After the somewhat weak year that was 2003, we come to 2002. What is there to say about this year? Not much. It was a good year, thus making for a solid top 10. So with little to pontificate about regarding 2002, I’d like to take this space to talk about the fleeting nature of these lists.
I am by no means done with any year film-wise. Not yet, and I don’t think I ever will be. There are always more movies to see, from critically hailed modern classics to gems that have gotten lost in the shuffle and are waiting to be discovered. So it’s no wonder that the lists can get slightly dated with time. Not just in terms of the ranked order (which can change from day to day), but also in which films are included. For example, I hadn’t seen A Single Man when I made my 2009 list, but if I had, it would definitely have made the cut. The same goes for the wonderful documentary Best Worst Movie. Rather than going back to updating the lists when necessary, I’m fine with just leaving them as they are. All lists are windows into brief moments in time. “This is how Emil felt on this day”, is what they proclaim. Even if I see some 2002 movie later this week that would make the cut for this list, it doesn’t change the fact that this here is a collection of 10 movies I really enjoyed. To offer a general view of what kind of films I like has always been the purpose of these lists, and this goal is still accomplished by leaving them as they are.
So now, on to the list for 2002. As always, this goes by the release dates listed on IMDB.
10 – CHANGING LANES (Roger Michell)
“I can live with myself because at the end of the day I think I do more good than harm. What other standard have I got to judge by?”
Two strangers collide in a traffic accident. One is a lawyer at the cusp of his big break, the other a recovering alcoholic trying to gain custody of his children. The meeting causes a delay for both of them, setting them off on a spiralling path through the day where both will try to exact revenge on each other and struggle with determining who is right and who is wrong. A cleverly written film where we can sympathize with both sides of a conflict. Ben Affleck puts in one of his best performances, while Samuel L. Jackson is as fun as always.
9 – ONE HOUR PHOTO (Mark Romanek)
“No one ever takes a photograph of something they want to forget.”
A thriller that really gets under your skin, through a protagonist who’s troubled both psychologically and socially. Loner Sy (played expertly by a subdued Robin Williams) lives through the photos he developes for his customers, experiencing their joys that he himself has none of in his own life. But when he discovers that injustice is done to people he care about, he gradually snaps. It’s a story of morality and a reminder of how little we know of others, of the things we keep from them ourselves, and of how the grass isn’t always greener on the other side.