies that could might well have made it onto the Top 10, such as Easy A and Cyrus. While the latter wasn’t really on my radar at that point, I had been wanting to see Easy A for quite some time. I really should have held out for that one. It slipped my mind.

So for 2011, I’m getting organized. I have compiled a list of films I must see before making my Top 10 for the year. These are films I figure there’s a good chance I might really like, and thus would have a good shot at making my 2011 list. After some reminding research, I ended up with a collection of 22 movies. For some, it’s because they’re by a director whose prio work I admire. For others it’s because of the actors involved, an intriguing premise, strong word of mouth, or just a gut-feeling. Many are among the current slew of Oscar hopefuls.

By no means are these all the 2011 films I want to see, or the ones I’ll see before any others. Some haven’t been released here in Sweden yet. Many I’ll catch up with through rentals, so the randomness of Lovefilm will also play a part (unlike Netflix’s neatly ordered rental queues, Lovefilm only offers a tiered system of organizing). Also, this list was put together on the spur in 10 minutes or so. There might be films that have slipped by my attention, so there could be later additions.

Here is the current list in alphabetical order.

The Artist – because crowd-pleasers can be pleasing.

The Beaver – because as polarizing as the response has been, the premise fascinates me.

Bridesmaids – because it’s Judd Apatow.

Carnage – because it’s Roman Polanski.

A Dangerous Method – because why wouldn’t I want to see Keira Knightley get a beating?

The Descendants – because it’s Alexander Payne.

The Future – because I have never been able to forget Me and You and Everyone We Know.

The Girl with the Dragon Tattoo – because while I think it’s an unnecessary idea, it’s still David Fincher doing a thriller.

Hanna – because it sounds fresh and people I trust have recommended it to me.

Horrible Bosses – because I’m a big fan of comedies and Kevin Spacey.

Hugo – because of a gut-feeling and Martin Scorsese.

The Ides of March – because of Ryan Gosling.

Martha Marcy May Marlene – because too many people have talked about it for too long for it not to be worth seeing.

Melancholia – because it’s Lars von Trier.

Rampart – because The Messenger showed great potential in the Oren Moverman, Woody Harrelson and Ben Foster trinity.

The Skin I Live In – because I can’t look at that poster without being thoroughly intrigued, plus I haven’t seen many Pedro Almodóvar films.

Sleeping Beauty – because I need more Emily Browning to wash the taste of Sucker Punch out of my mouth.

Submarine – because I like the main character’s coat.

Take Shelter – because I want to be prepared for the end of the world.

We Need to Talk About Kevin – because of Tilda Swinton.

Win Win – because the trailer made it seem so by-the-numbers, yet everyone has so much love for it.

Young Adult – because Jason Reitman seems incapable of making films that aren’t great.

What 2011 films do you still really want to see?

 
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Posted by on 14 January, 2012 in Lists

 

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Gazing into the crystal ball for 2012

Now that I’ve done my required looking back at the year that has been, it’s time to look forward to 2012 and make some predictions. Some of these will be bold, while some while fall more into the “well, duh” category. I suspect a lot of these will not come true, but that will solely be blamed on the crystal ball being flawed rather than any perceived incompetence of the fortune teller. These are not thing I necessarily want to see happen, I should add.

The Dark Knight Rises will of course be a juggernaught at the box office and will receive plenty of praise from both critics and movie-goers alike. There will be no massive love for any particular performance a la Heath Ledger, however. General consensus will be that Anne Hathaway‘s Catwoman is vastly inferior to Michelle Pfeiffer‘s in Batman Returns.

The Artist will not win Best Picture at the Oscars.

Despite a strong marketing push, Ridley Scott‘s Prometheus will underperform business-wise. Noomi Rapace‘s Hollywood career will be off to a rocky start, and she’ll return to Sweden before the year is done.

A film premiering at Sundance will be showered with critical acclaim, and by the end of the year, it will be considered one of the leading contenders for the Best Picture Oscar.

The Hunger Games will do respectable numbers at the box office but will not become a mega-hit, because the main character is a girl and it’s not Twilight. Jennifer Lawrence will start heading towards mediocre romcom hell, following in the footsteps of Kate Hudson. Winter’s Bone will seem a lifetime ago.

Ryan Gosling will be able to maintain his fame and prominence from 2011 better than both Michael Fassbender and Jessica Chastain.

The Avengers will be torn to shreds by critics. Words like “bloated” and “overblown” will be thrown around. American cinema audiences will flock to it regardless, but international reception will be lukewarm.

Daniel Day-Lewis‘ performance in Lincoln will be hailed as one of his best ever. The film in general won’t fare as well.

Pixar will bounce back from the critical failure of Cars 2. Brave will be a major hit and restore everyone’s faith in the studio. The Best Animated Feature Oscar will seem imminent.

The surprise hit of the summer: Rock of Ages. “The musical is back!” review quotes will proclaim in ads.

Michael Cera will do nothing to show versatility and make himself more respected in the world of film. He’ll still rake in money doing his usual schtick, though.

Norway will emerge as a major player in the field of international cinema. Swedes will groan and moan.

Mel Gibson will go a full year without any PR catastrophes.

Lars von Trier won’t, despite his self-imposed vow of silence.

The Amazing Spider-Man will do about as well as Superman Returns did, in all fields.

The ratings for the Oscars broadcast will be up a bit from previous years. Billy Crystal will be announced as returning to host the 2013 ceremony as well. Bloggers will cry out about how the Academy are a bunch of old phogeys scared of change. Then AMPAS will change the rules of Best Picture nominations again.

News will emerge that Jason Statham has signed on for a family comedy in which he will play some form of child caretaker. When questioned about this, Statham will debunk the rumor with harsh words not fit for print. To drive home the point, he will then announce plans for seven new action films to be released in 2013, including a third Crank movie and his directorial debut.

Speaking of third films in a series, a sequel to Before Sunset will be formally announced.

Last but not least: lots of great films will be released. Some expected, some not. 2012 will be a good year.

Have a great New Year’s Eve, everyone! See you in 2012!

 
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Posted by on 30 December, 2011 in Misc.

 

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