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Monthly Archives: April 2012

Monthly Report: April 2012

Looks like this will be a recurring feature after all! Here are the films I saw for the first time during the month of April, along with mini-reviews and ratings.

Horrible Bosses (Seth Gordon, 2011)
There are a few fairly funny lines in this one, but the real reason it (barely) succeeds is the cast. They have fun with their characters and find the right tone for the material – Kevin Spacey in particular is spot-on as one of the bosses. I have some pretty big problems with the plot, which is contrived in a non-funny way and feature more logic gaps than what’s easy to swallow. Overall, I guess the movie was okay, but I don’t see myself ever revisiting it.
3/5

Pleasantville (Gary Ross, 1998)
It’s always a delight when a movie grows as it goes along and becomes something richer than you expected. I had figured this one would be merely a fun-poking of old 50s sitcoms, and it looked that way at first. But then it changes and evolves, finding nuances in unexpected places and bringing up thoughts and ideas I though would be left unexplored. And what a stunning blend of black & white and color! Wonderful stuff. I wish I had seen this one before I made my Top 10 of 1998 list. It would have made the cut for sure.
5/5

We Bought a Zoo (Cameron Crowe, 2011)
Very formulaic for sure, with few surprises to behold to anyone who has seen this kind of drama-comedy before. But it’s sweet, it’s charming, it offers a surprisingly high amount of laughs, and the cast all put in solid efforts – from Matt Damon and Thomas Haden Church to Angus Macfadyen and Elle Fanning.  We Bought a Zoo might not be Cameron Crowe’s most daring work, but it has a lot of heart.
4/5

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Posted by on 30 April, 2012 in Monthly Report

 

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Rewatch Review – No Country for Old Men (2007)

WARNING: This review contains plenty of spoilers. Proceed at own risk.

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Posted by on 27 April, 2012 in Reviews, Rewatch Reviews

 

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Self-plug – From Book to Screen: Bret Easton Ellis

I recently wrote a post for Flickchart: The Blog about the different film adaptations there have been of Bret Easton Ellis‘ books so far – Less Than Zero, American Psycho, The Rules of Attraction, and The Informers. It’s similar to a series called The Book and the Movie that I’ve done at this blog from time to time. I look at what has changed in the transition from page to screen, what works, and what doesn’t.

Please do give it a read. It can be found right here:
http://www.flickchart.com/blog/from-book-to-screen-bret-easton-ellis/

 
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Posted by on 26 April, 2012 in Books, Links

 

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Money, money, money!

Today, the designs for the new Swedish money were revealed. Cinephiles might recognize the faces that adorn two of the bills.

Yeah, that’s right: we’re getting money with Greta Garbo and Ingmar Bergman on it! This is a real thing that’s happening! Granted, it’s still off in the future; I believe the new money won’t start being printed until 2015 or so. Still, this is pretty cool, no? I’m looking forward to walking around with these in my wallet.

 
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Posted by on 24 April, 2012 in News, Pictures

 

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Fifty Wishes

John LaRue over at TDYLF recently wrote a fun blog post called Fifty Wishes, which was just that: fifty things he wished for when it came to movies. I really like the idea, so I decided to steal swipe borrow it for a post of my own. Make sure to head over to John’s blog and read the original post as well, though; he’s a great writer.

There may be some mild spoilers for certain movies in this list, but I’ve done my best to limit it to things that are either fairly common knowledge or what can be reasonably expected. Still, if you don’t want to know how Rocky ends, proceed at own peril.

(I’d like to apologize preemptively for any grammar mistakes. I pride myself on having a good grasp of the English language for someone who doesn’t have it as his primary tongue. However, “wish” is a tricky thing grammatically, and while I have tried to look up what verb forms to use, I’ve probably messed up here and there anyway.)

1. I wish Shannyn Sossamon were a major star.

2. I wish David Fincher will find better use for his considerable talent than directing the sequels to The Girl with the Dragon Tattoo.

3. I wish to someday get the chance to see the unreleased Glitterati.

4. I wish I had gotten interested in movies earlier.

5. I wish all films ever made were available through digital distribution all over the world.

6. I wish there were a wider range of theaters around where I live.

7. I wish the story in Nine were as good as some of the song numbers.

8. I wish more screenwriters had the level of imagination that Charlie Kaufman has.

9. I wish I “got” war movies and westerns.

10. I wish Julie Delpy‘s plans to stop acting don’t come into effect before there’s a sequel to Before Sunset.

11. I wish Amélie lives happily ever after.

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Posted by on 23 April, 2012 in Lists, Memes

 

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My Top 10 Favorite Movies of 1997

Here we go with another list of my favorite films of a given year. This time we’re in 1997. The year when we found out that the Terminator movies weren’t accurate predictions of the future as Skynet didn’t take over on August 29. The year when “MMMBop” reigned supreme on the pop charts. The year when James Cameron released a little film that would go on to obliterate the cash registers at the box office. The year when Lady Di met an unfortunate end. And, of course, plenty of good movies.

As usual, this list only counts movies with a stated release year of 1997 according to IMDB.

Honorable mentions: Boogie Nights, The Fifth Element, Life is Beautiful, Suicide Kings, Titanic

10 – CUBE (Vincenzo Natali)

“No more talking. No more guessing. Don’t even think about nothing that’s not right in front of you. That’s the real challenge. You’ve got to save yourselves from yourselves.”

A group of people wake up in a maze consisting of cube-shaped rooms. Some of the rooms contain deadly traps. There. That’s an effective two-sentence summary of Cube’s premise. While there are scenes of gruesome deaths, the focus lies primarily on the characters and how they cope with each other as they try to figure out where they are, why they’re there, and how they can get out. With claustrophic tension to spare, this Canadian thriller is not one to miss.

9 – PERFECT BLUE (Satoshi Kon)

“You bad girl! You have to follow the script!”

Perfect Blue is a must-see for anyone who liked Darren Aronofsky‘s Black Swan as they deal with similar themes: uncertainty of what’s real, pressure to succeed, and the psychological effects of sex. Here we follow a young famous pop artist who decides to switch gears and become an actress, only to find herself stalked by an all-seeing obsessed fan who thinks her a traitor. At only 80 minutes, Perfect Blue is a very condensed psychological thriller that packs a heavy punch.

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Posted by on 19 April, 2012 in Lists, Top 10 of a year

 

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Review – On Her Majesty’s Secret Service (1969)

It seems difficult to review a James Bond movie in a vacuum. There always have to be comparisons to previous and future installments. What does it do differently? What’s the same? How’s this Bond actor compared to the others? As such, it seems relevant to point out that I’m not overly familiar with the franchise. I watched some Bond films back when I was younger, but I don’t remember much of them, save for GoldenEye though admittedly more due to the Nintendo 64 game than the film itself. Since my cinematic awakening a few years ago, I have revisited GoldenEye and seen Casino Royale (the recent one), Octopussy and Live and Let Die for (I think) the first time. Casino Royale is my favorite of these, in large parts due to its effort to humanize Bond. I have little love for the Moore films and their focus on comedy. I have little memory of seeing any of the Sean Connery films. There. That’s my prior experience with Bond.

In On Her Majesty’s Secret Service, Bond (George Lazenby) isn’t immediately tasked with saving the world. Instead, the plot focuses on his relationship with Tracy (Diana Rigg), a rebellious woman whom Bond saves from a suicide attempt in the opening scene of the film. After a few more encounters with her, he is contacted by her father Marc-Ange Draco (Gabriele Ferzetti), head of a Corsican crime syndicate. Draco wants Bond to keep romancing Tracy in order to provide stability and control to her tumultuous life. Reluctant at first, Bond eventually agrees when he in exchange is promised information that might lead him to the whereabouts of his arch-enemy Ernst Stavro Blofeld (Telly Savalas). Blofeld is eventually revealed to have another sinister plan in the making, this time determined to blackmail the world with the threat of a sterility virus that could knock out entire species of plants and animals.

Barring the non-canon Casino Royale from 1967, On Her Majesty’s Secret Service was the first James Bond film not to have Sean Connery in the role of 007. Reviews at the time generally weren’t kind to Lazenby’s effort here compared to the original Bond. I’m coming from the opposite direction and have recently watched Roger Moore in the role, and I think Lazenby does an acceptable job. His Bond is not quite as charming as other portrayals of the character, but he brings an effective vulnerability to the part. He’s not infallible. Lazenby handles the action scenes particularly well. It’s fun to watch him fight, while he also makes sure to convey a sense of danger to the proceedings. Lazenby originally signed on for seven films, but following the advice of his agent, he announced during shooting that this would be his only Bond movie. A shame, as while there is some stiffness to his acting, there’s enough promise here to make me believe he would have grown into the role with time.

The brunt of the movie is set in and near a ski resort in the Swiss Alps, where 007 infiltrates Blofeld’s secret base. This setting allows for a number of exciting action scenes. Skis, avalanches, cable cars and bob sleighs all come into play, and there’s also a pretty great chase sequence at a stock car race. The director, Peter Hunt, had worked as editor on the previous five Bond films, and this experience pays off here as the action is fast, impactful and exciting to behold. Rather than relying on gadgets and trickery, Bond here has to use his physicality instead. Barring some obvious bluescreen work at times, most of the action scenes stuff would hold up well in modern films.

On Her Majesty’s Secret Service is noteworthy for having a Bond girl that Bond actually falls in love with, to the point where he’s prepared to abandon his life as a secret agent for her. This romance is perhaps not handled as well as it could have been. We get a montage as he and Tracy start dating, but there’s not much real spark there. Bond is back to his womanizing ways soon after. Eventually there is realization and declaration of love, and while this works nicely, it would have been better had there been a bit more groundwork laid. Just a shot of Bond’s troubled face after one of his conquests to show the effect that Tracy has had on him would have gone a long way. No matter. I bought into the relationship as the film reached its climax, and the emotional payoff is certainly there at the teriffic ending.

I really enjoyed this movie. Much like Casino Royale, it manages to make James Bond a real human character rather than just an invincible super agent. The villains are effective and memorable, both Savalas’ Blofeld and his henchwoman Irma Bunt (Ilse Steppat). I was entertained throughout, and the ending really made me want to find out what would happen to 007 next. This is something neither of the Roger Moore films I’ve seen recently has managed. On Her Majesty’s Secret Service ranks among my favorite Bond movies seen so far.

Score: 4/5

 
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Posted by on 12 April, 2012 in Reviews

 

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