RSS

Tag Archives: In the Mood For Love

My Top 10 Favorite Movies of 2000

The 10 movies on this list might not average out as the best movie year of all time or anything, but it is extremely top-heavy. The top three films here are ones I really truly adore for different reasons, and would all have a good shot at making the grade were I to compilea Top 10 Favorite Movies of All Time list. They’re that good, and they’re all from the same year.

As this list series of mine now gets set to leave the aughts and head into the 90s, we’re entering years where more films I saw for the first time back in the day will show up more. As I talked about in my post on how I became a movie lover, the 2000s were largely a dead zone for me in terms of film-watching, and the majority had to be caught up with in the last few years. I watched more movies in the 90s, many of which still hold up to this day. This presents interesting dilemmas with determining how much of my appreciation for these films is due to nostalgia. In some cases, just remembering the films can be tricky. For instance, #8 on this list is a film I think I saw in theater at the time and later bought on VHS (remember those?), but I haven’t seen it in over 10 years. Can I be certain that #8 is the right spot for it on this list? Sure I can. My memories of the film places it above #9 and below #7 at this moment in time. Opinions and likings always change, sometime from day to day. But this list reflects what I feel today. And today, I look back on #8 very fondly indeed.

Note: This list goes by the release years listed on IMDB.

10 – BEST IN SHOW (Christopher Guest)

“Now tell me, which one of these dogs would you want to have as your wide receiver on your football team?”

All of Christopher Guest‘s mockumentaries are worth seeing, but Best in Show is the sharpest one in my book. This film revolves around a dog show, and we are introduced to a number of the off-beat characters who compete in it. It’s a laugh riot, and since most of it is improvised, the whole movie is imbued with a fairly naturalistic feel. Cast stand-out: Fred Willard as a spectacularly incompetent commentator.

9 – CAST AWAY (Robert Zemeckis)

“Hello! Anybody?”

The opening part does drag a bit, and while I personally love the ending, some have decried it as being overly melodramatic. What most everyone agree on is that the middle part, the real meat of the movie, is superb. It’s just Tom Hanks being forced to survive on a desert island by himself. It takes skillful hands both behind and in front of the camera to keep things interesting despite only having one character on screen, and Robert Zemeckis and Hanks pull it off masterfully. Cast Away also accomplishes the significant feat of making audiences care deeply about… a volleyball.

Read the rest of this entry »

Advertisements
 
12 Comments

Posted by on 8 February, 2012 in Lists, Top 10 of a year

 

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Some of my favorite Ebert quotes

There are times when I’m discussing films online or writing a blog post that I hesitate to say something really apt and true about the movie. Not because it wouldn’t be a great thing to say, but because I know I didn’t think of it myself, at least not consciously. More often than not, it’s from the mind of Roger Ebert.

I’m a big fan of Ebert’s writing, due in equal parts to what he has to say and to the way he says it in. His long experience working as a film critic has given him a keen analytical mind and he’s always able to effectively argue for why he thinks the way he does about a movie. He’s not afraid to go against the grain (he was one of few critics to enjoy Speed 2: Cruise Control, and he has a noted aversion to Stanley Kubrick‘s well-regarded A Clockwork Orange) but doesn’t do it just to be a contrarian (compare with the infamous Armond White). Do I always agree with Ebert? Certainly not. Our views on film differ on numerous occasions. To name but one example, he enjoyed 2012, which I found to be a complete snoozefest. But I still like that review, because in it I sense a similar kind of child-like enthusiasm towards the film as what I have towards, say, Crank (which he sadly didn’t review. I’d love to hear what he’d make of that one). So while I don’t agree with him, I can see where he’s coming from.

After I see a movie, there is a certain ritual I go through. Rate it on this and that site, tweet something about it, rank it on Flickchart, etcetera. The last step in said process tends to be to see what Ebert had to say about it (being of the mindset that the less known about a movie beforehand the better, I rarely read reviews until after I’ve seen a film). For a while, I’ve been saving snippets of his reviews into a document. Quotes that I’ve enjoyed, either because they’re wonderfully worded, insightful or just plain funny. Here are some of them, along with one or two I’ve discovered through other quote collections online.

“Timecrimes” is like a temporal chess game with nudity, voyeurism and violence, which makes it more boring than most chess games but less boring than a lot of movies.
~ Timecrimes

There is also a cute blacksmithess named Kate (Laura Fraser), who must be good, as she has obviously not been kicked in the head much.
~ A Knight’s Tale

This movie doesn’t scrape the bottom of the barrel. This movie isn’t the bottom of the barrel. This movie isn’t below the bottom of the barrel. This movie doesn’t deserve to be mentioned in the same sentence with barrels.
~ Freddy Got Fingered

And although we are treated to very nice shots of Neptune, the crew members never look at the planet in awe, or react to the wondrous sight; like the actors standing next to the open airplane door in “Air Force One,” they’re so intent on their dialogue they’re oblivious to their surroundings.
~ Event Horizon

Read the rest of this entry »

 
7 Comments

Posted by on 18 December, 2011 in Misc.

 

Tags: , , , , , , , , , , , , , , , , , , , , , ,