RSS

Tag Archives: Berenice Bejo

Monthly Report: March 2012

This is the start of what might turn out to be a recurring feature on this blog. Many of my fellow movie bloggers do something similar. The concept is simple: I talk briefly about all the films I saw for the first time this month. Mini-reviews, if you will.

The Abyss (James Cameron, 1989)
The Special Edition, for the record. Yet another impressive outing for Cameron, with the underwater setting providing most of the film’s memorable moments. The claustrophobic atmosphere is palpable, putting us right down there with the crew of oil-drillers on the ocean floor as they try to determine what caused a submarine to crash. It’s a great action film overall, though the ending feels a tad drawn-out and anticlimactic.
4/5

The Artist (Michel Hazanavicius, 2011)
Considering my extremely limited experience with old silent cinema, I’m probably not the intended demographic for this nostalgia-trip. I’m sure there’s a lot of allusions and homages in this one that I didn’t fully catch. Fortunately, this one can survive regardless based on its charm alone. The story isn’t anything special by itself – though intrensically linked with its style – but it’s a pleasant watch with what should in a fair world be two star-making performances from Jean Dujardin and Berenice Bejo.
3/5

Persona (Ingmar Bergman, 1966)
I was a bit wary of this film when I sat down to watch it. I had heard it could be a bit “difficult” and “strange”, and my previous experience with Bergman (Through a Glass Darkly) hadn’t quite knocked me over. Well, this one did, and with gusto. Wonderfully acted and thematically rich, but more than anything else, this may well be the most beautifully shot black & white film I’ve seen so far. I’m finally starting to see what Ebert is on about when he keeps praising B&W over color. Persona might well turn out to be the most significant movie-watching I do this entire year.
5/5

Read the rest of this entry »

 
10 Comments

Posted by on 2 April, 2012 in Monthly Report

 

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

“Final” 2011 Oscars Predictions

I haven’t been keeping quite as close a look at the Oscars race this awards season as I have the last few years. I’m not entirely sure why this is, but the result is that I find it hard to make confident predictions in quite a few categories. And it’s not even like last year, where a lot of uncertainty basically boiled down to whether The King’s Speech or Alice in Wonderland would pick up the most arts and crafts wins, or just how strong The Social Network still was. This year, there are plenty of categories where I have trouble even boiling things down to two possible winners. Then again, I did really poorly with my guesses last year – thanks to overconfidence in The King’s Speech, stubborn and ill-conceived faith in Annette Bening, and those damn short categories – so perhaps being a bit aloof about things will turn out to be a blessing.

So for what it’s worth, here are my picks in the various categories. They’re final, unless I change my mind. My predicted winners are in BOLD CAPS.

BEST PICTURE

THE ARTIST
The Descendants
Extremely Loud & Incredibly Close
The Help
Hugo
Midnight in Paris
Moneyball
The Tree of Life
War Horse

Back in September when the race was still wide open, I made a baseless guess that the unseen War Horse would turn out to be the eventual Best Picture winner. At the end of 2011, The Artist had established itself as the front-runner, yet I had a hunch that it would run out of steam and not end up the victor. Well, here we are a few days away from the ceremony, and I have to concede that I was wrong on both of those occasions. It’s hard to see The Artist losing at this point.

BEST DIRECTOR

Woody Allen – Midnight in Paris
MICHEL HAZANAVICIUS – THE ARTIST
Terrence Malick – The Tree of Life
Alexander Payne – The Descendants
Martin Scorsese – Hugo

Most of the time, Best Picture and Best Director go hand in hand. Yet year after year, there’s always people predicting a split between the two. This is rarely wise, as when a split does happen, it’s always a major surprise – think Crash / Brokeback Mountain. So I’m playing it safe and going with Hazanavicius.

Read the rest of this entry »

 
7 Comments

Posted by on 22 February, 2012 in Oscars

 

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,