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How I filled out an awards ballot

Flickchart: The Blog is right in the middle of the 2nd Annual Flickcharters’ Choice Awards. I took part last year for the inaugural installment and wrote a post about my experience as a nominator. This year, things were done a bit differently: the nomination voting was open to the public and not just to the contributors to the Flickchart blog.

The nominees were announced last night, and with that, the voting for the eventual winners has begun (go here to cast your votes). I won’t say too much about the nominations; a lot of it is for things I haven’t seen yet, so while I am disappointed that so many of my nomination votes didn’t go through, I can’t rightfully say with certainty that they deserve to be in over stuff that did make it.

Instead of talking about what did get nominated, I thought I’d share my ballot for the nomination phase. Voting was done with a point distribution system that allowed you to give extra push to certain nominees, but I’m keeping it simple here and just sharing my five picks for each category in alphabetical order.

Entries in blue are ones that ended up making the cut for nominations.

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5 Broken Cameras

Best Documentary Film
5 Broken Cameras
How to Survive a Plague
Indie Game: The Movie
The Invisible War
The Queen of Versailles

I didn’t see a whole lot of 2012 documentaries, to be perfectly honest. The only ones I saw and didn’t nominate were Mansome and Jiro Dreams of Sushi. That said, these five films are all interesting in their own rights. Three of them are Oscar nominees, one should have been, and the last is one of those narrow interest pieces that just happens to be within my field of interests.

Kon-Tiki

Kon-Tiki

Best Foreign Language Film
5 Broken Cameras
Eat Sleep Die
Kon-Tiki
Oslo, August 31st
A Royal Affair

Four of these films are from Scandinavia, so maybe I’m biased here. I knew that Eat Sleep Die would have a hard time gaining traction with anyone else, considering how very Sweden-centric it is and its limited international distribution, but it’s a great film that deserved a spot here on my ballot. This isn’t the last category it shows up in.

Best Animated Film
This is the one category I had to abstain in. I’ve seen zero animated films from last year, and I don’t have much desire to either apart from Wreck-It Ralph and Frankenweenie.

Mansome

Mansome

Biggest Disappointment of 2012
John Dies at the End
Mansome
Moonrise Kingdom
Silent Hill: Revelation 3D
Take This Waltz

A hard category for me to fill out. I even had to put Moonrise Kingdom in here, a film that I for all intents and purposes liked. Most of what I’ve seen from 2012 has lived up to most of the expectations I had for it.

21 Jump Street

21 Jump Street

Biggest Surprise Film of 2012
21 Jump Street
Chronicle
Dark Shadows
Goon
The Grey

The counterpoint to  the previous category, these were all films that ended up being better than I expected. Granted, a few here were ones that the hidden good word had gotten around about by the time I saw them, like 21 Jump Street and Chronicle. Even so, judging by the expectations I initially had, they still fit in nicely here.

The Queen of Versailles

The Queen of Versailles

Best Underranked Film
Eat Sleep Die
The Invisible War
Killer Joe
Oslo, August 31st
The Queen of Versailles

This is a Flickchart specific category that ties into the site’s core mechanic of comparing and ranking films. You can think of it as Best Film Not Seen By Many. So here we have a motley crew of documentaries, foreign language films, and one “totally twisted deep-fried Texas redneck trailer park murder story”. If you’re looking for some hidden gems of last year, you’d do well to check out these five.

Before Midnight

Before Midnight

Most Anticipated Film of 2013
Before Midnight
Oldboy
Only God Forgives
The Place Beyond the Pines
Sin City: A Dame to Kill For

Make no mistake: this category is all about Before Midnight for me. The rest is filler.

Rock of Ages

Rock of Ages

Most Underrated Film
The Grey
Kon-Tiki
On the Road
The Queen of Versailles
Rock of Ages

The words “underrated” and “overrated” are ones I rarely use. Just who is it that’s rating it higher or lower than me? Here, I latched onto the further guideline supplied by awards supervisor Ross Bonaime: “film you thought didn’t get the audience it deserved”. Loosely interpreted, this can go for all five of these films.

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Moonrise Kingdom

Most Overrated Film
American Reunion
The Hobbit: An Unexpected Journey
Lockout
Moonrise Kingdom
Take This Waltz

Or “film you thought received more attention than it deserved”. Like Biggest Disappointment, I had to nominate a number of films here that I actually liked: American Reunion, The Hobbit, and Moonrise Kingdom. These all got more attention than what I felt their quality warranted. Then we have the terrible Lockout, which, bafflingly, some people thought was okay, and Take This Waltz, which of the five is probably the closest to the usual interpretation of “overrated.”

Silent Hill: Revelation 3D

Silent Hill: Revelation 3D

Worst Film of 2012
Bad Ass
Get the Gringo
Killing Them Softly
Lockout
Silent Hill: Revelation 3D

I didn’t like any of these films, but the first three mentions on the list are at least not terrible. I suppose I should be quite happy with the movie year of 2012 based on that.

Life of Pi

Life of Pi

Best Scene in a 2012 Film
The chicken scene – Killer Joe
“I Dreamed a Dream” – Les Misérables
“Valjean’s Soliloquy” – Les Misérables
Pi wanting to show God to the tiger – Life of Pi
“Wanted Dead or Alive” – Rock of Ages

This is a new category for this year, and a fun one it is. There was a lot of scenes I regretfully had to leave off, and some that I just forgot outright – the surgery scene in Prometheus should probably have gotten a mention from me, for instance. Still, this is a cool list. I could have put more Les Mis on it, perhaps.

Looper

Looper

Best Writing in a 2012 Film
Rian Johnson – Looper
Amy Jump and Ben Wheatley – Kill List
Tracy Letts – Killer Joe
David Magee – Life of Pi
Gabriela Pichler – Eat Sleep Die

Ever since watching the great screenwriting documentary Tales from the Script, I’ve been reluctant to praise or complain about screenwriters, because you never know if that great line of dialogue was theirs or an ad-lib, or whether that weird story turn was something they wanted or if it was due to executive meddling. I also don’t really know anything about screenplays, so what this category really reflect for me is well-crafted dialogue and/or interesting stories. Looper, Kill List and Killer Joe are ones I admire for their sheer ambition and out-there-ness. Life of Pi is a unique tale that must have been a real challenge to adapt. Eat Sleep Die is a marvel in Swedish film in that it actually reflects how people talk in real life, rather than the “theater on film” way of speech so common in movies in this country.

Oslo, August 31st

Oslo, August 31st

Best Directing in a 2012 Film
Joe Carnahan – The Grey
Tom Hooper – Les Misérables
Ang Lee – Life of Pi
Ridley Scott – Prometheus
Joachim Trier – Oslo, August 31st

Like writing, directing is hard to judge, and easy to confuse with cinematography, editing and so much more. What these five films have in common is that they’re presented with a clear vision of what they want accomplished. A unified view, if you will. They’re all films I admire, too.

Kristen Stewart - On the Road

Kristen Stewart – On the Road

Best Supporting Actress in a 2012 Film
Samantha Barks – Les Misérables
Emily Blunt – Looper
Anne Hathaway – Les Misérables
Alison Pill – Goon
Kristen Stewart – On the Road

A relatively weak slate of nominees from me, admittedly. The performances are all good, but apart from the amazing Hathaway and the novelty factor of Barks – who inside word says was very close to getting nominated – none of these are likely to be ones I remember five years from now. I should probably have put Gina Gershon and/or Juno Temple from Killer Joe in here in retrospect. Sometimes I forget things.

Matthew McConaughey - Killer Joe

Matthew McConaughey – Killer Joe

Best Supporting Actor in a 2012 Film
Tom Cruise – Rock of Ages
Michael Fassbender – Prometheus
Garrett Hedlund – On the Road
Matthew McConaughey – Killer Joe
Andy Serkis – The Hobbit: An Unexpected Journey

I wasn’t sure whether McConaughey should be here or in Best Actor for the title part of Killer Joe, but ultimately, I figured that a case could be made for either, and it was easier to slot him in here. I’m a bit surprised that my fellow Flickcharters didn’t spring for Fassbender here, but hey, I guess Django Unchained needed its three spots.

Noomi Rapace - Prometheus

Noomi Rapace – Prometheus

Best Actress in a 2012 Film
Kara Hayward – Moonrise Kingdom
Nermina Lukac – Eat Sleep Die
Noomi Rapace – Prometheus
Alicia Vikander – A Royal Affair
Michelle Williams – Take This Waltz

I did not notice this until I submitted my ballot, but there are three Swedes represented here: Lukac, Rapace, and Vikander. Cool stuff. Still, this category is proof that I really need to see more female-centric stuff from 2012. I very reluctantly put Williams here: it’s a fine enough performance, but I had serious trouble buying into the character – something I ultimately attribute more to the writing.

Hugh Jackman - Les Misérables

Hugh Jackman – Les Misérables

Best Actor in a 2012 Film
Anders Danielsen Lie – Oslo, August 31st
Hugh Jackman – Les Misérables
Liam Neeson – The Grey
Seann William Scott – Goon
Suraj Sharma – Life of Pi

If you had told me just a year ago that I would put Stiffler on a ballot for Best Actor, I might have laughed at you. Still, he knocked it out of the park in Goon, so good for him.

A Royal Affair

A Royal Affair

Best Overall Cast in a 2012 Film
Jeff, Who Lives at Home
Killer Joe
Les Misérables
On the Road
A Royal Affair

A Royal Affair earned Vikander a mention in Best Actress, but I had her two co-stars Mads Mikkelsen and Mikkel Følsgaard in Actor and Supporting Actor in my initial draft of the ballot. Les Mis got in in spite of Russell Crowe. If there’s one shining example here though, it’s Killer Joe. Everyone in that film was at the top of their game.

Gabriela Pichler

Gabriela Pichler

2012 Outstanding Achievement in Film
Joe Carnahan
Joseph Gordon-Levitt
Matthew McConaughey
Gabriela Pichler
Channing Tatum

This is a very loosely defined category. Generally, nominees tend to be actors who have been in multiple films, or writer/directors. I had three of the former, two of the latter. I did make one big omission here: Anne Hathaway. She did strong work in The Dark Knight Rises and breaks my heart over and over in Les Mis. She should definitely have been here instead of one of the male actors. Oh well.

The Grey

The Grey

Best Picture of 2012
The Dark Knight Rises
The Grey
Les Misérables
Life of Pi
The Queen of Versailles

Here’s another thing I didn’t realize until just now: this is the only category I nominated The Dark Knight Rises for. It sounds weird, but I’m fine with that. That film just worked as a whole, and was a fitting end to the trilogy. It, and the rest of the films here, represent the best of what I’ve seen from 2012 so far.

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Posted by on 6 February, 2013 in Lists, Misc.

 

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Monthly Report: July 2012

As I warned in my last blog post, my blogging is currently kept at a low pace. I spent last week in sunny Bulgaria, relaxing and having a good time, and now I’m currently in the middle of moving to my new apartment. I hardly find time to watch any movies, let alone write about them. Hell, I haven’t even found the time to check out The Dark Knight Rises yet. Sad face.

Still, I did get to satisfy my cinematic hunger earlier in July. The yearly local fair was in town, and that’s always a good place to pick up cheap DVDs. The selection isn’t excellent and is mostly comprised of newer releases, which is a large part of why I only watched two films the past month that were made earlier than 2009. So much for expanding my horizons. The two older films were among the best I saw this past, funnily enough.

Limitless (Neil Burger, 2011)
An appealing what-if scenario: what if you had a pill that makes you super-smart, highly focused, and gives you flawless memory? The mind spins with thoughts of what one could accomplish with such a thing. Limitless has Bradley Cooper get his hands on a pill like this, and then tells a story that may not be all that clever, but which is certainly not boring. I could have done with less stupidity exhibited by the supposedly hyper-intelligent protagonist, and the narration rears its ugly head a bit too often, but this is a flashy and fun thriller nonetheless. I was entertained.
3/5

Out of Sight (Steven Soderbergh, 1998)
This is my kind of crime movie. Smart, funny, fresh, and peppered with actual characters rather than plot chess pieces. Hell of a cast too, with George Clooney and Jennifer Lopez threatening to immolate the movie with their mad chemistry. Possibly my favorite Soderbergh.
5/5

Welcome to the Rileys (Jake Scott, 2010)
A well-acted grief drama with the occasional funny bits. The main drawback here is a story that, while told well, isn’t particularly interesting. Parents have lost their child, then the guy happens upon a surrogate, and… that’s kind of it. It’s an enjoyable watch, but not very memorable.
3/5

The Hangover Part II (Todd Phillips, 2011)
I will give some credit here for showing that the characters have learned something from their ordeals in the first movie, but this also presents a problem that shows that a sequel to The Hangover is a pretty bad idea. In the first one, the three heroes were trying to find their missing friend. The friend is essentially a MacGuffin, but there’s also a definite fascination present with finding out just what the hell happened during the night, and the hows and the whys. In this second film, however, it’s as though they don’t care to the same extent. “Yeah, crazy shit went down, but whatever. Been there, done that. Let’s just find our buddy.” The film becomes all about the MacGuffin, and most of the plot ends up an irrelevant tangent. Other issues include a way too similar structure to the first one, and the fact that the majority of the jokes fall flat. This is a very lazy sequel to a really funny film.
2/5

Devil (John Erick Dowdle, 2010)
If judged as a horror movie by the amount of scares and atmosphere it provides, this one falls short. As a whodunnit mystery, however, it works well enough. Not that the payoff is necessarily satisfying, but the ride towards it is fun, with enough twists and turns to keep things interesting. Sometimes the chase is better than the catch, after all. Decent film overall.
3/5

Let Me In (Matt Reeves, 2010)
A very cool vampire movie that blends its supernatural horror effectively with a coming-of-age story. Suitably creepy, with some good acting to boot, particularly from young Chloe Moretz. And yet despite all this, it’s hard for me to call this movie worthwhile in a world where the Swedish film Let the Right One In, which is based on the same novel, exists. Mostly everything that Let Me In does well, Let the Right One In does a bit better, and there’s not enough real difference between the two to make Reeves’ film an interesting alternate take on the story. This one gets a good grade, but I’d still recommend you stick to the Swedish movie.
4/5

The Time Traveler’s Wife (Robert Schwentke, 2009)
One thing among many that I liked about this time travel romance was how it plays things different from most time travel flicks. For me, the appeal of many movies in the genre is to discover the cool solutions the film-makers have come up with to deal with the obstacles in the story. In The Time Traveler’s Wife, the really intriguing thing is how much effort have been spent to think of the obstacles themselves, and then resolve them according to the rules of the plot and in as logical a fashion as possible. It’s hard to explain properly, but it makes for a different and fascinating experience. I wish the film would have been a little slower, though. Some breathers here and there to mull over the implications of everything would have been welcome. Still, this is a clever and touching film, and certainly a better time travel romance than, say, Kate & Leopold.
4/5

Gamer (Mark Neveldine & Brian Taylor, 2009)
No movie that has as much stuff going on as this one should be this damn boring. Dumb plot, and the worst of quick-cut shaky-cam action. Massively disappointing, considering how much I adore Crank from the same directing duo. To hell with this film.
1/5

Get the Gringo (Adrian Grunberg, 2012)
I like the idea of a Mexican prison that’s more like a mall for bums than a correctional facility. The story starts out well enough, but it loses steam early on thanks to predictable plot elements and uninteresting characters. Mel Gibson tries his hardest to salvage things with the kind of Gibson-y performance one might expect from him – think Payback with worse material – but it’s just not enough.
2/5

Lockout (James Mather & Stephen St. Leger, 2012)
The opening scene of Lockout has Guy Pearce‘s character being interrogated. He keeps mouthing off smartass comments, earning himself repeated punches to the face. This is fun, but it’s all downhill once you realize that he’ll keep spewing “wise”cracks the whole film through. Like, every single time he opens his mouth. It gets old really fast. The rest of the characters are equally annoying, the sci-fi prison story is a confoundingly dumb one and takes forever to get going, the action is sparse and lackluster, and the ending is an exercise in contrivance. It’s one thing for an action film to be stupid and insubstantial, but this one is also really dull. Avoid!
1/5

Kill List (Ben Wheatley, 2011)
A harrowing and visceral experience, genuinely unsettling and quite mystefying. Compelling from start to weird ending. I can’t even begin to explain the film, but I certainly found it fascinating. Give this one a go. You might not like it, but it’s worth that risk.
4/5

The Raven (James McTeigue, 2012)
First of all: I know this is John Cusack‘s flesh and blood on the screen, but the whole performance is so Nicolas Cage, in everything from the random shouting to the hair. Now then, the movie. Without looking anything up, I’m going to assume that a certain degree of liberties were taken with the life of Edgar Allen Poe for this one. Maybe he really was some kind of sleuth towards the end of his life and had to deal with the kidnapping of his girlfriend and a serial killer who patterned his murders after Poe’s stories, though I doubt it. This film is a pretty solid yarn. Not great, but it satisfies for the moment.
3/5

Rites of Spring (Padraig Reynolds, 2011)
Weak horror of the slasher variety. The acting is uneven, and the reliance on Dutch tilts gets quite annoying. These problems are especially prominent in the films early goings where the focus is on the dual storyline of an abduction and a kidnapping. I was ready to call this movie terrible at this point, but it does pick up a bit after the halfway mark or so, when the proverbial shit hits the fan and the action ramps up. It doesn’t become great or even particularly good, but it shows a certain focus by the people involved, and it’s clear that they know what they want to do. I still wouldn’t recommend this film, but credit where credit is due.
2/5

Made (Jon Favreau, 2001)
A spiritual sequel to Doug Liman‘s superb Swingers. Jon Favreau and Vince Vaughn once again play a set of best buddies, though the dynamic here is different with Favreau in serious taking-care-of-business mode and Vaughn as an obnoxious fuck-up. The realistic tone from Swingers is kept intact, though the plot here is of the crime variety. The true strength of the movie is Vaughn, who so convincingly plays the kind of character you just want to slap in the face to try to lessen the stupidity that flows forth from within him. The story itself doesn’t matter as much as the ways his character messes it up, and it makes for a fresh take on the genre. Made is also worth seeing for Peter Falk‘s teriffic supporting turn as a low-rung gangster boss.
4/5

Detention (Joseph Kahn, 2011)
While not a complete success on all fronts, this rapid-paced parodic blend of both high school films and slasher flicks definitely can’t be faulted for not having its own identity. The jargon employed by the characters get a bit too much at times, and the ridiculous plot contrivances toward the climax serve little purpose, but I applaud the effort of trying to do something different. Kahn’s past experience with making music videos is apparent throughout, but this still feels like a confident piece of filmmaking. Enjoyable.
3/5

Total # of new films seen: 15
Average score: 2.9 / 5
Best film of the month: Out of Sight
Worst film of the month: Lockout

 
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Posted by on 2 August, 2012 in Monthly Report

 

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