I didn’t end up seeing many movies this month. I get into these slumps once a year or so where I just don’t feel like checking much stuff out. Maybe it’s some way for me to recharge my internal movie battery or something. I’ll probably snap out of it within the next month or two.
For those keeping track, I broke one of my New Year’s Resolutions for 2013 this month by failing to watch a Swedish film. It’s unfortunate, but it happens. I’ll try to make up for it later in the year.
Bachelorette (Leslye Headland, 2012)
Yeah, it seems unlikely that this would have been made if not for the success of (the superior) Bridesmaids. That doesn’t mean that Bachelorette isn’t pretty damn funny in its own right, though. I much enjoyed Kirsten Dunst as the alpha bitch. I liked how Rebel Wilson‘s character was treated as a human being rather than someone to laugh at – I prefer how she’s handled here to Melissa McCarthy in Bridesmaids, for comparison – and both Isla Fisher and Lizzy Caplan nail their respective characters. I had a lot of fun with this one.
Better Off Dead (Savage Steve Holland, 1985)
Wacky absurd humor proves an ill fit for this formulaic high school rom-com plot. I did get a kick out of the kid riding around on his bike trying to get his two dollars from John Cusack, but the rest of the film was a bit of a dud.
Bully (Lee Hirsch, 2011)
This documentary packs a heavy emotional punch. I found myself getting angry during parts of this one: angry at the bullies, and angry at the teachers who fail to do anything. The film presents its stories in a compelling way, switching between various persons with their own experiences with bullying, and it’s shot in a nice and varied way. I would have liked a bit more depth to it all, though. Why not try to find out what makes some kids into bullies, or show what effects being bullied can have on someone when they reach adulthood. Still, this is a very affecting film, and one that avoids usual pitfalls of the genre. See it.
Holy Motors (Leos Carax, 2012)
It was cool to look at, and the multi-faceted performance by Denis Lavant is impressive, but as a whole, this film did little for me. I like my movies a bit more accessible.
Cassandra’s Dream (Woody Allen, 2007)
What I liked most about this Woody Allen murder-drama was all the little ironies that kept popping up. It’s a very well-written movie with characters acting in ways that make sense, even though the situations may be extreme. Colin Farrell and Ewan McGregor are both competent co-leads, but it’s Tom Wilkinson who really shines in a supporting role.
Whale Rider (Niki Caro, 2002)
Simple but sweet story about tradition and progressiveness, aided by its exotic setting and moving performances. Young Keisha Castle-Hughes in the lead is the obvious stand-out, surpassing most actors her age and delivering quite the money scene at around the 2/3 mark of the film.
Duck Soup (Leo McCarey, 1933)
My first Marx Brothers film. As with my other sampling of old comedies, this one took quite a while before it enveloped me in its groove. I did end up liking it though, largely thanks to Groucho and his motormouth. I’m not sure if I’ll watch more of them or not, though. I’m more intrigued by Chaplin.
Dredd (Pete Travis, 2012)
There are some obvious similarities to The Raid here, especially that the two films share the same premise of a small group tackling a towering apartment building filled with criminals. But whereas The Raid focused on martial arts, Dredd opts for a more old school American action vibe. It works on its own merits, and it does enough things differently to hold up nicely even next to the superior The Raid. That said, I get the feeling that more could have been done with the Judge Dredd character. I don’t know for sure, as I haven’t read the comics or seen the Stallone flick, but there seemed like there was unexplored territory here.