Time for more Flickcharting! For those still unfamiliar with the website Flickchart, here’s the gist of it: You’re presented with two random movies. Pick the one you like the most. Repeat until the end of time.
Last time I did this, I had Flickchart pick movies out of all the films I’ve seen. This time, I’m restricting the selections to the films currently in my top 100 on Flickchart – based on all my previous rankings. This should lead to harder decisions, as these 10 match-ups will all be between movies that I love.
Take it away, Flickchart!
Black Swan vs Bridge to Terabithia
Bridge to Terabithia always deserves more love than it currently has. Always. It may be my favorite movie about childhood, and watching it is a wonderful experience. It’s so much better than what the misleading marketing made it seem. So it’s with heavy heart that I can’t give it the win here. Black Swan is such an intense film, and a terrific production in all regards, from the cinematography to the acting. The final scene always leaves me breathless.
Winner: Black Swan
Best Worst Movie vs Take Shelter
There are plenty of things that I like about Best Worst Movie, the documentary on the notoriously bad Troll 2 and its cult following, but one part that really stood out to me was when they visited Margo Prey, who played the mother in Troll 2. At first, I just laughed at how out there she was, but gradually, that gave way to thoughts of “Wow, she’s really in a bad state.” It’s quite the shift from the generally humorous tone of the rest of the documentary. And then you have the scene at the convention, where both the Troll 2 people and the viewers come out of the bubble and are reminded that cult following is not the same thing as wide-spread fame. Two great documentary moments. Now, Take Shelter is a nuanced and engaging movie with a powerhouse performance by Michael Shannon, but I had fonder reactions to BWM.
Winner: Best Worst Movie
The Wrestler vs Little Miss Sunshine
I’ve gone back and forth a bit on Darren Aronofsky‘s The Wrestler since its release. I loved it when I first saw it, but on a subsequent rewatch, I felt the story was a wee bit too familiar, and I docked it a point in my review of it. Since then, my appreciation for it has risen again, largely due to how cleverly it uses its pro wrestling subject matter to create a different vibe from most sports dramas. “Sports”-wise, it’s not about a guy proving that he’s better than others; it’s about a guy willingly putting his health at risk because it’s all he knows how to do. It’s a unique beast, that film. That said, there is nothing in the movie quite as great as the rollercoaster of emotions that is Little Miss Sunshine’s climax, and while Mickey Rourke‘s performance in The Wrestler is worthy of all the praise it has gotten, there is a lot of fun to be had in the many ways the members of Little Miss Sunshine’s ensemble cast interact with each other. Plus, I’m a sucker for comedies.
Winner: Little Miss Sunshine
Hero vs Stranger Than Fiction
This is a case of where I appreciate the two films for very different things: Hero for its jaw dropping visuals and twisty Rashomon-esque storytelling, Stranger Than Fiction for its performances and quirky plot. Hero wins though, because it’s pretty much the most gorgeous-looking movie ever.
Life of Pi vs Groundhog Day
Life of Pi was the first movie I ever paid to see more than once in theaters. Like Hero above, it’s a stunning achievement in visual splendor, and the story it tells is one I adore for many reasons. It is, however, sadly lacking in Bill Murray at his best and snarkiest. Groundhog Day also has quite the nostalgia factor for me, which proves to be too much for Life of Pi to overcome.
Winner: Groundhog Day
The Rules of Attraction vs Requiem for a Dream
Flickchart is in an Aronofsky kind of mood today, it seems. Three films in six match-ups so far. Funny, that. Roger Avary’s The Rules of Attraction is a film I enjoy championing, because it rarely gets the credit it deserves – especially next to that other Bret Easton Ellis adaptation American Psycho. It’s great, wickedly funny, kind of alcoholic, and has some real teeth to it. If you haven’t seen it, you’d do well to check it out. Not that it’s better than Requiem for a Dream or anything, however. I saw Requiem early in my cinematic awakening, and it was a real eye-opener to me in terms of what was possible to achieve with directing and editing, not to ention the story that had me totally reeling. As an aside, it’s fun to note that the Victor segment of The Rules of Attraction owes a lot to Requiem’s hip hop montage editing style.
Winner: Requiem for a Dream
The 40-Year-Old Virgin vs Lost in Translation
One of my Flickchart philosophies is that there should be no “automatic” wins. Just because I call Lost in Translation my favorite movie doesn’t mean that the match-up shouldn’t warrant full consideration (in fact, I never would have realized that it was my favorite movie if not for this philosophy, as described here.) So let’s look at the opposition here. The 40-Year-Old Virgin is pretty much the cream of the crop of the Judd Apatow brand of comedy. It’s hilarious, the cast is hitting on all cylinders, and there’s real affection for the main character and his plight. I’d call it one of the finest laugh-out-loud comedies of the 2000s. There. Case made. Lost in Translation is still better. Its meditative nature and profound tale still strikes all the right chords for me, and it keeps growing all the more relevant to me for every year as I traverse the age gap between Charlotte and Bob.
Winner: Lost in Translation
High Fidelity vs The Ice Storm
Two movies about relationships here. Well, kind of. High Fidelity very much is, whereas The Ice Storm focuses more on a specific time and place (70s American suburbia) and the way people and families operated during this era. The Ice Storm is arguably the deeper of the two, and its approach to its themes is impressive considering that it’s directed by non-American Ang Lee. Even so, High Fidelity is a movie I find more relatable, and its blend of outright comedy and introspection is handled wonderfully. Having read Nick Hornby‘s source novel, I’m also in awe of what a skillful adaptation it is. Oh, and it has Jack Black‘s best performance ever.
Winner: High Fidelity
Man on the Moon vs Forrest Gump
Oh, this is a tough one. My gut reaction is to go with Forrest Gump due to its emotional and touching story, but the more I think about it, the more I lean towards the Andy Kaufman biopic. It’s the one movie where I can actually forget that I’m watching Jim Carrey, as he does a great job of inhabiting the Kaufman character. Compare this to Forrest Gump, which is more a case of “Tom Hanks is sure acting the hell out of this movie.”
Winner: Man on the Moon
The Woodsman vs American Beauty
Remember how I said that Lost in Translation is the movie I tend to call my favorite? Well, that used to be American Beauty, which to this day holds a special place in my heart. The Woodsman, on the other hand, is the film that made me a certified Kevin Bacon fan through his stunning performance as Walter. Both movies deal with the touchy subject matter of adult men lusting after younger girls, with The Woodsman fully focused on this whereas American Beauty has this as just one aspect of main character Lester’s mid-life crisis – and said crisis is still just one part of everything 1999’s Best Picture winner deals with. This thematic multitasking is part of what I like so much about it. The Woodsman is a more harrowing film, and certainly the more fearless one, but superior to American Beauty it is not.
Winner: American Beauty