Tag Archives: Alfred Hitchcock

Monthly Report: February 2013

As expected due to work, February was a drastic step back in terms of movie quantity to me. 13 new films seen, compared to January’s 42. Such is life. This month offered an even mix of the good and the bad.

Videocracy (Erik Gandini, 2009)
What happens to a country when its president owns 90% of its TV channels? Videocracy takes a look at Italy during media mogul Silvio Berlusconi’s reign as its leader, where TV is – seemingly – all lurid junk and everyone’s obsessed with celebrity. The depiction of Italian television prompts quite a few eyebrow-raising “Is this for real?” reactions in the early goings, but beyond the surface level, there really isn’t much to this documentary. Why not explain how Berlusconi could rise to power? Is there really no alternative to what he’s offering? The film grows less and less focused as it goes on, and there’s no real attempt at analyzing anything. This subject deserves a better film.

The Phantom of the Opera (Joel Schumacher, 2004)
I love musicals, but this was some pretty dull stuff. Some of the tunes are good, but there’s little emotion in the singing – or in the acting, for that matter. Gerard Butler in particular is an ill fit to play the Phantom, not managing to inject him with either danger or magnetism. The plot just goes on and on and on, and by the end of it, I had completely stopped caring. Nice sets, though.


Bridesmaids (Paul Feig, 2011)
Sometimes I hate writing these mini-reviews for comedies, because it feels like there’s not that much to say other than “it was funny” or “it was not that funny”. Well, this one was funny. Really damn funny. There’s also the much mentioned novelty factor of having a raunchy comedy like this centering around women, so that’s cool too. What really helps to push this one up to greatness levels is the emotional resonance it has regarding friendship, envy, adulthood, relationships and more. Tremendous. Kristen Wiig rules.

2001: A Space Odyssey (Stanley Kubrick, 1968)
Certain movies you just keep hearing so much about that you start drawing incorrect conclusions about them. I actually expected to dislike this film. I had gotten the idea in my head that this was some dreadfully slow incomprehensible mumbo-jumbo. Which it isn’t. It’s a fascinating story, a true showcase of special effects and audio magic, and an experience quite of its own nature. I won’t pretend to entirely understand the meaning of the ending, but I believe it was Ingmar Bergman who said of his films that he didn’t care if you understood them, as long as they made you feel something. That definitely goes for this one. I wish I can see it on the big screen someday. That must be a trip.

North by Northwest (Alfred Hitchcock, 1959)
Another good Hitchcock thriller. I’ve come to expect no less from him. I enjoyed the humor in this one, as well as the overt chemistry between Cary Grant and Eva Marie Saint. That finale is quite masterful, too.

Ip Man 2 (Wilson Yip, 2010)
A worthy follow-up to the first Ip Man film. The fight scenes are as cool and crisp as ever, Donnie Yen in the lead is still immensely likeable, and the story is solid indeed. The climactic fight is pretty great, thanks to a novel premise and a bad guy who you just long to see get his comeupance. This one’s an easy thumbs up.


Lifeboat (Alfred Hitchcock, 1944)
There’s some interesting notions going on in this film about the deterioration of civilized manners when man is under duress. The humor works for the most part too, but the story is ultimately a bit thin, and the pacing is uneven. I’d say all things considered, this is a good movie, but my least favorite Hitchcock so far.

Compliance (Craig Zobel, 2012)
It would be so very easy to dismiss the actions of the characters in this film as unbelievable, if not for the fact that this really did happen. Multiple times. With the film being, from what I’ve gathered, a very faithful recreation of one case of it. Mind-blowing, and crucial for the whole film to not buckle and collapse under the weight of the whole thing. There’s little wrong with the execution, and it’s a very compelling watch.

Safety Not Guaranteed (Colin Trevorrow, 2012)
“It could have been better” sounds like a negative thing to say about a film. I don’t think it necessarily is. Some mediocre movies are just as good as they could have ever hoped to be. There’s nothing there to make you think they could have been great. Time travel movie Safety Not Guaranteed, however, could definitely have been better. This is, in a way, a good thing, because it means there are great ideas and talent present here. If it had just been tighter and more focused thematically. If the sub-plot with Jake Johnson‘s asshole character had felt more relevant to the main story. If the tone of comedy had been more consistent throughout. If all these things had been, this could have been great. As it is, it’ll have to settle for good. It did make me want to learn to play the zither, though.


Ruby Sparks (Jonathan Dayton & Valerie Faris, 2012)
A clever script and some thoughtfulness go a long way. An interesting and funny take on the idea of the perfect mate. Between this one and Little Miss Sunshine, it seems like Dayton and Faris are the ones who truly know how to get the best out of Paul Dano. He was great in LMS, and he’s great here too.

The House of the Devil (Ti West, 2009)
Cool little slow-burn horror film that emulates the look and feel of the genre of the 70s and 80s. The atmosphere and scares are mostly effective, but the climax can only be described as a letdown.

Morgan Pålsson – World Reporter (Fredrik Boklund, 2008)
A film about an incompetent reporter (Anders Jansson) who finds himself in the thick of a revolution in a north African country. This movie is a prime example of everything that’s wrong with Swedish comedy. Predictable jokes, one-dimensional characters, moronic plot, and not the tiniest hint of energy or an edge anywhere. Terrible.

Argo (Ben Affleck, 2012)
Not my pick for Best Picture of the year, but a fine movie it was nonetheless. It’s a fascinating story, and the tension is ramped up very effectively as it builds to its climax. While I prefer Gone Baby Gone and The Town, this is yet another impressive directorial effort by Ben Affleck, who seemingly can do no wrong these days.

Total # of new films seen: 13
Average score: 3.3 / 5
Best film of the month: Bridesmaids
Worst film of the month: Morgan Pålsson – World Reporter


Posted by on 28 February, 2013 in Monthly Report


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Monthly Report: January 2013

I have no idea how this happened. I thought December was very movie-intense at 30 new films seen. Well, in January, I saw 42. Plenty of good stuff was at hand, including two terrific Best Picture Oscar nominees that stuck in my head for days and required multiple trips to the cinema. I did quite a bit of last minute catching up on documentaries and foreign language films of 2012 for award nominating purposes, too. Gotta love Netflix. February will have more work on its plate for me, so I expect there to be less time for movies. Then again, you never know…

13 Assassins (Takashi Miike, 2010)
Fitting choice to open 2013 with, don’t you think? This is a more accessible and to me far more enjoyable film than what Miike tends to put forth. The first half is decent enough talky set-up; it’s nothing mind-blowing, but it does what it’s supposed to. The second half is the real gem here though, featuring some of the most badass samurai action I’ve ever seen. Just tremendous stuff, and a great way to kick off movie year 2013.

All Good Things (Andrew Jarecki, 2010)
I’m not sure why this film has to exist, or why anyone should have to see it. It’s not bad or anything; in fact, there are scenes that are quite impressive, especially the ones focusing on the central characters’ relationships towards each other, which are more complex than what one first suspects. The actors all put in solid efforts, too. It’s just that the story as a whole, despite being based on true events, doesn’t really feel like it’s anything special. There is some awkwardness to the way it jumps around in its timeline. It’s a watchable movie, but by no means a must-see.

ADVENTURES OF TINTIN, THE SECRET OF THE UNICORNThe Adventures of Tintin (Steven Spielberg, 2011)
Oh, this was a joy to watch. I grew up with the Tintin comics, so this had a lot of nostalgia value for me. It’s way more than just that, though. It’s a hilarious movie, with Captain Haddock providing the lion’s share of laughs, but pretty much all the humor is right on the mark. The animation is teriffic and offers such beauty that it made me wish I had seen it in theater. The action is cool and imaginative, with the astounding “long take” chase scene being just the crown jewel of a big old pile of gold. What I found most impressive was how well Spielberg utilizes the animation format, smartly employing angles, shots and effects in cool ways that would have been tricky to pull off in live action. All in all, this is a teriffic film. The 2015 sequel can’t get here soon enough.

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Posted by on 31 January, 2013 in Monthly Report


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Monthly Report: April 2012

Looks like this will be a recurring feature after all! Here are the films I saw for the first time during the month of April, along with mini-reviews and ratings.

Horrible Bosses (Seth Gordon, 2011)
There are a few fairly funny lines in this one, but the real reason it (barely) succeeds is the cast. They have fun with their characters and find the right tone for the material – Kevin Spacey in particular is spot-on as one of the bosses. I have some pretty big problems with the plot, which is contrived in a non-funny way and feature more logic gaps than what’s easy to swallow. Overall, I guess the movie was okay, but I don’t see myself ever revisiting it.

Pleasantville (Gary Ross, 1998)
It’s always a delight when a movie grows as it goes along and becomes something richer than you expected. I had figured this one would be merely a fun-poking of old 50s sitcoms, and it looked that way at first. But then it changes and evolves, finding nuances in unexpected places and bringing up thoughts and ideas I though would be left unexplored. And what a stunning blend of black & white and color! Wonderful stuff. I wish I had seen this one before I made my Top 10 of 1998 list. It would have made the cut for sure.

We Bought a Zoo (Cameron Crowe, 2011)
Very formulaic for sure, with few surprises to behold to anyone who has seen this kind of drama-comedy before. But it’s sweet, it’s charming, it offers a surprisingly high amount of laughs, and the cast all put in solid efforts – from Matt Damon and Thomas Haden Church to Angus Macfadyen and Elle Fanning.  We Bought a Zoo might not be Cameron Crowe’s most daring work, but it has a lot of heart.

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Posted by on 30 April, 2012 in Monthly Report


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