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My Top 10 Favorite Movies of 1993

It has been a while since my last top 10 of a year list. The further back we get, the less strong movies I tend to have seenfrom a given year. I’ve made a conscious effort the last few months of checking out some 1993 offerings to fill out the ranks here. A few have made the cut, and the result is a list of ten films that seem fit to be called among the best of their year.

Before anyone asks: I haven’t seen Schindler’s List.

As usual, this is going by release year as listed on IMDB.

Honorable mentions: Demolition Man, Robin Hood: Men in Tights, Sunes sommar, What’s Eating Gilbert Grape

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10 – THREE COLORS: BLUE (TROIS COULEURS: BLEU, Krzysztof Kieslowski)

“Now I have only one thing left to do: nothing. I don’t want any belongings, any memories. No friends, no love. Those are all traps.”

The first installment of Kieslowski’s Three Colors Trilogy, this part focusing on the concept of liberty and how it applies to a woman who just lost her husband and daughter in a car accident. It’s thematically gripping, and Juliette Binoche is great in the lead, but what I most remember of the movie is the way it looks: the many ways the color blue is used, the shot of the sugar lump, and a whole lot else. I should get around to watching the rest of the trilogy one of these days.

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9 – THE PIANO (Jane Campion)

” ‘Twere good he had God’s patience, for silence affects everyone in the end.”

Period romance dramas is not a genre I tend to flock towards (can a single person “flock”?), but this one I definitely enjoyed, chiefly thanks to the teriffic cast. The film also does a great job of bringing its environments to life, fully enveloping the viewer in its murky New Zealand locations. Strong stuff.

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Posted by on 4 December, 2012 in Lists, Top 10 of a year

 

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Things I wonder about in films

What’s going on in all the windows on Jeff’s side of the yard in Rear Window? We only get to see what happens across from him.

In Crank, how does Chelios get into the swimming pool on the roof of a bad guy’s building without any of the security guards noticing?

Just when the hell is it safe to feed a mogwai if you can’t do it “after midnight”? I know they touched on this in Gremlins 2, but there’s still no answer.

Primer. In general.

Has Brian Cox ever been young?

If Lloyd and Harry in Dumb & Dumber are such morons, how do they come up with that clever ploy to get back at Sea Bass in the diner? It’s pretty much the only smart thing they do in the entire film.

In Demolition Man, they mention that the 61st amendment allows naturalized citizens to become president. So what are all the other new amendments about?

Why is La Padite chopping at a tree stump at the beginning of Inglourious Basterds?

In Drive, why are the strippers so calm during the hammer scene?

What is that accent Rooney Mara is using in the trailer for The Girl with the Dragon Tattoo? It’s certainly not Swedish.

 
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Posted by on 10 December, 2011 in Misc.

 

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