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My Top 10 Favorite Movies of 1993

It has been a while since my last top 10 of a year list. The further back we get, the less strong movies I tend to have seenfrom a given year. I’ve made a conscious effort the last few months of checking out some 1993 offerings to fill out the ranks here. A few have made the cut, and the result is a list of ten films that seem fit to be called among the best of their year.

Before anyone asks: I haven’t seen Schindler’s List.

As usual, this is going by release year as listed on IMDB.

Honorable mentions: Demolition Man, Robin Hood: Men in Tights, Sunes sommar, What’s Eating Gilbert Grape

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10 – THREE COLORS: BLUE (TROIS COULEURS: BLEU, Krzysztof Kieslowski)

“Now I have only one thing left to do: nothing. I don’t want any belongings, any memories. No friends, no love. Those are all traps.”

The first installment of Kieslowski’s Three Colors Trilogy, this part focusing on the concept of liberty and how it applies to a woman who just lost her husband and daughter in a car accident. It’s thematically gripping, and Juliette Binoche is great in the lead, but what I most remember of the movie is the way it looks: the many ways the color blue is used, the shot of the sugar lump, and a whole lot else. I should get around to watching the rest of the trilogy one of these days.

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9 – THE PIANO (Jane Campion)

” ‘Twere good he had God’s patience, for silence affects everyone in the end.”

Period romance dramas is not a genre I tend to flock towards (can a single person “flock”?), but this one I definitely enjoyed, chiefly thanks to the teriffic cast. The film also does a great job of bringing its environments to life, fully enveloping the viewer in its murky New Zealand locations. Strong stuff.

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Posted by on 4 December, 2012 in Lists, Top 10 of a year

 

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Monthly Report: October 2012

Hot diggity damn, what a movie month October turned out to be! With 28 new movies seen, it’s handily the most densely packed month since I started this series of blog posts. Netflix launching in Sweden certainly helped a bit, but it’s also a simple case of film once again rising above other pastimes of mine, as it tends to do sooner or later. Summer was a down-period; now I’m back into the swing of things again.

But it’s not just quantity that makes October a great month for film. The vast majority of what I watched these last 31 days has been good. Only three films failed to make my passing grade of 3/5, which is pretty impressive. It got to the point where I started second-guessing myself: “Can I really give another movie a positive mark? Shouldn’t I give out a low score to show some kind of… I don’t know.” In the end, I feel like I’ve been fair to every movie I’ve seen. Except the Bergman one, but we’ll get to that soon enough.

The Magdalene Sisters (Peter Mullan, 2002)
Structurally, this is familiar prison/asylum/escape stuff. It’s competently made for sure, and certainly not boring. That said, it doesn’t bring anything new to the table plot-wise. It is notable, however, for bringing cruelties performed by certain members of the Catholic church to the public consciousness. Young women were sent off to asylums to become, in effect, slave laborers indefinitely. Why? Because they sinned. They flirted with boys, or had children out of wedlock, or were raped. While being based on a true story is never a free pass for a movie to be considered important or anything, it does lend this one a certain weight it might not otherwise have had.
3/5

Conan O’Brien Can’t Stop (Rodman Flender, 2011)
A bit repetitive at times, and not a very revelatory look at Conan O’Brien, but it – and its subject – has enough energy and drive to make for a fun watch. I haven’t seen any of O’Brien’s work other than the occassional clip here and there online, and I’m not sure I learned much about him here other than what the title reveals.
3/5

Faster (George Tillman Jr., 2010)
I’m sure I wasn’t the only one who went into this one expecting a straight-forward frantic action flick. That’s not what Faster is. It’s a revenge thriller with only sporadic scenes of gunplay and driving antics. For what it is, it works quite well. I was particularly fond of the attempts at characterization of the main players, with all three getting some unexpected depth added to them. The ending kind of flies in the face of what led up to it though, which is a bit of a shame. Still, this is a decent movie, and I’m actually vaguely curious now to see what else the director has made.
3/5

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Posted by on 1 November, 2012 in Monthly Report

 

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