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Monthly Report: April 2013

I didn’t end up seeing many movies this month. I get into these slumps once a year or so where I just don’t feel like checking much stuff out. Maybe it’s some way for me to recharge my internal movie battery or something. I’ll probably snap out of it within the next month or two.

For those keeping track, I broke one of my New Year’s Resolutions for 2013 this month by failing to watch a Swedish film. It’s unfortunate, but it happens. I’ll try to make up for it later in the year.

Bachelorette (Leslye Headland, 2012)
Yeah, it seems unlikely that this would have been made if not for the success of (the superior) Bridesmaids. That doesn’t mean that Bachelorette isn’t pretty damn funny in its own right, though. I much enjoyed Kirsten Dunst as the alpha bitch. I liked how Rebel Wilson‘s character was treated as a human being rather than someone to laugh at – I prefer how she’s handled here to Melissa McCarthy in Bridesmaids, for comparison – and both Isla Fisher and Lizzy Caplan nail their respective characters. I had a lot of fun with this one.
4/5

Better Off Dead (Savage Steve Holland, 1985)
Wacky absurd humor proves an ill fit for this formulaic high school rom-com plot. I did get a kick out of the kid riding around on his bike trying to get his two dollars from John Cusack, but the rest of the film was a bit of a dud.
2/5

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Bully (Lee Hirsch, 2011)
This documentary packs a heavy emotional punch. I found myself getting angry during parts of this one: angry at the bullies, and angry at the teachers who fail to do anything. The film presents its stories in a compelling way, switching between various persons with their own experiences with bullying, and it’s shot in a nice and varied way. I would have liked a bit more depth to it all, though. Why not try to find out what makes some kids into bullies, or show what effects being bullied can have on someone when they reach adulthood. Still, this is a very affecting film, and one that avoids usual pitfalls of the genre. See it.
4/5

Holy Motors (Leos Carax, 2012)
It was cool to look at, and the multi-faceted performance by Denis Lavant is impressive, but as a whole, this film did little for me. I like my movies a bit more accessible.
2/5

Cassandra’s Dream (Woody Allen, 2007)
What I liked most about this Woody Allen murder-drama was all the little ironies that kept popping up. It’s a very well-written movie with characters acting in ways that make sense, even though the situations may be extreme. Colin Farrell and Ewan McGregor are both competent co-leads, but it’s Tom Wilkinson who really shines in a supporting role.
4/5

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Whale Rider (Niki Caro, 2002)
Simple but sweet story about tradition and progressiveness, aided by its exotic setting and moving performances. Young Keisha Castle-Hughes in the lead is the obvious stand-out, surpassing most actors her age and delivering quite the money scene at around the 2/3 mark of the film.
3/5

Duck Soup (Leo McCarey, 1933)
My first Marx Brothers film. As with my other sampling of old comedies, this one took quite a while before it enveloped me in its groove. I did end up liking it though, largely thanks to Groucho and his motormouth. I’m not sure if I’ll watch more of them or not, though. I’m more intrigued by Chaplin.
3/5

Dredd (Pete Travis, 2012)
There are some obvious similarities to The Raid here, especially that the two films share the same premise of a small group tackling a towering apartment building filled with criminals. But whereas The Raid focused on martial arts, Dredd opts for a more old school American action vibe. It works on its own merits, and it does enough things differently to hold up nicely even next to the superior The Raid. That said, I get the feeling that more could have been done with the Judge Dredd character. I don’t know for sure, as I haven’t read the comics or seen the Stallone flick, but there seemed like there was unexplored territory here.
4/5

Total # of new films seen: 8
Average score: 3.3 / 5
Best film of the month: Bachelorette
Worst film of the month: Holy Motors

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Posted by on 2 May, 2013 in Monthly Report

 

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My backlog for 2012

It’s getting to that time of the year where people start constructing their Top 10 lists of the best films from the past twelve months. I will of course not be doing this. Hell, I still haven’t gotten around to doing my 2011 list yet. You might remember a list I made back in January where I named all the 2011 films I wanted to see before I finalized my Top 10. Well, I still have eight movies or so left on that one.

Still, that’s no reason to not look to the future, or present, or what have you. I’m fantastically behind in my 2012 watching as well, as you can imagine, due to a combination of delayed Swedish release dates, laziness, and an ongoing desire to catch up with not just the newest stuff, but also 100+ years of cinema. I don’t imagine I’ll ever be ahead of the pack, but I’ll continue doing what I can to keep up.

Without further ado, here are the films I want to see before I put out my Top 10 Favorite Movies of 2012 list. Maybe they won’t be great, and maybe there are others I’ll see that will be, but this is my current personal check list. It could change in the future, I should point out. In alphabetical order:

Amour – because I ought to watch more Michael Haneke anyway.

Argo – because there is no reason to abandon the Ben Affleck train yet, considering how great Gone Baby Gone and The Town were.

Bachelorette – because I like comedy.

Beasts of the Southern Wild - 6

Beasts of the Southern Wild – because of the image above.

The Campaign – because Will Ferrell is funny, and so is Zach Galifianakis.

Celeste and Jesse Forever – because it’s always interesting to see funny people branch out.

Cloud Atlas – because ambition should be rewarded.

Cockneys vs Zombies – because even if only a few people are talking about it, they all seem to love it.

Compliance – because the premise intrigues.

Cosmopolis – because a friend emphatically told me that it would be right up my alley.

Django Unchained – because it’s Quentin Tarantino. Duh.

end-of-watch-posterEnd of Watch – because it somehow seems unfair to watch Rampart without seeing this one too.

Flight – because it’s Robert Zemeckis doing live action.

For a Good Time Call – because, much to my perplexity, someone told me I might possibly love it.

Frankenweenie – because in the middle of working on this blog post, I took a break to listen to the Oscar Talk podcast, and they had a lot of compelling praise for this one.

Hitchcock – because The Remains of the Day recently reminded me of what an amazing actor Anthony Hopkins is.

Holy Motors – because I have no idea what to expect from it.

Hyde Park on Hudson – because no matter how mediocre critical and public response has been, it’s still Bill Murray.

Killer Joe – because everyone seems to dig it.

Les Misérables – because big musicals need to bounce back from some critical duds the last few years, and being a fan of the genre, I will gladly support this endeavor.

Life of Pi – because the religious aspects seem to be something everyone likes, which is quite frankly insane. When have people ever agreed on anything religion-related before?

Magic Mike – because it’s Steven Soderbergh. And because Kevin Nash is in it.

The Master – because I was only missing Hard Eight to complete Paul Thomas Anderson‘s filmography, and I won’t let this one ruin my percentage.

Nicole-Kidman-in-The-PaperboyThe Paperboy – because there has to be something to all these award nominations Nicole Kidman keeps scoring, no?

The Perks of Being a Wallflower – because I’ve been confusing it with On the Road for quite some time, and I’ve seen that one now.

Premium Rush – because someone made an off-hand comparison of it to Crank, which I fucking love.

Safety Not Guaranteed – because it’s time travel.

Savages – because it looks so vibrant and colorful.

Searching for Sugar Man – because it’s supposedly one of the best documentaries of the year, and I like good documentaries.

Seeking a Friend for the End of the World – because of the basic idea.

The Sessions – because the story sounds like something I’ve never seen before, and because it’s John Hawkes in a rare leading role.

Seven Psychopaths – because In Bruges was great, and the cast is promising indeed.

Silver Linings Playbook – because when awards bodies start paying attention to comedies, it’s usually a sign that I’ll love the movie in question.

Skyfall – because it’s Sam Mendes.

Take This Waltz – because 1) it’s Michelle Williams, and 2) see the note on Celeste and Jesse Forever.

This is 40 – because I’m not yet even remotely tired of Judd Apatow.

Wreck-It Ralph – because in addition to being a movie lover, I’m also a gamer.

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Is there anything else from 2012 that I really desperately absolutely ought to check out? What 2012 film do you still feel like you need to see?

 
22 Comments

Posted by on 15 December, 2012 in Lists

 

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