Just as the 2006 list featured plenty of comedies, this one has a surprisingly high amount of another genre: documentaries. Four of them appear on this list of ten, which, while not dominating, is certainly disproportionate if one looks at the amount of fictional and nonfictional movies I’ve seen from that year. Does this mean that 2005 was a weak year for “normal” movies? No, not really. The documentaries that made this list are all excellent and would have had a good shot of making the top 10 no matter what year they’d been released in. It just so happens that they all got clumped together in 2005. The ten films here are all 5/5 in my book, which is more than I can say for most other years.
I’m perfectly fine with this. Documentary films are often overshadowed by their fictional brethren, and I know some people who don’t even consider them movies at all. Which is ridiculous. Of course they are movies. They have the same power to move us, thrill us, shock us and make us laugh and think as any other genre of film. They deserve as much attention as anything, so I’m happy that four of them have found their way onto this list of mine.
As usual, this is 2005 as listed on IMDB.
10 – MARCH OF THE PENGUINS (LA MARCHE DE L’EMPEREUR, Luc Jacquet)
“There are few places harder to get to in this world. But there aren’t any where it’s harder to live.”
What always strikes me about this documentary is how much work it must have taken to shoot it. Showing the remarkable mating cycle of the emperor penguins of Antarctica, a lot of time was spent to capture every phase of the long process in a truly inhospitable climate. The result of the crew’s labor is a wonderful documentary that’s both informative and charming. The English-language version also plays the trump card of having Morgan Freeman as its narrator (though the Swedish one with veteran comedian Gösta Ekman behind the microphone is nothing to sneeze at either).
9 – THE WEATHER MAN (Gore Verbinski)
“Nothing that has meaning is easy. ‘Easy’ doesn’t enter into grown-up life.”
Here’s an oft undervalued film that Gore Verbinski put out inbetween the two first Pirates of the Caribbean films. Nicolas Cage plays a Chicago weatherman who’s unhappy with his life. His flaws are twofold: he takes no pleasure in his work, and he tries too hard to patch things up with his family. He can’t get over his ex-wife (Hope Davis), his kids struggle with weight issues and drugs, and his father (masterfully played by Michael Caine) is quietly disappointed by his son. It’s a comedy of the glum kind, where the laughs have to fight hard to break through the clouds but feel well-earned when they do. One of Cage’s best and most overlooked performances of the decade.