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Monthly Report: October + November 2013

Another month or two, another bunch of movies seen. October was a bit middling with few real highlights, but November picked up in a big way. November 11 in particular was a great day, with two 5/5 movies seen, something I don’t think has ever happened before. Good times.

Fright Night (Craig Gillespie, 2011)
A solid horror movie, albeit one with few surprises along the way. What I really liked about it was how the characters and their reactions felt largely believable. They filled standard parts for a horror film, but they did in such a way that they didn’t come off as mere archetypes. That was cool, and a spark of just the kind of thing I’d expect from the director of Lars and the Real Girl.
3/5

Room 237 (Rodney Ascher, 2012)
I wouldn’t take any of the theories on Stanley Kubrick‘s The Shining presented in this documentary as anything resembling facts, but it’s nonetheless quite fun to listen to people talk about something they’re passionate about and have devoted a lot of time to. It’s all fairly well executed and presented, but it does get a bit samey at times. Perhaps a shorter run time would have been a nice idea.
3/5

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God Bless America (Bobcat Goldthwait, 2011)
As subtle as a bowling ball, and roughly as sharp, but at its best, it’s a really funny black comedy; at its worst, it’s Goldthwait soap-boxing in the guise of 10 minutes long montages of TV parodies. It’s a good movie, but hardly a step forward from his previous film World’s Greatest Dad.
3/5

Good Bye Lenin! (Wolfgang Becker, 2003)
A sweet story combined with an interesting look at East Germany at the time of the fall of the Berlin Wall. While the basic premise of a lie that needs to be upheld is far from rare, the setting and earnestness makes it work here. A fun and fairly touching watch.
4/5

Magic Mike (Steven Soderbergh, 2012)
The acting is the strong point of the film, with Channing Tatum doing everything right in the lead and Matthew McConaughey putting in a supporting turn that’s charisma all the way through. The story is fine, but you’d expect a Soderbergh movie about male strippers to either have more to say, or at least put a fresher spin on things. There’s a lot of angles that could be explored here, and it feels like there’s plenty of missed opportunities. Not the director’s bravest effort.
3/5

A Nightmare on Elm Street (Wes Craven, 1984)
Very 80s-y. Freddy is more goofy than anything, and the ending is awful, but it does have its moments. Although not many.
2/5

The Eye (David Moreau & Xavier Palud, 2008)
Jessica Alba sees something scary and freaks out. Repeat a thousand times. Roll credits. Weak horror movie with a story that moves at a snail’s pace.
2/5

Avalon (Axel Petersén, 2011)
Kind of dry, like many Swedish films tend to be. Johannes Brost puts in a strong lead performance, and really shines when his character is stricken by guilt. Those scenes are the highlight of the film. The rest, I could take or leave. The ending is pretty but weak.
2/5

side-effects1

Side Effects (Steven Soderbergh, 2013)
Twisty, tense and entertaining thriller that keeps you on your toes throughout. The antidepressant element of the plot helped introduce some welcome ambiguity to the proceedings, and Rooney Mara puts in a performance at least as good as the one in The Girl with the Dragon Tattoo. Just a damn solid film.
4/5

The Innkeepers (Ti West, 2011)
Perhaps not so much a slow-burner as a late-starter, The Innkeepers lulls you into first thinking it’ll be one certain kind of horror film, only to carefully flip your expectations upside down – or at least 90°. By the end of it, the tension and atmosphere had me clutching my pillow tightly. Great pacing, wonderful execution, and a very compelling set of lead characters. Best horror film I’ve seen in quite some time.
4/5

Win Win (Tom McCarthy, 2011)
There’s little particularly new or noteworthy about the story and characters in this film, but fine execution goes a long way and makes this a solid and enjoyable watch regardless. With a lesser cast, this could have turned out really weak.
3/5

Martha Marcy May Marlene (Sean Durkin, 2011)
While there’s a lot to like about this film, the best reason to see it is to witness Elizabeth Olsen‘s terrific performance in the leading role. There’s a lot of tricky emotions at play for her character, and she nails it all. The rest of the movie can’t really hope to match it fully, but that says more about Olsen than anything else. It’s a fascinating character study, as much about paranoia as about cult life, and while the ending really caught me off guard, it did so in a way that made me reevaluate what the film was really trying to say. And that’s fine. As is the movie.
4/5

The Guard (John Michael McDonagh, 2011)
Brendan Gleeson is in fine form here, playing a somewhat grumpy policeman. He and Don Cheadle have plenty of fun interactions with one another, rising above your usual “buddy cop” routines. The plot itself might be somewhat familiar, but that’s not what you should be here for; the Irishness of both the humor and the tone is what makes the film stand out.
4/5

We Need to Talk About Kevin (Lynne Ramsay, 2011)
The opening scene had me immediately enthralled. 10 minutes in, I had found 10 or so things about this film I really loved. And then it just kept on going at that same high level. A horrific tale to be sure, but it’s impossible to tear one’s eyes from the screen. A top-notch performance by Tilda Swinton, and Ramsay’s directing is flawless. Had I seen this when I was first getting into movies some years ago, it would have blown my damn mind. Even watching it now, it still does.
5/5

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Gravity (Alfonso Cuarón, 2013)
I wasn’t all that enamored by Cuarón’s much-beloved previous film Children of Men, finding it visually impressive but sterile to a fault in terms of story and characters. I was thus a bit wary of Gravity, in spite of all the praise it has been receiving. Well, Gravity is good. It’s really good. Great, in fact. The visuals are certainly the highlight here too, but they’re combined with solid characters (Sandra Bullock has probably never been better), thematic food-for-thoughts, and more suspense and excitement than you can shake a stick at. Wonderful.
5/5

Headhunters (Morten Tyldum, 2011)
Cool Norwegian thriller that ramps up and transforms as it moves along. Some of the more comedic parts feel a bit out of place, but that’s about the only major gripe I have with the film. Everything else is pulled off really well, which makes for a captivating ride.
4/5

Skyfall (Sam Mendes, 2012)
Exhilarating action scenes, solid plot and characters, interesting theme of old vs new, expert pacing, and visually stunning. That last thing is almost done to a fault, as there were times when the flashy cinematography took me out of the moment. Overall, however, this is a very fine action film, one of my favorite Bond movies, and another winner from Sam Mendes.
4/5

Six Degrees of Separation (Fred Schepisi, 1993)
Six Degrees of Separation somewhat fails to get its point across, and the transition from stage to screen is not a particularly smooth one. Whether Will Smith is just ill-suited for this kind of theater material or whether it was just too early in his career for him to tackle it, I’m not sure. He’s not bad, but his part is one that ought to sparkle, and it doesn’t here. The cast is fine for the most part, though the acting is lacking in “oomph” until Stockard Channing‘s big emotional scene towards the end.
2/5

Total # of new films seen: 18
Average score: 3.4 / 5
Best film of the months: We Need to Talk About Kevin
Worst film of the months: The Eye

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Posted by on 1 December, 2013 in Monthly Report

 

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How I filled out an awards ballot

Flickchart: The Blog is right in the middle of the 2nd Annual Flickcharters’ Choice Awards. I took part last year for the inaugural installment and wrote a post about my experience as a nominator. This year, things were done a bit differently: the nomination voting was open to the public and not just to the contributors to the Flickchart blog.

The nominees were announced last night, and with that, the voting for the eventual winners has begun (go here to cast your votes). I won’t say too much about the nominations; a lot of it is for things I haven’t seen yet, so while I am disappointed that so many of my nomination votes didn’t go through, I can’t rightfully say with certainty that they deserve to be in over stuff that did make it.

Instead of talking about what did get nominated, I thought I’d share my ballot for the nomination phase. Voting was done with a point distribution system that allowed you to give extra push to certain nominees, but I’m keeping it simple here and just sharing my five picks for each category in alphabetical order.

Entries in blue are ones that ended up making the cut for nominations.

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5 Broken Cameras

Best Documentary Film
5 Broken Cameras
How to Survive a Plague
Indie Game: The Movie
The Invisible War
The Queen of Versailles

I didn’t see a whole lot of 2012 documentaries, to be perfectly honest. The only ones I saw and didn’t nominate were Mansome and Jiro Dreams of Sushi. That said, these five films are all interesting in their own rights. Three of them are Oscar nominees, one should have been, and the last is one of those narrow interest pieces that just happens to be within my field of interests.

Kon-Tiki

Kon-Tiki

Best Foreign Language Film
5 Broken Cameras
Eat Sleep Die
Kon-Tiki
Oslo, August 31st
A Royal Affair

Four of these films are from Scandinavia, so maybe I’m biased here. I knew that Eat Sleep Die would have a hard time gaining traction with anyone else, considering how very Sweden-centric it is and its limited international distribution, but it’s a great film that deserved a spot here on my ballot. This isn’t the last category it shows up in.

Best Animated Film
This is the one category I had to abstain in. I’ve seen zero animated films from last year, and I don’t have much desire to either apart from Wreck-It Ralph and Frankenweenie.

Mansome

Mansome

Biggest Disappointment of 2012
John Dies at the End
Mansome
Moonrise Kingdom
Silent Hill: Revelation 3D
Take This Waltz

A hard category for me to fill out. I even had to put Moonrise Kingdom in here, a film that I for all intents and purposes liked. Most of what I’ve seen from 2012 has lived up to most of the expectations I had for it.

21 Jump Street

21 Jump Street

Biggest Surprise Film of 2012
21 Jump Street
Chronicle
Dark Shadows
Goon
The Grey

The counterpoint to  the previous category, these were all films that ended up being better than I expected. Granted, a few here were ones that the hidden good word had gotten around about by the time I saw them, like 21 Jump Street and Chronicle. Even so, judging by the expectations I initially had, they still fit in nicely here.

The Queen of Versailles

The Queen of Versailles

Best Underranked Film
Eat Sleep Die
The Invisible War
Killer Joe
Oslo, August 31st
The Queen of Versailles

This is a Flickchart specific category that ties into the site’s core mechanic of comparing and ranking films. You can think of it as Best Film Not Seen By Many. So here we have a motley crew of documentaries, foreign language films, and one “totally twisted deep-fried Texas redneck trailer park murder story”. If you’re looking for some hidden gems of last year, you’d do well to check out these five.

Before Midnight

Before Midnight

Most Anticipated Film of 2013
Before Midnight
Oldboy
Only God Forgives
The Place Beyond the Pines
Sin City: A Dame to Kill For

Make no mistake: this category is all about Before Midnight for me. The rest is filler.

Rock of Ages

Rock of Ages

Most Underrated Film
The Grey
Kon-Tiki
On the Road
The Queen of Versailles
Rock of Ages

The words “underrated” and “overrated” are ones I rarely use. Just who is it that’s rating it higher or lower than me? Here, I latched onto the further guideline supplied by awards supervisor Ross Bonaime: “film you thought didn’t get the audience it deserved”. Loosely interpreted, this can go for all five of these films.

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Moonrise Kingdom

Most Overrated Film
American Reunion
The Hobbit: An Unexpected Journey
Lockout
Moonrise Kingdom
Take This Waltz

Or “film you thought received more attention than it deserved”. Like Biggest Disappointment, I had to nominate a number of films here that I actually liked: American Reunion, The Hobbit, and Moonrise Kingdom. These all got more attention than what I felt their quality warranted. Then we have the terrible Lockout, which, bafflingly, some people thought was okay, and Take This Waltz, which of the five is probably the closest to the usual interpretation of “overrated.”

Silent Hill: Revelation 3D

Silent Hill: Revelation 3D

Worst Film of 2012
Bad Ass
Get the Gringo
Killing Them Softly
Lockout
Silent Hill: Revelation 3D

I didn’t like any of these films, but the first three mentions on the list are at least not terrible. I suppose I should be quite happy with the movie year of 2012 based on that.

Life of Pi

Life of Pi

Best Scene in a 2012 Film
The chicken scene – Killer Joe
“I Dreamed a Dream” – Les Misérables
“Valjean’s Soliloquy” – Les Misérables
Pi wanting to show God to the tiger – Life of Pi
“Wanted Dead or Alive” – Rock of Ages

This is a new category for this year, and a fun one it is. There was a lot of scenes I regretfully had to leave off, and some that I just forgot outright – the surgery scene in Prometheus should probably have gotten a mention from me, for instance. Still, this is a cool list. I could have put more Les Mis on it, perhaps.

Looper

Looper

Best Writing in a 2012 Film
Rian Johnson – Looper
Amy Jump and Ben Wheatley – Kill List
Tracy Letts – Killer Joe
David Magee – Life of Pi
Gabriela Pichler – Eat Sleep Die

Ever since watching the great screenwriting documentary Tales from the Script, I’ve been reluctant to praise or complain about screenwriters, because you never know if that great line of dialogue was theirs or an ad-lib, or whether that weird story turn was something they wanted or if it was due to executive meddling. I also don’t really know anything about screenplays, so what this category really reflect for me is well-crafted dialogue and/or interesting stories. Looper, Kill List and Killer Joe are ones I admire for their sheer ambition and out-there-ness. Life of Pi is a unique tale that must have been a real challenge to adapt. Eat Sleep Die is a marvel in Swedish film in that it actually reflects how people talk in real life, rather than the “theater on film” way of speech so common in movies in this country.

Oslo, August 31st

Oslo, August 31st

Best Directing in a 2012 Film
Joe Carnahan – The Grey
Tom Hooper – Les Misérables
Ang Lee – Life of Pi
Ridley Scott – Prometheus
Joachim Trier – Oslo, August 31st

Like writing, directing is hard to judge, and easy to confuse with cinematography, editing and so much more. What these five films have in common is that they’re presented with a clear vision of what they want accomplished. A unified view, if you will. They’re all films I admire, too.

Kristen Stewart - On the Road

Kristen Stewart – On the Road

Best Supporting Actress in a 2012 Film
Samantha Barks – Les Misérables
Emily Blunt – Looper
Anne Hathaway – Les Misérables
Alison Pill – Goon
Kristen Stewart – On the Road

A relatively weak slate of nominees from me, admittedly. The performances are all good, but apart from the amazing Hathaway and the novelty factor of Barks – who inside word says was very close to getting nominated – none of these are likely to be ones I remember five years from now. I should probably have put Gina Gershon and/or Juno Temple from Killer Joe in here in retrospect. Sometimes I forget things.

Matthew McConaughey - Killer Joe

Matthew McConaughey – Killer Joe

Best Supporting Actor in a 2012 Film
Tom Cruise – Rock of Ages
Michael Fassbender – Prometheus
Garrett Hedlund – On the Road
Matthew McConaughey – Killer Joe
Andy Serkis – The Hobbit: An Unexpected Journey

I wasn’t sure whether McConaughey should be here or in Best Actor for the title part of Killer Joe, but ultimately, I figured that a case could be made for either, and it was easier to slot him in here. I’m a bit surprised that my fellow Flickcharters didn’t spring for Fassbender here, but hey, I guess Django Unchained needed its three spots.

Noomi Rapace - Prometheus

Noomi Rapace – Prometheus

Best Actress in a 2012 Film
Kara Hayward – Moonrise Kingdom
Nermina Lukac – Eat Sleep Die
Noomi Rapace – Prometheus
Alicia Vikander – A Royal Affair
Michelle Williams – Take This Waltz

I did not notice this until I submitted my ballot, but there are three Swedes represented here: Lukac, Rapace, and Vikander. Cool stuff. Still, this category is proof that I really need to see more female-centric stuff from 2012. I very reluctantly put Williams here: it’s a fine enough performance, but I had serious trouble buying into the character – something I ultimately attribute more to the writing.

Hugh Jackman - Les Misérables

Hugh Jackman – Les Misérables

Best Actor in a 2012 Film
Anders Danielsen Lie – Oslo, August 31st
Hugh Jackman – Les Misérables
Liam Neeson – The Grey
Seann William Scott – Goon
Suraj Sharma – Life of Pi

If you had told me just a year ago that I would put Stiffler on a ballot for Best Actor, I might have laughed at you. Still, he knocked it out of the park in Goon, so good for him.

A Royal Affair

A Royal Affair

Best Overall Cast in a 2012 Film
Jeff, Who Lives at Home
Killer Joe
Les Misérables
On the Road
A Royal Affair

A Royal Affair earned Vikander a mention in Best Actress, but I had her two co-stars Mads Mikkelsen and Mikkel Følsgaard in Actor and Supporting Actor in my initial draft of the ballot. Les Mis got in in spite of Russell Crowe. If there’s one shining example here though, it’s Killer Joe. Everyone in that film was at the top of their game.

Gabriela Pichler

Gabriela Pichler

2012 Outstanding Achievement in Film
Joe Carnahan
Joseph Gordon-Levitt
Matthew McConaughey
Gabriela Pichler
Channing Tatum

This is a very loosely defined category. Generally, nominees tend to be actors who have been in multiple films, or writer/directors. I had three of the former, two of the latter. I did make one big omission here: Anne Hathaway. She did strong work in The Dark Knight Rises and breaks my heart over and over in Les Mis. She should definitely have been here instead of one of the male actors. Oh well.

The Grey

The Grey

Best Picture of 2012
The Dark Knight Rises
The Grey
Les Misérables
Life of Pi
The Queen of Versailles

Here’s another thing I didn’t realize until just now: this is the only category I nominated The Dark Knight Rises for. It sounds weird, but I’m fine with that. That film just worked as a whole, and was a fitting end to the trilogy. It, and the rest of the films here, represent the best of what I’ve seen from 2012 so far.

 
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Posted by on 6 February, 2013 in Lists, Misc.

 

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