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Monthly Report: April 2013

I didn’t end up seeing many movies this month. I get into these slumps once a year or so where I just don’t feel like checking much stuff out. Maybe it’s some way for me to recharge my internal movie battery or something. I’ll probably snap out of it within the next month or two.

For those keeping track, I broke one of my New Year’s Resolutions for 2013 this month by failing to watch a Swedish film. It’s unfortunate, but it happens. I’ll try to make up for it later in the year.

Bachelorette (Leslye Headland, 2012)
Yeah, it seems unlikely that this would have been made if not for the success of (the superior) Bridesmaids. That doesn’t mean that Bachelorette isn’t pretty damn funny in its own right, though. I much enjoyed Kirsten Dunst as the alpha bitch. I liked how Rebel Wilson‘s character was treated as a human being rather than someone to laugh at – I prefer how she’s handled here to Melissa McCarthy in Bridesmaids, for comparison – and both Isla Fisher and Lizzy Caplan nail their respective characters. I had a lot of fun with this one.
4/5

Better Off Dead (Savage Steve Holland, 1985)
Wacky absurd humor proves an ill fit for this formulaic high school rom-com plot. I did get a kick out of the kid riding around on his bike trying to get his two dollars from John Cusack, but the rest of the film was a bit of a dud.
2/5

bully-bus

Bully (Lee Hirsch, 2011)
This documentary packs a heavy emotional punch. I found myself getting angry during parts of this one: angry at the bullies, and angry at the teachers who fail to do anything. The film presents its stories in a compelling way, switching between various persons with their own experiences with bullying, and it’s shot in a nice and varied way. I would have liked a bit more depth to it all, though. Why not try to find out what makes some kids into bullies, or show what effects being bullied can have on someone when they reach adulthood. Still, this is a very affecting film, and one that avoids usual pitfalls of the genre. See it.
4/5

Holy Motors (Leos Carax, 2012)
It was cool to look at, and the multi-faceted performance by Denis Lavant is impressive, but as a whole, this film did little for me. I like my movies a bit more accessible.
2/5

Cassandra’s Dream (Woody Allen, 2007)
What I liked most about this Woody Allen murder-drama was all the little ironies that kept popping up. It’s a very well-written movie with characters acting in ways that make sense, even though the situations may be extreme. Colin Farrell and Ewan McGregor are both competent co-leads, but it’s Tom Wilkinson who really shines in a supporting role.
4/5

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Whale Rider (Niki Caro, 2002)
Simple but sweet story about tradition and progressiveness, aided by its exotic setting and moving performances. Young Keisha Castle-Hughes in the lead is the obvious stand-out, surpassing most actors her age and delivering quite the money scene at around the 2/3 mark of the film.
3/5

Duck Soup (Leo McCarey, 1933)
My first Marx Brothers film. As with my other sampling of old comedies, this one took quite a while before it enveloped me in its groove. I did end up liking it though, largely thanks to Groucho and his motormouth. I’m not sure if I’ll watch more of them or not, though. I’m more intrigued by Chaplin.
3/5

Dredd (Pete Travis, 2012)
There are some obvious similarities to The Raid here, especially that the two films share the same premise of a small group tackling a towering apartment building filled with criminals. But whereas The Raid focused on martial arts, Dredd opts for a more old school American action vibe. It works on its own merits, and it does enough things differently to hold up nicely even next to the superior The Raid. That said, I get the feeling that more could have been done with the Judge Dredd character. I don’t know for sure, as I haven’t read the comics or seen the Stallone flick, but there seemed like there was unexplored territory here.
4/5

Total # of new films seen: 8
Average score: 3.3 / 5
Best film of the month: Bachelorette
Worst film of the month: Holy Motors

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Posted by on 2 May, 2013 in Monthly Report

 

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Monthly Report: May 2012

Compared to the previous two months, May was a bit disappointing in terms of both quality and quantity. The quality is unfortunate, but it’s due to knowingly dumb choices on my part. As for quantity, I was on my way to another movie-filled month until a certain video game called Diablo 3 derailed everything. No need to worry, though. I’ll be back in the swing of things sooner or later, with a planned Saturday viewing of Prometheus likely to get my film-watching back on track.

For now, enjoy this overview of the films I saw in May.

The Incredible Hulk (Louis Leterrier, 2008)
I wish I had gotten to see this one before seeing The Avengers, because it’s hard to be all that impressed with the action here after seeing what Hulk does in that other movie. To be fair though, The Incredible Hulk puts in a good effort action-wise, as the stakes are carefully ramped up throughout the film. The climactic battle is satisfying. More problematic is the story, however. Bruce Banner is an interesting character, arguably moreso than the other Avengers, and Edward Norton is quite okay in the part. Unfortunately, Norton’s Banner disappears when CGI Hulk jumps into the fray, and the disconnect is there. The lack of strong supporting characters also hurts the narrative aspects of the film. Still, this remains a decent movie. The tale of an unwilling and tortured soul of a superhero is compelling, and the action is solid. The Incredible Hulk ranks somewhere in the middle when comparing the pre-Avengers films.
3/5

Frantic (Roman Polanski, 1988)
Well-crafted thriller in which Harrison Ford – at the top of his acting game – tries to find his wife (Betty Buckley), who has gone missing on their vacation in Paris. The first half or so is particularly good. The Pace is methodical, everything is uncertain and tense, and there’s a realistic tone to everything. Unfortunately, the film eventually boils down to something we’re more familiar with from regular Hollywood thrillers, and the atmosphere weakens a bit – something not helped by a few unnecessarily humorous touches. Still, Ford himself performs admirably from start to finish, and the end result is a positive one even if it doesn’t quite measure up to the Polanski thrillers of earlier days.
3/5

The Straight Story (David Lynch, 1999)
There were scenes and moments in this road movie that I found quite beautiful, but they can’t make up for the dullness that surrounds them. The mood of the film never quite seized me, despite a stunningly wonderful performance by Richard Farnsworth. I could see myself growing to like this movie with time, but for now, it’ll have to settle for lower marks.
2/5

Puncture (Adam & Mark Kassen, 2011)
The problem with basing a story on real events is that you need to stick somewhat close to reality. Puncture features an interesting tale of lawyers trying to work against a health care conspiracy, one I found myself quite engrossed in. However, the lead character (a very good Chris Evans) is a junkie, and this aspect eats up too much of the screentime for my liking. It feels like an unwelcome distraction. Still, you couldn’t really make the movie without touching upon it, I suppose. This one could have been even better than it was had it chosen a different way to tackle parts of its subject matter. Enjoyable nonetheless.
3/5

You Don’t Know Jack (Barry Levinson, 2010)
Al Pacino shows that he’s still capable of great performances in this biopic on Dr. Kevorkian and his struggle to legalize euthanasia. Unfortunately, the rest of the film can’t match him. As important as the issue is, it doesn’t make for a very interesting story. Pacing is also an issue as there are slow stretches where the plot doesn’t go anywhere.
2/5

American Pie Presents: The Book of Love (John Putch, 2009)
There’s a scene in this movie where an old ugly hooker is performing oral sex on a guy and uses her dentures to nibble his nipples. That actually made me snicker for a split-second. It’s the comedic highlight of this movie, the rest of which is absolute horse manure. No, wait, that’s not fair. Horse manure at least has useful fertilizing properties. This movie is worthless.
1/5

Hesher (Spencer Susser, 2010)
To begin talking about Hesher the movie, one must mention Hesher the character (Joseph Gordon-Levitt). He has the kind of larger-than-life presence that commands attention. He’s a heavy metal Joker, only he’s in a family/grief drama with a slew of black comedy, rather than in a superhero movie. He operates on Hesher logic, something distinctively different from real logic. The movie is infected by his “agent of chaos” ways, and it makes for a really fun ride for the first half or so. It’s one of those movies where you have no idea where it’s going to go, which is a rare quality to have. That it eventually becomes apparent that not even the movie knows where it’s going is a shame, and Hesher the character becomes more of an ill-fitting obstruction than anything. When it’s all said and done, this film offers quite a few laughs and has some good acting on display, but it is also uneven and awkward. A for effort, but not for the end result.
3/5

The Boy in the Striped Pajamas (Mark Herman, 2008)
Holocaust drama from the eyes of a German child (Hugo‘s Asa Butterfield) who befriends a jewish boy (Jack Scanlon) stuck in a camp. The film does a pretty good job of filtering the unknown horrors of the situation through the main character’s innocence, and there’s little faulting the performances – I was particularly impressed by Vera Farmiga who plays the worrying mother of the protagonist. I’m a bit torn on the ending, though. It’s sad – like most holocaust films tend to be – but it also felt vaguely manipulative. I’m not entirely sure whether this was due to my own expectations of where the film was going or not. Nonetheless, I wasn’t entirely enamored by the way the story ultimately went. A fine film, but not a great one.
3/5

Beginners (Mike Mills, 2010)
Here’s a case where the selectiveness of the awards season can lead to conveying the wrong ideas about a film. Christopher Plummer got all the attention for his supporting performance as the old gay father, which had me thinking that this would be the sole stand-out quality of the film. Oh, how wrong I was. This is a wonderfully bittersweet movie from top to bottom. Oliver’s (Ewan McGregor) problems with love and commitment are juxtaposed with the situation his dad was going through, showing us the guards and masks we subconsciously put up in order to avoid hurting ourselves and others. This one tugs at the heartstrings in all the right ways, and the result is a great movie.
5/5

In the Name of the King: A Dungeon Siege Tale (Uwe Boll, 2007)
I’m torn on what score to give this video game adaptation. I watched it and its sequel back to back, and this first one is certainly the better one. That’s not saying much though, because this is still a bad film. Are there enjoyable parts of it? Sure. While most of the actors sleepwalk through the movie, there are at least some that realize what kind of movie they’re in and decide to ham it up quite a bit – Matthew Lillard in particular. And there is at least some modicum of effort evident in making the film look good design-wise. I’m tempted to give it a score of 2, but… no. The Lord of the Rings-wannabe script is ridiculous, and Uwe Boll has no idea how to shoot action scenes. This gets a 1 and likes it. Only recommended for Jason Statham completionists. Like me. And even I regret seeing it. Uwe Boll has done it again.
1/5

In the Name of the King 2: Two Worlds (Uwe Boll, 2011)
And again. Because if there was one thing missing from the first one, it was a fish-out-of-water angle to the story where a guy gets transported from our world to medieval fantasy. And Dolph Lundgren in the lead instead of Statham. And tracing the plot of The Matrix rather than Lord of the Rings. This movie is an utter failure, even when compared to the already bad first film. In that one, there was at least budget (60 million dollars!) to get some name actors onboard and to stage big battle scenes. This one, by comparison, feels like some dozen guys running around the woods in shoddy LARP costumes. An even bigger problem is the fact that nothing really happens for most of the film. It’s not just a bad movie, but also a boring one. Stay the fuck away from this one.
1/5

Total # of new films seen: 11
Average score: 2.5 / 5
Best film of the month: Beginners
Worst film of the month: In the Name of the King 2: Two Worlds

 
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Posted by on 31 May, 2012 in Monthly Report

 

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50 MORE Things I Love About Films

Well over a year ago, I wrote a post called 100 Things I Love About Films on my old blog, which I later reposted here at A Swede Talks Movies. This is the sequel, adding 50 more things to the original 100. I’ve tried to avoid repeating movies and actors I mentioned in that first post, though a few have slipped through anyhow.

Credit for the original concept goes to Beau Kaelin. Thanks also to gentleman and scholar Travis McClain for bringing the idea to my attention. The original description:

Rather than posting your 100 favorite films (which has been done and overdone), you simply post your favorite things about movies.  I dig the concept, because instead of obsessing over whether the films you put on a list are “objectively good enough” to put on said list, you simply jot down 100 moments/lines/visuals that have made a lasting impression on you or sneak their way into running gags between you and your friends. Just read below and you’ll get the idea.

Why only 50 this time instead of 100? Because… quality over quantity? Yes. Let’s go with that.

1. Emily Watson in Breaking the Waves, the fear and agony on her face raw enough to make me gasp in sympathy.

2. The wonderfully trashy dialogue in Bitch Slap. I love the fact that someone actually put the words “Lube my boob, skank twat” to paper.

3. Natalie Portman‘s joy-stricken face when she phones her mother from the bathroom stall in Black Swan.

4. Michelle Williams‘ dorky dance in Blue Valentine.

5. When actors produce their own films, showing a real desire to have the movies made.

6. The brief cameo by Jason Statham reprising his role from The Transporter at the beginning of Collateral. Crossover stuff of that nature should happen more often.

7. The 20th Century Fox fanfare.

8. Robin Williams capping off his love declaration in The Fisher King with the words “But I still don’t drink coffee”.

9. The shot of the sugar lump in Three Colors: Blue.

10. Watching Casablanca for the first time and finally getting some context for all the well-quoted lines of dialogue. “Round up the usual suspects” put a big smile on my face.

11. Penelope Cruz performing A Call From the Vatican in Nine. I don’t mean to sound crass, but… hubba hubba.

12. The chase sequence through the construction site in the 2006 Casino Royale.

13. The Remains of the Day lunch box in Waiting for Guffman.

14. The whole sequence with the trunk in The Ice Harvest. Great mix of tension and humor.

15. Kat Dennings trying to pronounce Mjölnir in Thor. “What’s Myeh-myeh” indeed.

16. Danny DeVito trying to look scary to John Travolta in Get Shorty.

17. Sven Nykvist‘s gorgeous cinematography in Persona. I’ve never seen black & white look better.

18. Mark Ruffalo‘s “Why the fuck did I just say that?” grimace after stating that he loves lesbians in The Kids Are All Right.

19. Speaking of Ruffalo: The Hulk in The Avengers. Every awesome second of him.

20. When a movie just leaves me completely baffled about whether I like it or not, or whether it even matters. It’s annoying too in a way, but I love how it questions the very idea of why I watch films and what I take away from them. Funny Games would be a recent example of this kind of movie for me.

21. The ending of On Her Majesty’s Secret Service. Teriffic execution of a sequel hook.

22. Those performances that become so utterly convincing that my brain eventually has to break me out of the trance by going “Uh, Emil, you do know that this is an actor playing a character, right? It’s not a real person.” And then I go “Shut the fuck up, brain.” A recent example: Richard Farnsworth in The Straight Story.

23. Seeing an actor I’ve never heard of before in a film and immediately wanting to find out what else they have been in since they’re so good.

24. The climax of Sherlock Holmes: A Game of Shadows, a sequence that tops anything else in either of Guy Ritchie‘s Sherlock films.

25. Tippi Hedren waiting outside the schoolhouse in The Birds. Cue me gasping for breath and muttering “Oh shit…”

26. Kirsten Dunst looking stunning in the wedding dress in Melancholia.

27. Hugo reminding me that 3D can indeed be used to great effect. Thank you, Martin Scorsese.

28. Tom Cruise scaling the Burj Khalifa in Mission: Impossible – Ghost Protocol. Absolutely jaw-dropping.

29. The scene in 50/50 where Joseph Gordon-Levitt goes in for surgery and suddenly realizes that he might never wake up again.

30. Michelle Duncan‘s adorable Scottish accent in Driving Lessons.

31. This exchange in The Fugitive: “I didn’t kill my wife!” “I don’t care!”

32. The opening of Grave of the Fireflies. It’s good on the first watch, but it’s heart-breaking on a rewatch.

33. The lone penguin wandering off towards the mountains and certain death in Werner Herzog‘s Encounters at the End of the World.

34. The dream-like atmosphere of Robert Altman‘s Images. The kind of stuff that makes you realize how inaccurately the term “dream-like” tends to get thrown around.

35. Ellen Page in Juno. And Jennifer Garner. And Jason Bateman. And Allison Janney. And J.K. Simmons. And everyone else.

36. ))<>(( from Me and You and Everyone We Know.

“What business is it of yours where I’m from… friendo?”

 

37. The tense scene in No Country for Old Men where Javier Bardem makes the gas station attendant call a coin flip.

38. Seeing a scene that for some reason doesn’t work for me, only to much later have a revelation on what it meant. Guaranteed to make me love the part next time I watch the film.

39. Everything about Catherine Keener in Being John Malkovich, but particularly her dismissive reactions to everything John Cusack says and does in the early goings.

40. Uggie playing dead in The Artist.

41. The meet-cute between Ewan McGregor and Melanie Laurent at the costume party in Beginners.

42. This poster for 127 Hours.

43. The entire showdown between Uma Thurman and David Carradine in Kill Bill: Vol. 2. Had me at the edge of my seat when I first watched it.

44. The very recognizable video game scene in Swingers.

45. Brad Pitt‘s ridiculous accent when speaking Italian in Inglourious Basterds.

46. The suffocating atmosphere of Seven.

47. The big fight on the rope bridge in Indiana Jones and the Temple of Doom.

48. George Clooney‘s fine-tuned and low-key performance in The American.

49. Robert Downey Jr. sucking at math in Kiss Kiss Bang Bang.

50. Shea Whigham‘s brief part in Bad Lieutenant: Port of Call New Orleans, repeatedly uttering “Whoa!” in the funniest fashion.

 
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Posted by on 22 May, 2012 in Lists

 

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Better late than never: My Top 10 Favorite Movies of 2010

Most critics and bloggers put together their Best Of The Year lists at the end of the year. That doesn’t work for me. Many films take a long time before they arrive here in Sweden, a problem hardly alleviated by American studios scheduling a lot of quality stuff for awards season at the tail-end of the year. So by the time the clock strikes midnight on New Year’s Eve, I’ve never seen all the films I feel I need to in order to make a list that has any chance of meaning anything.

But by now I feel like I’ve caught up on a lot of my personal must-sees of last year, so the time to make my own list is at hand. That’s not to say I’ve seen all there is to see. I’m particularly underwatched in non-English language films still, not to mention documentaries which people were saying had a banner year in 2010. But the great thing about lists is that they’re never set in stone. This list only reflects my feelings today, and might well look radically different one year from now.

There isn’t a ton of surprises on this list of mine, which I’m okay with. So far I’ve mostly focused on seeing the films people are talking a lot about. As time goes on, I will hear about and track down the smaller films, the forgotten gems, the new cult classics. The further removed you are from a year and the more you see, the more eclectic your list is bound to become. Time changes everything.

So here are my ten favorite movies of 2010 (note: listed as 2010 on IMDB), a particularly strong year of cinema in my opinion. Many films were hard to leave off, but that’s the way it is. No honorable mentions, no consolation prizes, no mercy. Just ten films that I love.

10 – GREENBERG (Noah Baumbach)

“There’s a confidence in you guys that’s horrifying. You’re all ADD and carpal tunnel. You wouldn’t know Agoraphobia if it bit you in the ass, and it makes you mean.”

Some people can’t stand the quirky characters Noah Baumbach comes up with. I can’t get enough of them. In Greenberg, we’re treated to two stand-out examples. One is the titular Robert Greenberg (Ben Stiller), a man angry at the world and obsessed with his own misery. It’s arguably Stiller’s most nuanced and impressive performance, in some ways his own Punch-Drunk Love. The other is Florence (Greta Gerwig), a woman whose life is in turmoil yet she still can’t help but bend over backwards to help people. Gerwig is even better than her co-star. A grimly funny film, true to life if not the one we live.

9 – THE SOCIAL NETWORK (David Fincher)

“Did I adequately answer your condescending question?”

David Fincher and screenwriter Aaron Sorkin play loose with the truth as they tell the tale of how Facebook came to be. Those wanting the real story ought to look elsewhere. The rest of us can enjoy the quick razor-sharp dialogue, the impressive performance by Jesse Eisenberg as Facebook founder Mark Zuckerberg, the Trent Reznor-penned score and a fascinating tale of how in the pursuit of connecting people, two friends can drift farther apart than ever.

Read the rest of this entry »

 
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Posted by on 13 September, 2011 in Lists, Top 10 of a year

 

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